| Photos (See all 38 | slideshow) | Videos (see all 3) |
| Sarah Polley | ... | Ann | |
| Amanda Plummer | ... | Laurie | |
| Scott Speedman | ... | Don | |
| Leonor Watling | ... | Ann, the Neighbor | |
| Deborah Harry | ... | Ann's Mother | |
| Maria de Medeiros | ... | The Hairdresser | |
| Mark Ruffalo | ... | Lee | |
| Julian Richings | ... | Dr. Thompson | |
| Kenya Jo Kennedy | ... | Patsy | |
| Jessica Amlee | ... | Penny | |
| Esther García | |||
| Camille Martinez | (as Camille Martínez) | ||
| María Cami | |||
| Deanne Henry | ... | Waitress | |
| Gillian Barber | ... | Nurse #1 | |
| Errin Clutton | |||
| Jerry Thompson | |||
| Morgan Brayton | ... | Nurse #2 | |
| Sam Barnett | |||
| Lauren Diewold | ... | Nurse #2 - Young | |
| Neezor Elerezeli | |||
| rest of cast listed alphabetically: | |||
| Sonja Bennett | ... | Sarah (uncredited) | |
| Tyron Leitso | ... | Guy in Bar (uncredited) | |
| Alfred Molina | ... | Ann's Father (uncredited) | |
Directed by | |||
| Isabel Coixet | |||
Writing credits(in alphabetical order) | ||
| Isabel Coixet | writer | |
| Nanci Kincaid | book "Pretending the Bed is a Raft" | |
Original Music by | |||
| Alfonso de Vilallonga | |||
Cinematography by | |||
| Jean-Claude Larrieu | |||
Film Editing by | |||
| Lisa Robison | |||
Casting by | |||
| Heidi Levitt | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Carol Lavallee | |||
Art Direction by | |||
| Shelley Bolton | |||
Set Decoration by | |||
| Shelley Bolton | |||
Costume Design by | |||
| Katia Stano | |||
Makeup Department | |||
| Melanie Burke | .... | hair stylist | |
| Diana Davison | .... | key makeup artist | |
| Maria Gleeson | .... | makeup swing | |
Production Management | |||
| Dan Schlanger | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gurjit Chohan | .... | third assistant director | |
| Debra Herst | .... | second assistant director | |
| Sandra Mayo | .... | first assistant director | |
Art Department | |||
| Paul Brown | .... | assistant set decorator | |
| Tim Higgins | .... | set dresser | |
| Rubén Rivas | .... | graphic designer | |
| Craig Stokes | .... | property master | |
| Amy Wilding | .... | on-set dresser | |
Sound Department | |||
| Biel Cabré | .... | assistant sound editor | |
| Manuel Corrales | .... | foley artist | |
| Viorel Ghiocel | .... | boom operator | |
| Patrick Ghislain | .... | sound re-recording mixer | |
| Albert Manera | .... | sound editor | |
| Albert Manera | .... | sound supervisor | |
| Iván Mayoral | .... | assistant sound re-recording mixer | |
| Albert Nieto | .... | assistant sound editor | |
| Fabiola Ordoyo | .... | sound editor | |
| Sebastian Salm | .... | sound | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Bill Mills | .... | special effects coordinator | |
Visual Effects by | |||
| Pedro Martínez | .... | digital effects artist | |
| José Rossi | .... | digital effects artist: titles | |
| Pablo Urrutia | .... | digital effects artist | |
Camera and Electrical Department | |||
| Bob Akester | .... | still photographer | |
| Jim Bach | .... | video playback operator | |
| Trevor Berry | .... | best boy grip | |
| Natasha Braier | .... | director of photography: second unit (as Natasha Brier) | |
| Pascal Pillot-Bruhat | .... | gaffer | |
| Thomas Ryan Pilon | .... | key grip | |
| Richard Porta | .... | second assistant camera | |
| Adrienne Richards | .... | camera loader | |
| Jeff Seeger | .... | lamp operator | |
| Randy Swanson | .... | grip | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| L.A. Hilts | .... | extras casting (as Lesleyanne Hilts) | |
| Coreen Mayrs | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Judith Feller | .... | truck costumer | |
| Marie Hock | .... | costumer | |
| Patti Rempel | .... | assistant costume designer | |
| Roza Savvas | .... | set costume supervisor | |
Editorial Department | |||
| Irene Blecua | .... | assistant editor: Spain | |
| Ascen Marchena | .... | post-production assistant | |
| Kristian Olsen | .... | assistant editor | |
Music Department | |||
| Ricky Arailza | .... | musician: acoustic guitar | |
| Emili Brugalla | .... | musician: piano | |
| Miguel Ángel Cordero | .... | musician: double bass | |
| Lucio Godoy | .... | music producer | |
| Farran James | .... | musician: violin | |
| Olvido Lanza | .... | musician: violin | |
| Manuel Martínez del Fresno | .... | musician: cello | |
| Chop Suey | .... | composer: song "Humans Like You" | |
| Montse Valle | .... | musician: viola | |
Transportation Department | |||
| Frank Guadagno | .... | driver: cast | |
| Ben Liljedahl | .... | transportation captain | |
| Rico Rogers | .... | transportation coordinator | |
Other crew | |||
| Barbara Chisholm | .... | assistant production coordinator | |
