A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development ... Written by
If I was interested in Heather Burns other than eye candy, I would have probably focused on the Miss Congeniality movies. But, in honor of her birthday, I pick a Hugh Grant film just because I like him.
If you are looking for a cute romantic movie, you can never go wrong with Hugh Grant, who is teamed in this one with Sandra Bullock as an environmental lawyer who becomes Grant's legal eagle and mommy. Yes, she gets more than she bargains for and finally gives notice - hence, the title. In typical Grant style, he spends the rest of the movie trying to get her back. Sure, his movies follow the same formula, but they are just fun to watch.
Beside that, you get a great Joni Mitchell song (Big Yellow Taxi) as part of an outstanding soundtrack - another feature of Grant's films.
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