Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two ... See full summary »
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Na-Nan has known best pals Dong-Mi and Jung-Joon since childhood, and now the trio shares the ups and downs of their turbulent single lives together. But everything gets turned on end when ... See full summary »
In the gloomy 80s, Sang-ho is wanted by the authorities for his participation in the student movement. Parting with his colleagues, Sang-ho happens to end up in a town on the outskirts, a ... See full summary »
Suk-won, a trader who loses all of his money (and his wife) in a market downturn is left homeless until Dae-shik, a homeless loner, rescues him. Together the two travel across the country ... See full summary »
Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two women, first a young college student whom he leaves without a moment's thought and then a woman whom he deems his fated partner. As Kyung Soo becomes increasingly invested in this second relationship, he begins to notice certain coincidences and similarities that recall past pairings, blurring his conception of exactly which woman, which relationship, he is so desperately holding on to. Written by
From the very start i was caught up in the pacing of this film. Everything felt so down-to-earth and therefore so natural.
But as it is often the case with those calm movies, there is, in truth, a lot of noise behind these curtains of silence. You can't see it directly but after looking at all these details, and there are a lot of them, frictions are just popping out everywhere. Every single spoken word has then a special meaning.
Technically the film is simply dull. No music, at least i don't remember, very simple camera angles etc. It felt more like a theater-play than a film. The only difference was having the real environment, but even that was not so important. There were only some "items", which played a key-role, like the turning gate, but they were also replaceable with a stage-backdrop.
So that is the risk that some might be bored to death when they happen to run into this film. For myself it was just fascinating. A 10/10 as a theater play ... but, because of the unused potential of "film-techniques", a 9/10 as a movie.
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