Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Robert Downey Jr.,
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
"While hospitalized with an extreme case of psoriasis, novelist Dan Dark reworks his first book in his head. Feverish, paranoid and prone to musical outbreaks, he confuses himself with his protagonist, a detective investigating the murder of a prostitute in 1950s Los Angeles." Written by
Written by Earle Hagen
Published by Shapiro, Bernstein & Co., Inc. (ASCAP)
Performed by The Viscounts
Courtesy of Arista Records, Inc.
Under license from BMG Special Products, Inc. See more »
I have neither read the novel nor seen the original mini-series. A relative was enthralled with both, so seeing this listed on my cable guide I decided to give it a shot. I knew only the basic premise - that the film would be centered around a writer of pulp detective fiction who fantasizes about the lives of his characters as a way to escape his debilitating chronic skin disease. This was a good impression to enter this movie with, though far from complete. The 'singing detective' is the main character in Dan Dark's first novel, and an imaginary alter-ego existing in a seedy film-noir world of pulp fiction, in which Dark has encoded all of the traumas of his emotionally disturbing life. Meanwhile, Dark himself lies in a hospital bed incapacitated by some form of chronic leprosy and spreading a message of hate to everybody who dares to try to help him. The film focuses - though rather impressionistically - on Dan Dark's psychological journey during a prolonged hospital stay.
Without the background most viewers of this film might approach it with, I can only view it as an outsider, judging it only on its own merits. There are a few major problems which immediately come to mind. First - The Singing Detective is slated as a comedy. While I suppose some people might see it as a dark comedy, I am afraid that I found none of it funny whatsoever. Obnoxious, mean-spirited verbal violence does not amuse me. Second - though I do not have the insider perspective needed to support this idea (I haven't even read any IMDb reviews of this film), I suspect that the film leaves a lot of the development of its basic theme - of healing - out. Paradoxically, this problem seems to develop because of the nearly exclusive focus on Downey's deeply disturbed and paranoid character Dark, and his hospital antics. Yes, he's a very difficult patient - we get that right away - but is it necessary to drive it home scene after scene after scene? Downey's Dark is a blend of Woody Allen and Dustin Hoffman's Rainman, while his "Singing Detective" is a cold-fish hybrid of Humphrey Bogart, Bob Mitchum and all of the other noir detectives ever seen on the big screen. And he sings (this is a fact which is neither explained nor well-developed, but I am sure that the silly 1950s RnR tunes are the only venue for positive emotions the character allows himself). Downey's performances are, as usual, good, but they fail to sustain the entire film (which they are, unfortunately, asked to do). Mel Gibson, playing the hospital psychoanalyst, steals the show, despite his decidedly minor though important role. The rest - the pretty young nurse, the ambiguous wife, and the characters inhabiting Dark's fantasies and later his hallucinations are all well written and performed, but fail to compensate for the somewhat dull development of the central theme.
Good films based on unfamiliar literary works always make me want to read the original material (Master and Commander, The World According to Garp, and Bladerunner are some examples). When I see a good film based on a book I am familiar with (LOTR, Cider House Rules, Minority Report, The Shining, Solaris, for example) I approach it with a head full of expectations. With this film, I had only a palm full of expectations, and, though my review may sound negative, I was pleasantly surprised. The film dove unexpectedly deep, but in the end, came up a little empty-handed for me. Nor did I expect the film to be as breezily entertaining as it was. Balancing breezy entertainment and deep psychological drama (not to mention literary comedy and plenty of music) is a difficult task. Though The Singing Detective ultimately fails in this ambitious goal, it is still worth seeing, if nothing else, as an appetizer for the mini-series - which I will borrow from my relative post-haste.
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