Gorgeous Dutch youngster Max has two passions, acting and girls. The first becomes his brilliant career, which takes off so well he gets invited to a prestigious New York theatre course for... See full summary »
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Gorgeous Dutch youngster Max has two passions, acting and girls. The first becomes his brilliant career, which takes off so well he gets invited to a prestigious New York theatre course for a year. But since he met fickle bitch Phileine in an Utrecht park, his flirting life is cut short while she cruelly plays with his feelings rather then his horny body. After refusing to follow him, she turns up uninvited later and still acts jealous and possessive. Grief follows for everyone, working up to a convoluted finale. Written by
At the end, when Phileine runs towards Max at the AIDS benefit, the singer of the band is the background isn't doing anything although we *do* hear the band perform. See more »
Lotti, the mother:
I just want you to know there are two kinds of fidelity in a relationship: love fidelity and sex fidelity. Your father gives me love, depth and peace; and Antonio, Anand, Costas and Mustapha help me crease the sheets. For those moments in life when the underbelly conquers the brain. When euphoria, ecstasy, despair...
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At most times books and movies have very different styles and completely different constructed stories. Some of the book stories and styles simply don't translate well to the big screen. The book "Phileine zegt sorry" written by Ronald Giphart is one of those books that doesn't translate well to the big screen. As a movie "Phileine zegt sorry" leaves a pointless impression. It's one of those movies which makes you wonder after you have seen it; Why did I even watched this in the first place?
It's pretty obvious throughout the entire movie that it's one based on a novel. It features some typical book elements that I'm sure work well in the book but feel completely pointless in the movie. It also has some characters walking around in the movie that feel absolutely pointless and serve no purpose at all. On top of that it's incredibly irritating that most of the New York characters are played by Dutch actors, almost as if there weren't any available actors in New York. their American-Dutch accents are notable and at points even irritating.
The two main actors Kim van Kooten and Michiel Huisman are really great but van Kooten couldn't prevent me from being irritated by her character Phileine at times. Her character is over-the-top and really pushes it at times. I would had dumped her almost immediately! but again, this is not van Kooten's fault, she plays her character with lots of profession and passion., simply blame the story.
Appereantly this was supposed to be a comedy but there are no real laughs here. Also as a drama it isn't serious enough. I think this is the main reason why this movie leaves an overall pointless impression. The movie is just mostly about Phileine talking rudely about mainly sex and acting like an uncontrollable young hormone filled-woman.
The movie however deserves credit for how it looks. The cinematography by Bart Pot is most excellent, especially for the scene's in New York, where this movie is set for about two-third of the entire movie. The editing by Peter Alderliesten keeps the pace high. Robert Jan Westdijk isn't an horrible director he has just been given horrible material to work with.
I can't think of any reason why someone should ever watch this movie.
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