Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two ... See full summary »
Hyuk-Jin has just broken up with his girlfriend and decides to take a trip to Jeongseon in the province of Gangwon-do. The next day, his friends are too hung over to get up, so Hyuk-Jin ... See full summary »
Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism, civil war and occupation. After surviving Japanese colonization, Korea ... See full summary »
The Aso family live in the old town of Nara. One Day, Kei, one of the Aso's twin boys suddenly disappears. Five years later seventeen-year old Shun, the remaining twin, is an art student. ... See full summary »
Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two women, first a young college student whom he leaves without a moment's thought and then a woman whom he deems his fated partner. As Kyung Soo becomes increasingly invested in this second relationship, he begins to notice certain coincidences and similarities that recall past pairings, blurring his conception of exactly which woman, which relationship, he is so desperately holding on to. Written by
This low key, insightful, and ultimately devastating film quietly observes a callow young man in his search for love. Utterly ill-equipped for the challenge, he bounces from one encounter to another, hoping that he'll find the connection to life that's missing in his life, but instead, he causes pain wherever he goes in his self-absorbed quest. When he finally utters the words "I love you" they are hollow and come immediately after his admission of dishonesty, manipulation and deception.
There's a sad charm to the guy, especially if you identify even a little with his plight, and that takes some of the sting out of the film maker's subtle satire.
I was reminded often of Antonioni who also analyzed the failed searching of young people for love and connection in a culture that left them hopelessly alienated and cut off from each other except for their sexual couplings, which seemed to leave them even more selfish and heartless.
The performances are sublime, especially Sang Mi Chu, who lights up the film the minute she appears.
Not as depressing as I may have made it sound, it has moments of humor, and not a little affection for its characters.
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