Michael Adler has run away from his suburban home with his little brother Dylan. Hiding out in a quiet, rural town, Michael's convinced he can make a better life for both of them. While ... See full summary »
Bill wakes up from a coma in a hospital ward, raving about tissue regeneration experiments, final injections, organ transplants and having been cryogenically frozen. Battling flashbacks of ... See full summary »
Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is... See full summary »
Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and ... See full summary »
Lesley Ann Warren
Glenn and Vance are taxicab-driving NYC detectives taking up the case of tourists (Tunney, Erbe) who are robbed of their money and luggage by a shady limo driver. But all parties have their... See full summary »
Courtney B. Vance,
A portrait of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealer-ship owner that's on the ... See full summary »
There is a boom mic visible in the upper right of the screen in the scene where the father comes to check on the mother while she's sick in the bedroom. As the camera zooms in, the mike disappears from the frame. See more »
Now, you should really listen to her because she is on the ball.
Nobody asked you, ya big slimebucket!
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First of all, the front page review for this movie makes me wonder if the person actually watched the film. Or perhaps s/he got up to get some popcorn during an especially critical scene, but we definitely do find out whether or not David (Campbell Scott) is correct is in belief that Dana (Hope Davis) is having an affair.
Secondly, this was a good, honest character driven movie. I was shocked at the low overall score, and I wonder whether most moviegoers these days lack the patience or attention span required to sit through a film whose sole purpose is to take the audience on a tour through the characters' relationships and private hopes, fears, and desires. There is virtually no action (in the typical Hollywood sense), no flash, and no monumental act of god or nature that is meant to shock. Instead, this is a film that all of us should be able to relate to on the most simple, human levels. It examines those day to day pieces of life that we take for granted, but which quietly take their toll. Perhaps the most profound line in the film is when Davis' character tells her husband that she expected their marriage to "get wider...but instead it just got smaller." The film reminded me a lot of another character-driven film about misunderstandings, dysfunctional relationships, and the inability to communicate: "You Can Count on Me." Both films are deeply intelligent, and both require their audiences to be as open and honest in what they allow themselves to get from the film as the movie is in giving it. In a nutshell, you will get out of this film what you are willing to put in. That being said, it's not for everyone. If you like fast action, melodrama, and lots of flash and glitter, this film is not for you. In you like a contemplative, honest piece of art, check it out.
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