Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
"While hospitalized with an extreme case of psoriasis, novelist Dan Dark reworks his first book in his head. Feverish, paranoid and prone to musical outbreaks, he confuses himself with his protagonist, a detective investigating the murder of a prostitute in 1950s Los Angeles." Written by
Written by Jack Rhodes
Published by Trio Music Company, Inc. (BMI); Fort Knox Music, Inc. (BMI); Beechwood Music Corp. (BMI)
Performed by Gene Vincent
Courtesy of Capitol Records
Under license from EMI Film & Television Music See more »
Hey, I liked it. There were good things: Gibson unrecognizable as the shrink, Downey at his best, whacky story, pastiches of film noir, mind mystique, Touches of Freud, Jung... but it's not perfect. Some confusions persist: Downey as the frustrated, nonintrospective, horny writer whose imagination has taken over his life is often whining. His round-heeled mother has few redeeming features, the shifts between real and irrealis is jerky..., and so on. It's easy to find fault with a complex tale and one in which there are so many loose ends and ravelings but what do you take away with you when it's all said and done? Reading through the comments here, I came across the usual "I didn't like this..." and "I didn't like that..." comments. OK. Not every one likes pistachio ice cream. I love to see, hear and consider other views because it makes me reexamine my own impressions. Of interest to me was the recurring theme of confusion in these commentaries. I shared much of that because of the less than smooth transitions in the switches to irreality and the flashbacks. In films where the observers are given admittance to the inside of the performer's head, must be a melange of images, themes and mini-scenes because, alas, that's the way the mind works. So, from an audience perspective, it works for some and won't for others because, alas again, that is the way OUR minds work. Sorry to wax so psychiatrically but films like this one, as imperfect as it is, can tell us a lot about ourselves.
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