| Adela Donamaría | .... | production secretary | |
| Ashley Fester | .... | production assistant | |
| Covadonga R. Gamboa | .... | production coordinator: Spain | |
| Lola García | .... | office manager | |
| Jaye Gazeley | .... | assistant location manager | |
| Beatriz Gordo | .... | assistant production accountant: Spain | |
| Russ Hamilton | .... | location manager (as Russ 'Moviegod' Hamilton) | |
| John Knowlton | .... | production assistant | |
| Jane McKernan | .... | production accountant | |
| Peter Munro | .... | location scout | |
| David Rockwell | .... | production accountant | |
| Ana Sanz | .... | secretary to producer | |
| Paz Sufrategui | .... | unit publicist | |
| Denise Szabo | .... | craft service | |
| Denise Szabo | .... | first aid | |
| Abigail Tucker | .... | production coordinator | |
| Óscar Valero | .... | production accountant: Spain | |
| Anne Worrall | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
When Americans make bad films, at least they are big and slick and full of CGI. This is what you get from Bad Canadian (Heavily Government Subsidized) film-making -- an insufferably unrealistic look at a young woman dying of ovarian cancer, and how she spends her last few weeks.
There are some fine actors here (Sarah Polley, Alfred Molina, Amanda Plummer) and I can't imagine how they got talked into this. Apparently no one involved -- actors, director, producers, script writers -- has ever even read about ovarian cancer, but they simply pulled it out of a hat. I lost my best friend to this disease and I am outraged at how its portrayed here.
A movie doesn't have to be a blow-by-blow depiction of realism, but this goes far beyond ridiculous. Diagnosed at 23 with stage 4 (metatastic) ovarian cancer, which has already spread to her liver and stomach, but Ann (Polley) is still full of energy, pretty, sexy and able to work a full-time night job. She goes to an emergency room after experiencing some pain, and the EMERGENCY ROOM doctor diagnoses her after an ultra-sound. HELLO? Where are the oncologists? Anybody ever heard of a BIOPSY? You can NOT diagnose cancer from an ultrasound -- you'd see the tumors of course, but have no way of knowing if they were benign or malignant. No MRIs, no CAT scans...gee, I heard that Canadian National Health insurance was skimpy, but this is ridiculous.
Instead of undergoing radiation and chemo (normal treatment, even if you are terminal this can prolong your life), Ann is given some "miracle pain pills" and sent on her way....not before the EMERGENCY ROOM doc agrees (having met her once for 10 minutes) that he will send her cassette tapes (of messages to her daughters) on their birthdays, every year...for fourteen years!!!!! Yeah, I am sure he's going to obligate himself to a total stranger for that long...obviously he doesn't treat any other terminal patients.
Having decided to make a list of what she wishes to accomplish before she dies (in a couple of weeks, no concern for how sick she will be), Ann chooses a lot of vain and silly, selfish things -- the chief of which is that she will have sex with a man besides her apparently deeply devoted, loving, handsome and sexy husband (Scott Speedman, in a thankless role) and make that new man fall in love with her. Fortunately, the ever ready Mark Ruffalo is SITTING AT THE NEXT TABLE and immediately fulfills her needs. My, isn't that convenient. And isn't it nice that she has the energy, sexual desire and NO PAIN that will make a vigorous new sexual relationship even possible while she is dying from terminal ovarian cancer....
Other posters have commented on the funniest bit in the whole film, when Ann scouts out a woman for her husband to marry after she is gone (apparently he will have no choice in the matter) and locates a nurse who has moved in RIGHT NEXT STORE (good thing she is young and pretty, and not fat and fifty). The nurse relates, quite seriously, a "tragic" story about a pair of dying Siamese twins -- A BOY AND GIRL!!!! -- which is of course, absolutely scientifically impossible...which any medical professional would know...this absolutely kills anything (what little is left) of believability. At first, I thought this was gonna be a long-winded joke, but no, it was told absolutely straight, as a tragic story.
The friend I was watching with and myself literally fell on the floor, in howling fits of laughter. Which made being "sad" at the rest of the film impossible.
I can only wish my friend who passed away from this horrible disease could have seen this, as laughter is the best medicine. Perhaps she is giggling helplessly on "the other side".
One of the worst films I have seen in recent years, and an absolute pie-in-the-face insult to anyone WITH cancer or who loves or has lost someone to cancer.