Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes ... See full summary »
Bolivar De La Cruz, with a baby on the way, has just made the treacherous journey over the border from Mexico to Los Angeles, California, home of the beautiful and restless Lola Sara, whose... See full summary »
John Michael Higgins
A San Francisco spoken word artist returns to New Mexico to be with his dying father, only to find he loses his "voice" as he is sucked back in to the dysfunctional life of drugs and violence he left behind.
Dr. Alexanderson finds an unconscious young man by the doorstep of his cabin. He will try to piece together the mans broken memory without knowing the dangers his family and friends will be... See full summary »
In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. ... See full summary »
Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick ... See full summary »
Gael García Bernal,
This drama follows the stories of three children who have a longing to find their absent fathers. One story takes place in Mexico where a boy's father has gone to the United States to look ... See full synopsis »
Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface. Written by
When Adrian and Felix are on their moped chasing down Lucia's captors in the white van, Adrian is clearly driving in the beginning. He drives up on the moped, picks Felix up, and speeds away to follow the white van. However, a minute later within the same chase sequence, we see Felix driving the moped instead, with Adrian sitting on the back. See more »
Writers are driving me crazy: In `Adaptation' Nicolas Cage was barely sane struggling with his inspiration and incendiary companions, true or otherwise; in `Swimming Pool,' Charlotte Rampling created a plausible fiction of a dangerous female border and Rampling's desire to make real the murders she wrote.
Antonio Serrano's `Lucia, Lucia' is set in Mexico with a children's writer, Lucia (Cecilia Roth from Almodovar's `All about My Mother'), admitting in voiceover her fictions about her life, establishing herself as an unreliable narrator about the kidnapping of her husband, her attempts to recover him, an affair with a younger man, and a friendship with an older man. Initially I was put off by her lies because a mystery needs a reliable narrator, but as I accepted her creative effort to describe the middle-aged crisis through these fictions, I settled into an aesthetic trance that sees clearly the symbolism of each character relating to her changes of life. Her observation that heaven must be a moment of sex frozen in time is one of the interesting insights these varied experiences brought to her.
Involved in the kidnapping is a rebel gang patterned after the Institutional Revolutionary Party (PRI) prominent about 30 years ago in Mexico. This plot to deliver the ransom money to the gang is so complicated that even the playful plots of `Y Tu mama Tambien' and `Amores Perros' seem simple by contrast. The inclusion of a corrupt government in the kidnapping is confusing and certainly adds no allegorical insight given the historically corrupt governments of Mexico.
The Spanish version of this film is called `The Cannibal's Daughter,' a much more daring and figuratively descriptive title for Lucia's consuming life. Actually, her actor father once played a cannibal and mother sees marriage as sharing life with the living dead. It's easy to see why Lucia questions her marriage and warily enters into relationships with the passionate young man and politically-romantic older man. At the least in her story, she is experiencing what the bard predicted when he said of middle age:
`Thou hast nor youth, nor age, But as it were an after-dinner's sleep Dreaming on both.'
In the end, the story turns nicely on the evolution of a soul who accepts life and her place in it as a writer whose imagination helps her find peace. The men may lose her, but she finds herself.
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