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Out of Time (I) (2003)

R  |   |  Crime, Drama, Thriller  |  3 October 2003 (USA)
6.5
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Ratings: 6.5/10 from 43,049 users   Metascore: 63/100
Reviews: 153 user | 123 critic | 35 from Metacritic.com

A Florida police chief must solve a vicious double homicide before he himself falls under suspicion.

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(as Dave Collard)
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Cast

Cast overview, first billed only:
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Cabot
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Deputy Baste
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Agent Stark
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Dr. Donovan
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Dr. Frieland
Peggy Sheffield ...
Judy Anderson
Evelyn Brooks ...
Judy's Mom
Eric Hissom ...
Hotel Clerk
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Living Gift Salesman (as Tom Hilmann)
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Storyline

Matt Whitlock, the police chief of Banyan Key a small town near Florida, is separated from his wife, Alex, a police detective based in Florida. Matt's been having an affair with Ann Merai Harrison, a woman who's separated from her husband Chris and who says that she has cancer. When her doctor tells her of a new treatment that's expensive, Matt gives her the nearly half a million dollars that he seized from some drug dealers. When she turns up dead evidence points to Whitlock. He tries to figure out what's going on but apparently it appears he's been set up. So he has to try and find the money especially now that the Feds are asking for it before the evidence exposes him. Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis

Taglines:

The Clock Is Ticking... See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

3 October 2003 (USA)  »

Also Known As:

Tiempo límite  »

Filming Locations:

 »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$16,185,316 (USA) (3 October 2003)

Gross:

$397,228 (Italy) (18 June 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

John Billingsley's role was originally written with an Asian actor in mind. See more »

Goofs

As Chae talks to Matt next to the soda machine in the police station, he has a cigarette in his mouth which disappears between shots. See more »

Quotes

Matt Lee Whitlock: Thanks for the beer and the conversation.
Chris Harrison: Thanks for listening.
Matt Lee Whitlock: You give Ann my best... if you can.
See more »

Crazy Credits

The name Burt Ward appears as "Boy Wonder Executive Producer" See more »

Connections

Referenced in Be Kind Rewind (2008) See more »

Soundtracks

Let Love
(2001)
Written by Santigold (as Santi White) and Martin 'Doc' McKinney
Performed by Shareese Renée Ballard (as Res)
Published by She Writes Her Own Music and Myana Music
Courtesy of MCA Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Would you have given it to me if I slept with you?
29 February 2012 | by (United Kingdom) – See all my reviews

Out of Time is directed by Carl Franklin and written by David Collard. It stars Denzel Washington, Eva Mendes, Sanaa Lathan, Dean Cain and John Billingsley. Music is by Graeme Revell and cinematography by Theo Van de Sande.

Matthias Whitlock (Washington) is chief of police in little Banyan Key, Florida. Respected for his work and basically honest in the line of duty. Away from work, however, his marriage to Alex (Mendes) has failed, he's having an affair with an abused wife and he likes a little drink on duty. So when his lover Anne Harrison (Lathan) springs on him the shocking news that she has been diagnosed with terminal cancer, it naturally shakes his world. But this news is merely the start of something bigger, for pretty soon Matt will be in the unusual situation of having to stay one step of his own kind or face dire consequences.

It's a film proudly wearing a badge of homage to film noir of the 40s. In fact it very much plays out as a contemporary riff on John Farrow's excellent Ray Milland starrer of 1948, The Big Clock. But that's fine, especially when you have some knowing craft in front and behind the camera in the shape of Franklin (Devil in a Blue Dress) and Washington (take your pick here really!). Yet as great as Franklin and Washington's work is, they all owe a debt to Collard's screenplay. Inventive in how it plays out as a plot, with it's many tight situations laid down for Washington's duped law enforcer to try and get out of, the screenplay has a knack for deft humour, often sly, which is something that even some of the hardest of noirs from the golden era are tinted with. The secret is being able to blend the humour with quality moments of suspense, and this picture manages to do that with some interest.

Film also benefits greatly from the tight atmosphere created by photographer de Sande. Sweaty Florida in daylight doesn't cry out as being a good starting point for an offshoot of film noir (real Florida locations were thankfully used), but the scenic beauty is never realised during the drama sequences, colours are toned down, even for a stunning red sky, and this perfectly becomes at one with a near frantic Washington as the tricksters of Banyan Key start to close in on him. It's nice too see, also, interracial couples forming the core of the story, while the dominance of sexuality is firmly given a shrewd work over by director and writer. There's good thought gone in to making this, enough to steer it away from charges of just being a faux neo-noir production.

Problems? Yes, a few. Inevitability of outcome is hard to shake off whilst viewing it, especially for those well versed in the genre (sub-genre). Clichés and contrivances are stacked up like a pile of cop thriller 101 books, and Franklin goes smug (daft) by dropping in a couple of slow frame sequences that the film clearly didn't need. While the big showdown in the finale lacks a gut punch. But this is a good viewing, sexy at times and always eye catching, it also pleasingly chooses perky dialogue over action to make its dramatic point. The cast around Washington enhance the quality: Lathan in the tricky role shows a number of layered gears, Cain is imposing as a bully boy husband (where did this Cain go?) and Billingsley almost sneaks in and steals the movie as the loyal and stoic comedy side-kick.

So pesky flaws aside, this is a good recommendation as a night in movie for those with a kink for contemporary neo-noir. 7/10


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