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Lucía, Lucía (2003)
"La hija del caníbal" (original title)

R  |   |  Adventure, Comedy, Crime  |  25 July 2003 (USA)
6.2
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Ratings: 6.2/10 from 936 users   Metascore: 51/100
Reviews: 19 user | 17 critic | 22 from Metacritic.com

Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes ... See full summary »

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Writers:

(novel), (screenplay), 1 more credit »
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Title: Lucía, Lucía (2003)

Lucía, Lucía (2003) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
Lucía
Carlos Álvarez-Nóvoa ...
Félix
...
Adrián
Margarita Isabel ...
Lucía's mom
Max Kerlow ...
Old Wehner
Mario Iván Martínez ...
Mr. Wehner
José Elías Moreno ...
Ramón
Héctor Ortega ...
The Cannibal
Enrique Singer ...
Undersecretary Ortiga
Lourdes Villareal ...
Ministerio público
Jorge Zárate ...
Blanco
Manuel Blejerman ...
Suspect
Itatí Cantoral ...
Airline saleswoman #1
Fabián Corres ...
Secuestrados
Enoc Leaño ...
El Ruso
Edit

Storyline

Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface. Written by poco loco

Plot Summary | Add Synopsis

Taglines:

She's on an adventure that could change her life... if she doesn't turn back See more »


Motion Picture Rating (MPAA)

Rated R for sexuality, language and brief drug use | See all certifications »
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Details

Country:

|

Language:

Release Date:

25 July 2003 (USA)  »

Also Known As:

Lucía, Lucía  »

Box Office

Budget:

€3,300,000 (estimated)

Opening Weekend:

$70,773 (USA) (25 July 2003)

Gross:

$267,495 (USA) (22 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Goofs

At the end of the movie, when Lucía is typing on an indigo Macintosh iBook, the "Capitals Lock" is on (as you can tell by the green LED) although close up shots of the screen show text being typed in lowercase letters. See more »

Soundtracks

Canibal
Performed by Kinky
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User Reviews

A writer whose imagination helps her find peace!
7 August 2003 | by (Columbus, Ohio) – See all my reviews

Writers are driving me crazy: In `Adaptation' Nicolas Cage was barely sane struggling with his inspiration and incendiary companions, true or otherwise; in `Swimming Pool,' Charlotte Rampling created a plausible fiction of a dangerous female border and Rampling's desire to make real the murders she wrote.

Antonio Serrano's `Lucia, Lucia' is set in Mexico with a children's writer, Lucia (Cecilia Roth from Almodovar's `All about My Mother'), admitting in voiceover her fictions about her life, establishing herself as an unreliable narrator about the kidnapping of her husband, her attempts to recover him, an affair with a younger man, and a friendship with an older man. Initially I was put off by her lies because a mystery needs a reliable narrator, but as I accepted her creative effort to describe the middle-aged crisis through these fictions, I settled into an aesthetic trance that sees clearly the symbolism of each character relating to her changes of life. Her observation that heaven must be a moment of sex frozen in time is one of the interesting insights these varied experiences brought to her.

Involved in the kidnapping is a rebel gang patterned after the Institutional Revolutionary Party (PRI) prominent about 30 years ago in Mexico. This plot to deliver the ransom money to the gang is so complicated that even the playful plots of `Y Tu mama Tambien' and `Amores Perros' seem simple by contrast. The inclusion of a corrupt government in the kidnapping is confusing and certainly adds no allegorical insight given the historically corrupt governments of Mexico.

The Spanish version of this film is called `The Cannibal's Daughter,' a much more daring and figuratively descriptive title for Lucia's consuming life. Actually, her actor father once played a cannibal and mother sees marriage as sharing life with the living dead. It's easy to see why Lucia questions her marriage and warily enters into relationships with the passionate young man and politically-romantic older man. At the least in her story, she is experiencing what the bard predicted when he said of middle age:

`Thou hast nor youth, nor age, But as it were an after-dinner's sleep Dreaming on both.'

In the end, the story turns nicely on the evolution of a soul who accepts life and her place in it as a writer whose imagination helps her find peace. The men may lose her, but she finds herself.


3 of 6 people found this review helpful.  Was this review helpful to you?

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