A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development ... Written by
British author Lynne Truss pointed out that the title of the film is grammatically incorrect. In her best-selling style book 'Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation', she correctly establishes that the title is missing an apostrophe ("Two Weeks' Notice"), thereby denoting proper possession of the title's subject. The original hardcover edition of 'Eats, Shoots, & Leaves' also featured Truss in her author's photo, glaring at the poster and holding a marker where the apostrophe should be. See more »
When George and Lucy are going on the Queensborough bridge ramp the next shot you see them back on the street with the same car and UPS truck behind them See more »
[after Norman read his "Farewell Poem"]
That was really a nice speech you just made, and I'm really going to miss everyone here at Wade. Um... there are a million memories I wouldn't trade. And if you're ever accused of murder you can find me at Legal Aid.
[Lucy laughs, but everyone stares at her]
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At the end of the credits, a picture postcard is shown with a rendering of the Coney Island Towers project, with the community center preserved as part of the design. See more »
If I was interested in Heather Burns other than eye candy, I would have probably focused on the Miss Congeniality movies. But, in honor of her birthday, I pick a Hugh Grant film just because I like him.
If you are looking for a cute romantic movie, you can never go wrong with Hugh Grant, who is teamed in this one with Sandra Bullock as an environmental lawyer who becomes Grant's legal eagle and mommy. Yes, she gets more than she bargains for and finally gives notice - hence, the title. In typical Grant style, he spends the rest of the movie trying to get her back. Sure, his movies follow the same formula, but they are just fun to watch.
Beside that, you get a great Joni Mitchell song (Big Yellow Taxi) as part of an outstanding soundtrack - another feature of Grant's films.
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