A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development ... Written by
Mark Feuerstein, who is listed in the credits, had all his scenes cut from the final cut of the movie, although you can see part of his head during the wedding scene as Sandra Bullock's character leaves the church. See more »
During the wrecking ball scene, the purple mat on Lucy's backpack is rolled differently in almost every shot. Sometimes its rolled loose, other times its rolled tight, sometimes one way, sometimes the other. See more »
George, I have an ulcer, I don't sleep well, mostly because you keep calling me in the middle of the night, and if you don't call me I dream that you're gonna call me. I think about you in the shower
[George gives her a look]
...not in a good way, but in an I'm-so-distracted-I-can't-remember-if-I-washed-my-hair kinda way - so I'll wash my hair twice! So I have a hole in my stomach, I'm running out of shampoo and today is the first day in my life that I did not give a thousand percent on the job....
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The beginning of the credits shows pictures of Sandra Bullock and Hugh Grant as children growing up. See more »
Didn't like it much the first time but Enjoyed it a whole lot more during the second viewing
I saw 'Two Weeks Notice' some years ago and didn't like it much. It seemed like a passable romantic comedy. I mean, the acting was overall good, the story a little old... it just felt like it lacked something. However, after having revisited it today, I actually liked it a lot more than before. Once one is passed the first half hour or so, I think he/she can really enjoy the film.
What makes the first half hour or so annoying is it's dragging pace and Hugh Grant. His character just comes across as extremely needy and perhaps it's not Grant's fault but the actor doesn't add anything new to his role. This is the kind of role that made him a star but he seems to have forgotten that there are other genres outside romantic comedy. Perhaps he wants to stick to a safer formula but I wonder how long people will continue watching him in the same kind of films playing similar roles. Anyway, after this initial half hour, he does decent in the acting department as he shows George's growth. We see his He shares a good chemistry with Sandra Bullock.
'Two Weeks Notice' belongs to Sandra Bullock and I think it is her acting and her character that make this film more likable. The woman is naturally beautiful and her comic timing is impeccable and it is no surprise that she's known as one of the finest comedy actresses (and she's great in other roles too). she has some of the best lines and she delivers them with complete ease.
I also loved the dialogues. There are some hilarious one-liners such as the barking chilli dog and the bobcat pretzel. After the dragging initial reel, the story moves at a good enough pace and gets funnier. Lawrence's screenplay and direction are good as the end result looks polished but some editing could have helped to tighten it up.
Overall, I think this funny film deserves a second chance as I liked it a lot more during the second viewing. I'm glad that I chose to watch it again.
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