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Two Weeks Notice (2002)

PG-13 | | Comedy, Romance | 20 December 2002 (USA)
0:32 | Trailer

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A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him.



3,727 ( 6)
2 wins & 3 nominations. See more awards »



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Cast overview, first billed only:
Joseph Badalucco Jr. ...
Construction Foreman (as Joseph Badalucco)
Jonathan Dokuchitz ...
Elaine Cominsky
Iraida Polanco ...
Charlotte Maier ...
Helen Wade


Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development ... Written by Huggo

Plot Summary | Add Synopsis


This winter, take a second look at the one beside you. See more »


Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sex-related humor | See all certifications »

Parents Guide:






Release Date:

20 December 2002 (USA)  »

Also Known As:

Untitled Marc Lawrence Project  »

Box Office


$60,000,000 (estimated)

Opening Weekend:

$14,328,494 (USA) (20 December 2002)


$93,307,796 (USA) (11 April 2003)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The Coney Island Community Center is in fact the Childs Restaurant Building that went out of business years ago. It was designated a New York City Landmark on February 4, 2003 just one month after the movie was released. See more »


When George is talking to June in the coffee room, right before he asks her to come to the benefit, George is shown holding a coffee pot in his hand. When he turns around to ask June to come, he's holding a milk carton. After he asks and turns again, he's holding the coffee pot again. See more »


Lucy Kelson: Please don't tell me you called me out of a wedding to pick out a suit.
See more »

Crazy Credits

At the end of the credits, a picture postcard is shown with a rendering of the Coney Island Towers project, with the community center preserved as part of the design. See more »


References Requiem for a Dream (2000) See more »


God Bless The Child
Written by Arthur Herzog Jr. and Billie Holiday
Performed by Stanley Turrentine
Courtesy of Blue Note Records, a Division of Capitol Records, Inc.
Under license from EMI Film & TV Music
See more »

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User Reviews

Great interactions between two great natural comic actors...and a usable plot
13 January 2013 | by (United States) – See all my reviews

Two Weeks Notice (2002)

Hugh Grant is funny. Sandra Bullock is funny. "Two Weeks Notice" takes full advantage of both, and for a warm, if someone canned, romantic comedy, it's enjoyable.

The premise is two-fold. First is the idea that Bullock makes herself indispensable as an assistant to an unbelievably demanding boss (an precursor of the more recent "The Devil Wears Prada" though in this case Grant is also a bit incompetent). Then she has to give notice she is quitting. This makes Grant desperate, which is always fun to watch.

The other premise is the feel-good part where a community center with history needs to be saved, somehow (an echo, perhaps, of "You've Got Mail"). Bullock is a do-gooder and a smart one, and she finds working with Grant has threatened her idealism. In fact, this is the deeper part of the movie, if still treated with typical easy going slightness. I mean, this is no serious commentary for sure, any more than "My Man Godfrey" will really change our views about unemployment in the depression. But it helps to have a cause to root for.

Most of all I came to love Bullock for her natural on-screen personality. She's so likable in her own offbeat way you come to support her view of the world automatically. And in this case that's a good thing, even if you also understand how Grant's character is both a jerk and a lovable misguided rich man. Grant of course is his own kind of natural, and the two are rather good on screen. They might not have chemistry, the way you'd want the screen to steam up, but they have energy or synergy together, more like the other Grant (Cary) and some of his counterparts did in the old days.

I'm tilting this review toward a feeling that this is a screwball comedy as in the the late 30s and early 40s, and in a way it is, though not nutty enough perhaps to really qualify. It does have the standard romantic comedy problem of two leads who would be great together if only a million things weren't standing in the way.

This movie gets weak reviews overall, but I liked it, and don't hesitate to recommend it as a thin but enjoyable comedy.

6 of 7 people found this review helpful.  Was this review helpful to you?

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