| Photos (See all 29 | slideshow) | Videos (see all 2) |
| Campbell Scott | ... | David Hurst | |
| Denis Leary | ... | Slater | |
| Robin Tunney | ... | Laura | |
| Peter Samuel | ... | Larry | |
| Hope Davis | ... | Dana Hurst | |
| Jon Patrick Walker | ... | Mark | |
| Gianna Beleno | ... | Lizzie Hurst | |
| Lydia Jordan | ... | Stephanie Hurst | |
| Cassidy Hinkle | ... | Leah Hurst | |
| Adele D'Man | ... | Carol | |
| Kathleen Kinhan | ... | Virgin | |
| Sara Lerch | ... | Virgin | |
| Lori Mirabal | ... | Virgin | |
| Mark Ethan | ... | Conductor | |
| Flora Martínez | ... | Female Patient (as Flora Martinez) | |
| J. Tucker Smith | ... | Handsome Patient | |
| Kevin Carroll | ... | Dr. Danny | |
| Kate Clinton | ... | Elaine | |
| Herbie Ade | ... | Male Patient (as Herbert Ade) | |
| Aisha De Haas | ... | Policewoman | |
| Susie Essman | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Randy Clark | ... | Student (uncredited) | |
Directed by | |||
| Alan Rudolph | |||
Writing credits(WGA) | ||
| Jane Smiley | (novella "The Age of Grief") | |
| Craig Lucas | (screenplay) | |
Produced by | |||
| Jonathan Filley | .... | executive producer | |
| Martin Garvey | .... | executive producer | |
| David Newman | .... | executive producer | |
| Campbell Scott | .... | producer | |
| George VanBuskirk | .... | producer | |
Original Music by | |||
| Gary DeMichele | |||
Cinematography by | |||
| Florian Ballhaus | |||
Film Editing by | |||
| Andy Keir | |||
Casting by | |||
| Pam Dixon | (as Pam Dixon Mickelson) | ||
Production Design by | |||
| Ted Glass | |||
Art Direction by | |||
| Anna Louizos | |||
Set Decoration by | |||
| Alyssa Winter | |||
Costume Design by | |||
| Amy Westcott | |||
Makeup Department | |||
| Sherry Heart | .... | key hair stylist | |
| Susan Reilly LeHane | .... | key makeup artist | |
| Tania Ribalow | .... | assistant makeup artist | |
Production Management | |||
| Jonathan Filley | .... | unit production manager | |
| John A. Machione | .... | unit production manager (as John Machione) | |
| Kelly Miller | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jan Sebastian Ballhaus | .... | first assistant director | |
| Francisco Ortiz | .... | dga trainee | |
| Danielle Rigby | .... | second assistant director | |
Art Department | |||
| Gregg Anaroni | .... | set dresser | |
| Wayne Brackett | .... | set dresser | |
| Joseph DeLuca | .... | on-set dresser | |
| Sarah Dennis | .... | art department assistant | |
| Peter Gelfman | .... | property master | |
| Caroline Irons | .... | camera scenic artist | |
| Eric Lewin | .... | set dresser | |
| Robin McAllister | .... | additional props | |
| Robin McAllister | .... | property assistant | |
| Addy McClelland | .... | art coordinator | |
| Jeff Naparstek | .... | set dresser | |
| Will Scheck | .... | second props | |
| Mark Paul Selemon | .... | on-set dresser (as Mark Selemon) | |
| Greg Sullivan | .... | charge scenic artist | |
| Chris Vogt | .... | lead man | |
| Dave Weinman | .... | lead man | |
Sound Department | |||
| Nancy Cabrera | .... | foley artist | |
| Ryan Collison | .... | foley engineer | |
| Gerald Donlan | .... | adr editor | |
| Mariusz Glabinski | .... | sound effects editor | |
| Marlena Grzaslewicz | .... | supervising dialogue editor | |
| Bruce Kitzmeyer | .... | sound editor | |
| Thomas Kodros | .... | stereo sound consultant: Dolby | |
| Kevin Meehan | .... | boom operator | |
| Branka Mrkic | .... | dialogue editor | |
| Anne Pope | .... | assistant sound editor | |
| Schavaria Reeves | .... | additional boom operator | |
| Schavaria Reeves | .... | cable person | |
| William Sarokin | .... | production sound mixer | |
| Ira Spiegel | .... | supervising sound editor | |
| Suzie Hollander | .... | dailies synching (uncredited) | |
| David Yonson | .... | adr recordist (uncredited) | |
Visual Effects by | |||
| Janos Pilenyi | .... | visual effects producer | |
| Ariel Enriquez Saulog | .... | visual effects artist | |
Stunts | |||
| Norman Douglass | .... | stunt double | |
| Roy Farfel | .... | stunt coordinator | |
| Don Hewitt | .... | stunt coordinator | |
| Jodi Michelle Pynn | .... | stunt double | |
| Keith Siglinger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert M. Andres | .... | key grip | |
| Alison Barton | .... | grip | |
| Mel Cannon | .... | dolly grip | |
| Caesar S. Carnevale | .... | second assistant camera (as Caesar Carnevale) | |
| Andy Day | .... | gaffer | |
| Samuel G. Friedman | .... | electrician | |
| Charlie Grubbs | .... | lamp operator (as Charles Grubbs) | |
| Michael Hunold | .... | lamp operator | |
| Hollis Meminger | .... | camera loader | |
| Heather Norton | .... | first assistant camera: "a" camera | |
| Rocco Palmieri | .... | best boy electric | |
| John Panuccio | .... | grip (as Jack Panuccio) | |
| Michael Lee Reed | .... | generator operator | |
| Joyce Rudolph | .... | still photographer | |
| Chris Skutch | .... | best boy grip | |
