7.2/10
712
10 user 46 critic

Fellini: I'm a Born Liar (2002)

Fellini: Je suis un grand menteur (original title)
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a ... See full summary »

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Writers:

(scenario), (scenario)

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1 win & 1 nomination. See more awards »
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Cast

Cast overview:
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Himself / La Voce della Luna
Luigi 'Titta' Benzi ...
Himself / Ami d'enfance
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Himself / Ecrivain
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Himself / Chef décorateur
Rinaldo Geleng ...
Himself / Peintre
Tullio Pinelli ...
Himself / Scénariste
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Himself / Directeur de la photographie
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Himself / Toby Dammit
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Himself / Casanova
Daniel Toscan du Plantier ...
Himself / Producteur
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Himself (archive footage)
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Storyline

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for some language and sexual content | See all certifications »
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Details

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Language:

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Release Date:

2 April 2003 (USA)  »

Also Known As:

Federico Fellini: I'm a Big Liar  »

Box Office

Opening Weekend:

$8,981 (USA) (4 April 2003)

Gross:

$106,080 (USA) (30 May 2003)
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Company Credits

Production Co:

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Technical Specs

Sound Mix:

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| (archive footage)
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Did You Know?

Quotes

Giuseppe Rotunno: I never say to Federico, 'I'm ready.' I always say, 'Federico, I am ready to change.'
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Connections

Edited from Juliet of the Spirits (1965) See more »

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User Reviews

 
Superb
2 August 2004 | by (New York) – See all my reviews

Superb documentary fantasia and as visually stunning as Fellini's best films but without the excess. I'm paraphrasing David Denby's review in The New Yorker. It's "a thrilling masterclass in aesthetics conducted by the Maestro himself with intelligent footnotes provided by Damian Pettigrew." That's what A O Scott writes in The New York Times. A "daunting, intellectually subtle internal monologue of a movie that focuses on Fellini's unique temperament." That's Harper Barnes writing in The St Louis Post Dispatch. Film Comment says the film has "haunting imagery and attention to physical presence." I'm a fan of this wonderfully original and mind-stirring film on and with the late great Federico Fellini - and the positive reviews are international. The film has been acclaimed in France, Italy ("beyond the lesson in cinema, the film is perhaps the best film ever made on Fellini's character") and Spain, USA, Canada, Brazil, Australia, Russia, and Japan.

Acknowledged Fellini specialists Peter Bondanella and Tullio Kezich have both praised the film. It has been selected in over 35 major international festivals. It was nominated for The European Documentary Award - Europe's equivalent of the Oscars and won the prestigious Banff Grand Prize for Best Arts Documentary. It is, finally, a piece of precious cinematic history that aficionados will treasure for years to come.


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