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During the night of 27th to 28th September 1994, the Swedish-Estonian ferry ESTONIA sank in the middle of the Baltic Sea. 852 people lost their lives, only 145 were saved. Until today this has remained the biggest shipping catastrophe in European waters since the end of World War II. JULIA REUTER, a journalist with a leading German television magazine in Berlin, is trying to get a scoop on military black market arms trafficking from Russia. Her investigations lead her to Tallinn in Estonia, where on the evening of September 27, 1994 she misses the ferry ESTONIA, by mere minutes. One of the vehicles on the ship is a truck loaded with high-tech weapons. ERIK WESTERMARK is a Swedish lawyer, who is coming from a sailing trip along the Estonian coast with his 10-year-old son. They were setting off for the return trip back home to Sweden, aboard the ESTONIA. But the ferry doesn't make her port of call. She sinks in the midst of the cold Baltic Sea. Erik Westermark is among the rescued. The ... Written by
TOP STORY Filmproduction GmbH
The Fishguard-Rosslare ferry was used during filming. See more »
When the two escorts are thrown off the Estonia there is a shot of one of them on the phone with the Estonia docked in the background with the bow door shut. Later, as the ship prepares to leave, there is a shot of the bow door closing See more »
I watched the first half of this, but could not go on. It was too bad. The only thing that was interesting in it, were the real (actual) news clips from the time. And you can watch those on the internet if you like.
EVERYTHING was bad. The script, the acting (several of the main actors were clumsy and amateurish), and the idea in itself of making a disaster movie without a substantial budget and modern technical effects. I am not saying that a disaster movie with expensive technical effects necessarily has to be a good movie, but the opposite is simply not possible. It felt like filmed theatre more than a movie, but when you are watching a play you are "in it" - I mean you realize that your imagination must fill in what is not possible to realize on a scene. From a movie you expect much more.
But the worst of it was of course, that a movie like this is offensive against the families and friends of the disaster victims. One can make movies about the Titanic, but to make a movie about a disaster that happened only nine years ago (I mean when the movie was released), when memories are still fresh and almost all the grieving people are still alive, is only disgraceful.
About the spy story, I am quite sure that there is nothing in it. It has been proved that the catastrophe was caused by bad upkeep of the Estline fleet, and a lack of routines for regular overhaul. Trying to find a more "exciting" explanation is only silly and immature, and can only cause more distress for everybody.
This movie left a bad taste in my mouth.
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