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Francisca (2002)

6.7
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Ratings: 6.7/10 from 104 users  
Reviews: 5 user | 5 critic

A former East Germany secret agent runs away fron his past and lands in Mexico under a fake identity. However he's caught by the Mexican secret police and forced to infiltrate a political ... See full summary »

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(screenplay), (screenplay), 3 more credits »
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Title: Francisca (2002)

Francisca (2002) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
...
Helmut Busch / Bruno Müller
Fabiola Campomanes ...
Adela
Héctor Ortega
Arcelia Ramírez
Carlos Lucas ...
Matias
Rafael Martín ...
Burro
Julio Bracho
Juan Ríos
Eligio Meléndez
Juan Carlos Colombo
Pedro Altamirano
Giovanni Florido
Miguel Santana ...
(as Mickey Santana)
Regina Kuri ...
La Güera
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Storyline

A former East Germany secret agent runs away fron his past and lands in Mexico under a fake identity. However he's caught by the Mexican secret police and forced to infiltrate a political activist group in the movement of 68. Helmut Busch (now Bruno) meets Adela, one of the activists, and he then faces dilemma. Written by <haizel@loquesea.com>

Plot Summary | Add Synopsis

Taglines:

¡Aunque resucites... ya valiste madres!

Genres:

Drama | Thriller

Certificate:

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Details

Official Sites:

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Language:

Release Date:

5 April 2002 (Mexico)  »

Also Known As:

...De Que Lado Estás?  »

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Color:

(Technicolor)
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User Reviews

 
Insipid
16 February 2005 | by (Guadalajara, México) – See all my reviews

An ex- informant of the East Germany finishes in Mexico like spy of a student group in 1971 in where she falls in love with one of the activists. This is the first co-production of Mexico with Germany, and although it is a good picture of the ideals that marked, and continue marking (at least to the CGH), youth, as much finishes being something insipid since to the internal dilemmas that it faces Dark brown (Noethem) like the passion by his ideals that Adela feels (Campomanes), as soon as they glimpse, in the case of him, I want to suppose, by the barrier of the language; and in the case of her by its lack of experience. Reason why in the end a concrete identification with any of them does not exist, which causes that what could have been films that even served as document like Red Dawn, finished being one more a film; although I want to clarify that in the room many of the assistants were excited in the conversation with the director, which says to me that no longer they are so young or my ideals have changed.


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