| Susan Starr | .... | camera operator | |
Casting Department | |||
| Beth Bowling | .... | casting: New York | |
| David H. Kramer | .... | adr voice casting | |
| Kim Miscia | .... | casting: New York | |
| Grant Wilfley | .... | extras casting | |
| Rebecca Rian | .... | casting assistant (uncredited) | |
| Kristian Sorge | .... | extras casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Diana J. Collins | .... | set costumer | |
| Jessica Jahn | .... | costume assistant | |
| Pamela Kezal | .... | wardrobe supervisor | |
| Lisa Marzolf | .... | wardrobe supervisor | |
Editorial Department | |||
| Charlene Hamer | .... | first assistant editor (as Char Hamer) | |
| Fred Heid | .... | color timer | |
| Misako Shimizu | .... | assistant film editor | |
| Aaron Yanes | .... | editing production assistant | |
Music Department | |||
| John M. Davis | .... | music editor | |
| Lee Mars | .... | music scoring mixer | |
| Jonathan McHugh | .... | music supervisor | |
| Henry Salgado | .... | musician | |
Transportation Department | |||
| Kevin Flynn | .... | transportation co-captain | |
| Edward O'Donnell | .... | transportation coordinator (as Ed O'Donnell) | |
Other crew | |||
| Tara Andrus | .... | office production assistant | |
| Brian Cantaldi | .... | first assistant accountant | |
| Alison S. Cohen | .... | production counsel | |
| Christina Dukagjini | .... | office production assistant | |
| Tracy Ershow | .... | set production assistant | |
| Kimberly Feinman | .... | location assistant | |
| Cliff Fuller | .... | assistant production office coordinator | |
| Amy R. Gorin | .... | location assistant | |
| Meghan McElheny | .... | set production assistant (as Meghan McElhenry 'Irish') | |
| Anthony Pettine | .... | script supervisor | |
| David Price | .... | production coordinator | |
| Kimberly Reiss | .... | assistant: Mr. Rudolph | |
| Jason Rody | .... | key production assistant | |
| Peter Samuel | .... | dialogue coach: children | |
| Steven Weisberg | .... | assistant location manager | |
| Mimi Wyeth | .... | production accountant | |
| Tom Yeager | .... | location manager | |
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| Cousin Bette | Freeway | Intermission | A Map of the World | Saraband |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Alan Rudolph has come out, again, a winner with this taut dramatic comedy. The screen play by Craig Lucas, and based on a Jane Smiley's book, is a story about what happens to a married couple that is overwhelmed with the daily wear and tear of their suburban boredom.
David Hurst discovers at the very beginning of the film that his wife might be having an extra marital affair. The only problem is, he never gets to know who this person is that his wife, Dana, is seeing on the sly. All appearances point out to the fact that his dentist wife, has found someone that satisfies her more than the good husband.
Now, is it real, or is Dave seeing things? It's very easy to think that yes, Dana is cheating on her husband, yet, we never get any conclusive evidence this is so.
The wife, evidently, in this marriage is overwhelmed by her own life. She has her own practice as a dentist; she is a full fledged mother with three little girls that are showing signs of collective neurosis at a very early age in life, and she is an member of the chorus of the local opera company, which consumes all the free time she has.
Therefore, Dana's relationship with Dave suffers as they don't communicate. We never see them confronting what's wrong with their marriage, or what's driving them apart. Dave never has the courage to question Dana about her odd behavior. He is a coward who would rather keep a status quo and would never question the wife he clearly adores. There is a hidden drama between these two that never comes out in the open at all. It is a miracle they have stayed together for as long as they have since by all apparent reasons, this marriage should have been over a long, long time ago.
Campbell Scott is an actor whose face registers all the emotions this David Hurst is feeling without much effort. His take on this dentist is so incredible that one feels he is the real dentist at all times. One wouldn't mind going to him for a root canal, or any dental problem, as you know he is a decent person, even when he treats the patient from hell, Dennis Leary, at the beginning of the film.
Hope Davis is perfection herself in her approach to Dana. She is the mother of the three troubled little girls, as well as the wife of Dave. She hasn't enough time to pursue all she wants in life. Maybe she married David for the wrong reasons; perhaps she should have left this situation a long time ago. Who knows what's on her mind? Ms Davis is a fine actress who always delivers. In the hands of Alan Rudolph she is at the top of her form.
The three little Hurst girls are fine as the daughters of Dave and Dana and Dennis Leary is excellent as Dave's conscience in a very subtle role that he makes it his own.