7.4/10
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6 user 15 critic

On the Occasion of Remembering the Turning Gate (2002)

Saenghwalui balgyeon (original title)
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2:02 | Trailer
Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two ... See full summary »

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2 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Sang-mi Choo ...
Seon-young
Ji-won Ye ...
Myung-sook
Rest of cast listed alphabetically:
George Georgiou ...
Roger
Choo-wol Kim
Chu-wol Kim
Hak-sun Kim ...
Seong-wu
...
Gyung-soo
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Storyline

Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two women, first a young college student whom he leaves without a moment's thought and then a woman whom he deems his fated partner. As Kyung Soo becomes increasingly invested in this second relationship, he begins to notice certain coincidences and similarities that recall past pairings, blurring his conception of exactly which woman, which relationship, he is so desperately holding on to. Written by Jiilo_Kim

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22 March 2002 (South Korea)  »

Also Known As:

Turning Gate  »

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Quotes

Seon-young: Even though it's difficult to be a human being, let's not turn into monsters.
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User Reviews

 
A New Antonioni?
7 October 2002 | by See all my reviews

This low key, insightful, and ultimately devastating film quietly observes a callow young man in his search for love. Utterly ill-equipped for the challenge, he bounces from one encounter to another, hoping that he'll find the connection to life that's missing in his life, but instead, he causes pain wherever he goes in his self-absorbed quest. When he finally utters the words "I love you" they are hollow and come immediately after his admission of dishonesty, manipulation and deception.

There's a sad charm to the guy, especially if you identify even a little with his plight, and that takes some of the sting out of the film maker's subtle satire.

I was reminded often of Antonioni who also analyzed the failed searching of young people for love and connection in a culture that left them hopelessly alienated and cut off from each other except for their sexual couplings, which seemed to leave them even more selfish and heartless.

The performances are sublime, especially Sang Mi Chu, who lights up the film the minute she appears.

Not as depressing as I may have made it sound, it has moments of humor, and not a little affection for its characters.


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