| Photos (See all 38 | slideshow) | Videos (see all 3) |
| Sarah Polley | ... | Ann | |
| Amanda Plummer | ... | Laurie | |
| Scott Speedman | ... | Don | |
| Leonor Watling | ... | Ann, the Neighbor | |
| Deborah Harry | ... | Ann's Mother | |
| Maria de Medeiros | ... | The Hairdresser | |
| Mark Ruffalo | ... | Lee | |
| Julian Richings | ... | Dr. Thompson | |
| Kenya Jo Kennedy | ... | Patsy | |
| Jessica Amlee | ... | Penny | |
| Esther García | |||
| Camille Martinez | (as Camille Martínez) | ||
| María Cami | |||
| Deanne Henry | ... | Waitress | |
| Gillian Barber | ... | Nurse #1 | |
| Errin Clutton | |||
| Jerry Thompson | |||
| Morgan Brayton | ... | Nurse #2 | |
| Sam Barnett | |||
| Lauren Diewold | ... | Nurse #2 - Young | |
| Neezor Elerezeli | |||
| rest of cast listed alphabetically: | |||
| Sonja Bennett | ... | Sarah (uncredited) | |
| Tyron Leitso | ... | Guy in Bar (uncredited) | |
| Alfred Molina | ... | Ann's Father (uncredited) | |
Directed by | |||
| Isabel Coixet | |||
Writing credits(in alphabetical order) | ||
| Isabel Coixet | writer | |
| Nanci Kincaid | book "Pretending the Bed is a Raft" | |
Original Music by | |||
| Alfonso de Vilallonga | |||
Cinematography by | |||
| Jean-Claude Larrieu | |||
Film Editing by | |||
| Lisa Robison | |||
Casting by | |||
| Heidi Levitt | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Carol Lavallee | |||
Art Direction by | |||
| Shelley Bolton | |||
Set Decoration by | |||
| Shelley Bolton | |||
Costume Design by | |||
| Katia Stano | |||
Makeup Department | |||
| Melanie Burke | .... | hair stylist | |
| Diana Davison | .... | key makeup artist | |
| Maria Gleeson | .... | makeup swing | |
Production Management | |||
| Dan Schlanger | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gurjit Chohan | .... | third assistant director | |
| Debra Herst | .... | second assistant director | |
| Sandra Mayo | .... | first assistant director | |
Art Department | |||
| Paul Brown | .... | assistant set decorator | |
| Tim Higgins | .... | set dresser | |
| Rubén Rivas | .... | graphic designer | |
| Craig Stokes | .... | property master | |
| Amy Wilding | .... | on-set dresser | |
Sound Department | |||
| Biel Cabré | .... | assistant sound editor | |
| Manuel Corrales | .... | foley artist | |
| Viorel Ghiocel | .... | boom operator | |
| Patrick Ghislain | .... | sound re-recording mixer | |
| Albert Manera | .... | sound editor | |
| Albert Manera | .... | sound supervisor | |
| Iván Mayoral | .... | assistant sound re-recording mixer | |
| Albert Nieto | .... | assistant sound editor | |
| Fabiola Ordoyo | .... | sound editor | |
| Sebastian Salm | .... | sound | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Bill Mills | .... | special effects coordinator | |
Visual Effects by | |||
| Pedro Martínez | .... | digital effects artist | |
| José Rossi | .... | digital effects artist: titles | |
| Pablo Urrutia | .... | digital effects artist | |
Camera and Electrical Department | |||
| Bob Akester | .... | still photographer | |
| Jim Bach | .... | video playback operator | |
| Trevor Berry | .... | best boy grip | |
| Natasha Braier | .... | director of photography: second unit (as Natasha Brier) | |
| Pascal Pillot-Bruhat | .... | gaffer | |
| Thomas Ryan Pilon | .... | key grip | |
| Richard Porta | .... | second assistant camera | |
| Adrienne Richards | .... | camera loader | |
| Jeff Seeger | .... | lamp operator | |
| Randy Swanson | .... | grip | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| L.A. Hilts | .... | extras casting (as Lesleyanne Hilts) | |
| Coreen Mayrs | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Judith Feller | .... | truck costumer | |
| Marie Hock | .... | costumer | |
| Patti Rempel | .... | assistant costume designer | |
| Roza Savvas | .... | set costume supervisor | |
Editorial Department | |||
| Irene Blecua | .... | assistant editor: Spain | |
| Ascen Marchena | .... | post-production assistant | |
| Kristian Olsen | .... | assistant editor | |
Music Department | |||
| Ricky Arailza | .... | musician: acoustic guitar | |
| Emili Brugalla | .... | musician: piano | |
| Miguel Ángel Cordero | .... | musician: double bass | |
| Lucio Godoy | .... | music producer | |
| Farran James | .... | musician: violin | |
| Olvido Lanza | .... | musician: violin | |
| Manuel Martínez del Fresno | .... | musician: cello | |
| Chop Suey | .... | composer: song "Humans Like You" | |
| Montse Valle | .... | musician: viola | |
Transportation Department | |||
| Frank Guadagno | .... | driver: cast | |
| Ben Liljedahl | .... | transportation captain | |
| Rico Rogers | .... | transportation coordinator | |
Other crew | |||
| Barbara Chisholm | .... | assistant production coordinator | |
| Adela Donamaría | .... | production secretary | |
| Ashley Fester | .... | production assistant | |
| Covadonga R. Gamboa | .... | production coordinator: Spain | |
| Lola García | .... | office manager | |
| Jaye Gazeley | .... | assistant location manager | |
| Beatriz Gordo | .... | assistant production accountant: Spain | |
| Russ Hamilton | .... | location manager (as Russ 'Moviegod' Hamilton) | |
| John Knowlton | .... | production assistant | |
| Jane McKernan | .... | production accountant | |
| Peter Munro | .... | location scout | |
| David Rockwell | .... | production accountant | |
| Ana Sanz | .... | secretary to producer | |
| Paz Sufrategui | .... | unit publicist | |
| Denise Szabo | .... | craft service | |
| Denise Szabo | .... | first aid | |
| Abigail Tucker | .... | production coordinator | |
| Óscar Valero | .... | production accountant: Spain | |
| Anne Worrall | .... | script supervisor | |
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| Kings & Queen | Music from Another Room | Madame Bovary | Persepolis | The Painted Veil |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
Ann lives in a trailer with her considerate but not very thought-provoking husband and their two children. The trailer is very crowded and so is Anna's life. A mother at 17 Anna has never had any time to ponder about her life but she knows it might not be very fulfilling. When she finds out that she is terminally ill she has to face the choices she has made and that was made for her. She decides to make a list of all the things she wants do in the short time she has left, both big and small. This is where Mark Ruffalos character, a considerate and thought-provoking love-interest, makes an entrance.
This films moves slowly towards the inevitable end without ever becoming boring. The relationships between the characters are displayed by emotions and subtlety rather than words. The film has a very sad theme but is in many ways very hopeful. It shows that life can trap people down but also that every person has something special which can be used to change lives. I found this film to be warm, unsentimental, thoughtful, sad and uplifting. A bit like life itself.
If you liked this film as much as I did I can recommend Wilbur wants to kill himself and Before sunset.