Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Matt Whitlock, the police chief of the small town of Banyan Key, Florida, is separated from his wife, Alex, a police homicide detective in MIami. Matt's been having an affair with Ann Merai Harrison, a woman who's separated from her abusive husband, Chris, and who says that she has cancer. When her doctor tells her of a new expensive treatment, Matt decides to give her the nearly half a million dollars in an evidence lock up that he seized from a local drug bust. When Ann and her husband turn up dead only days after naming Chief Whitlock as beneficiary on a million dollar Life insurance policy, things start heating up for Whitlock as the evidence his wife Alex is gathering stacks up against him. And as if things couldn't get worse, the D.E.A. now want the drug money a.s.a.p. Anxiety runs high for Whitlock as he scrambles to figure out who has set him up and also recover half a million dollars all while trying not to break a sweat or draw any suspicions. He's a man who is way out of ... Written by
When Matt is sneaking around Ann and Chris' house, attempting to deliver her the money, and prior to the fire, the motion light of the neighbor's house turns on to reveal his presence to the neighbor. Matt, who was engaged in an adulterous affair with Ann, would most likely be aware of this light. See more »
I wish he had the balls to walk up, look me in the eye, and say, "I'm bangin' your wife." At least then I could respect him.
Matt Lee Whitlock:
Well, maybe he'd like nothing better than to walk up to you and say... Chris, I'm bangin' your wife. *Good*. But your wife won't let him.
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The name Burt Ward appears as "Boy Wonder Executive Producer" See more »
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Matt Whitlock (Denzel Washington) is the immoral police chief of a small coastal town in Florida.He is having a sleazy affair with Ann Marai Harrison (Sanaa Lathan),a dental nurse and the wife of fellow police officer and rival Chris (Dean Cain),who mistreats her mentally and physically.One day,posing as her brother,he and Ann Marai pay a visit to the doctors to pick up some blood test results.It is here they are dealt the shocking blow that Ann Marai has an incurable form of cancer and has roughly only six months to live.Ann Marai wakes up to the hopelessness of her situation,but Whitlock clings on to hope in the shape of some treatment in a foreign country.It's going to cost a fair bit though,and money doesn't seem to be readily available.Desperate for cash,Whitlock steals a small fortune seized from a drug bust and puts it forward.Then,the next morning everything goes pear shaped when both Ann Marai and Chris are killed in an apparent arson attack.Aside from losing the woman he loved,Whitlock must now also contend with the mounting evidence putting him in the frame,especially when a nearby elderly neighbour (Evelyn Brooks) points him out as a suspect and a homicide squad,headed by his wife Alex (Eva Mendes) find evidence that suggests he was the new benificerary of Ann Marai's will.
This is the second pairing of Washington and director Carl Franklin since the film noir Devil in a Blue Dress,nine years ago in 1995.The films are very similar in substance and style,and are conveyed in a very similar way.Washington,though not turning in the best performance of his career,carries the film fairly engagingly,and is given good support in the shape of Lathan,Cain and Mendes.Though the performances are perfectly on par,a lot of the film's shortcomings are attributable to director Franklin,who allows the pace to become rather laxed and to lose it's sense of narrative structure in parts.Like many thrillers nowadays,he also allows credibility to be stretched fairly far in certain parts,requiring a rather huge and unreasonable suspension of disbelief from the audience.
He does also,however,really require you to use your brain and pay attention at all times to everything that is being said and inferred,no matter how preposterous it may sometimes be.The film emerges as being as good as you could hope it would be,serving it's purpose as a watchable but ultimately generic Hollywood cookie cutter thriller.***
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