An L.A. artist with everything seemingly going for him suddenly finds a change in his life when an art curator cancels his upcoming one-man show. His model girlfriend immediately leaves him... See full summary »
Ann's boyfriend calls her from Prague. Twenty-five days after leaving her at the airport, he confesses he does not love her any more and that he is with another girl. Ann calls a telephone ... See full summary »
From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. ... See full summary »
Twenty one year old Donny O'Brien, a recent college graduate, dreams of moving to Los Angeles to pursue a songwriting career. Only one thing stands in his way: an inability to confront the ... See full summary »
Ann, 23 years old, lives a modest life with her two kids and her husband in a trailer in her mother's garden. Her life takes a dramatic turn, when her doctor tells her that she has uterine cancer and only two months to live. She compiles a list of things to do before she dies. Written by
Moritz Muehlenhoff <firstname.lastname@example.org>
In the scene where Lee and Ann are at Lee's house and Lee reads Ann a passage from a book, Ann throws away the book irritated after a few sentences. In the next shot, the floor where the book should have ended up is empty. See more »
Now you feel like you wanna take all the drugs in the world, but all the drugs in the world aren't gonna change the feeling that your whole life's been a dream and it's only now that you're waking up.
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Really, this film should be too much to bear. An attractive young mother discovers she has 2 months to live and sets about trying to make use of her time doing things for herself and the people she loves; but keeping her diagnosis to herself. The film intentionally concentrates on the start of this period, allowing it to soft-focus the pain, and from a certain perspective, everything works out with an almost synthetic convenience. And yet this is a great film. All the performances are spot on (even Debbie Harry is great against type), and it's full of humour, not black death-defying humour but the life-affirming humour of everyday life. Additionally, the film is wonderfully constructed, both in the skill with which it moves between scenes and also in the larger way the story in told (the entire plot is structured around an eventual suicide that is only implied) - cloyingness is averted through the confidence the director has in the tale and the cast. Death is surely never this romantic, but in its own way this film is as harrying as Mike Nicholls' 'Wit'. A painful film, but one that makes you glad to be alive.
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