A contemporary romantic comedy set in New York city about the relationship between an older guy and his younger protege. The older guy guides the younger through a messy and hilarious love story.
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A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Attempting to impress his ideologies on religion, relationships, and the randomness (and worthlessness) of existence, lifelong New York resident Boris Yellnikoff rants to anyone who will ... See full summary »
Follows a pair of married couples, Alfie (Hopkins) and Helena (Jones), and their daughter Sally (Watts) and husband Roy (Brolin), as their passions, ambitions, and anxieties lead them into ... See full summary »
A neurotic film critic tries to get over his wife leaving him by dating again, much by the help of a married couple and his alter ego, Humphrey Bogart.
In medias res: narrator Jerry Falk, a fledgling comedy writer with an inept agent, is about to celebrate an anniversary with his girlfriend Amanda. There's trouble in paradise: she's late (and has already eaten), she's been uninterested in sex for months, and her quixotic mother is moving in with them. Jerry looks back to meeting Amanda and dumping Brooke. A constant is his friendship with another wannabe comedy writer, a 60 year old teacher named David, prone to long walks and advice filled talks. As Amanda and Jerry's relationship founders and her mom's noisy presence makes writing difficult for him, he and David plan something different. Wouldn't anything else be better? Written by
<jhailey@hotmail.com>
Jason Biggs filmed this during the day, and then performed opposite Kathleen Turner in the revival of "The Graduate" on Broadway in the evenings. See more »
Goofs
Jerry Falk refers to a baked cannoli when in fact cannoli shells are deep fried not baked. Perhaps, Woody Allen was thinking of cannelloni. See more »
Quotes
[first lines]
David Dobel:
You know, there's great wisdom in jokes, Falk, really. There's an old joke about a prizefighter who's in the ring, and he's getting killed, he's getting his brains beat out; and his mother's in the audience, and she's watching him getting beaten up in the ring, and there's a priest next to her, and she says 'Father, father, pray for him, pray for him!' The priest says 'I will pray for him, but if he could punch it would help!' There's more insight in that joke, into what I call the...
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"Easy to Love"
Written by Cole Porter
Performed by Billie Holiday with Teddy Wilson & his Orchestra
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing See more »
The predictability of the reviews on this database is hilarious. Every Woody Allen film gets...'it's not as good as Annie Hall'. Over and over and over again. As though Woody Allen has committed a heinous crime in making a supposedly lesser film. Just as every Martin Scorsese film gets a run of 'It's not Raging Bull or Goodfellas'. Over and over and over again. I think that sometimes people sit down intent on wallowing in gloom, specifically to compare a film negatively with a director or actor's previous works. Probably the sort of irritating people who go back to the same place on holiday every year and complain that it was cheaper last year, much more fun and friendly and the place has become too commercialised.
Quite frankly I don't care if Anything Else is as good as Annie Hall. I loved it. From start to finish I laughed out loud at the fantastic dialogue, and unlike others I thought the acting was superb. Having heard next to nothing about it on release, this was one of the most unexpectedly funny, heart warming and intelligent films I have seen for some time.
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The predictability of the reviews on this database is hilarious. Every Woody Allen film gets...'it's not as good as Annie Hall'. Over and over and over again. As though Woody Allen has committed a heinous crime in making a supposedly lesser film. Just as every Martin Scorsese film gets a run of 'It's not Raging Bull or Goodfellas'. Over and over and over again. I think that sometimes people sit down intent on wallowing in gloom, specifically to compare a film negatively with a director or actor's previous works. Probably the sort of irritating people who go back to the same place on holiday every year and complain that it was cheaper last year, much more fun and friendly and the place has become too commercialised.
Quite frankly I don't care if Anything Else is as good as Annie Hall. I loved it. From start to finish I laughed out loud at the fantastic dialogue, and unlike others I thought the acting was superb. Having heard next to nothing about it on release, this was one of the most unexpectedly funny, heart warming and intelligent films I have seen for some time.