| Photos (See all 19 | slideshow) | Videos |
| Gael García Bernal | ... | Padre Amaro | |
| Ana Claudia Talancón | ... | Amelia | |
| Sancho Gracia | ... | Padre Benito Díaz | |
| Angélica Aragón | ... | Augustina Sanjuanera | |
| Luisa Huertas | ... | Dionisia | |
| Ernesto Gómez Cruz | ... | Obispo / Bishop | |
| Gastón Melo | ... | Martín | |
| Damián Alcázar | ... | Padre Natalio Pérez | |
| Andrés Montiel | ... | Rubén de la Rosa | |
| Gerardo Moscoso | ... | Doc | |
| Alfredo Gonzáles | ... | Viejo / Old Man | |
| Pedro Armendáriz Jr. | ... | El Presidente Municipal Gordo / Mayor Gordo (as Pedro Armendáriz) | |
| Verónica Langer | ... | Amparito | |
| Lorenzo de Rodas | ... | Don Paco de la Rosa | |
| Roger Nevares | ... | Padre Galván | |
| Fernando Becerril | ... | Galarza | |
| Jorge Zárate | ... | Padre Mauro | |
| Rosa María Castillo | ... | Chepina | |
| Blanca Loaria | ... | Getsemaní | |
| Juan Ignacio Aranda | ... | Chato Aguilar | |
| Martín Zapata | ... | Agente MP / MP Agent | |
| Dagoberto Gama | ... | Lucas | |
| Rogelio Rojas | ... | Fotógrafo / Photographer | |
| Jorge Castillo | ... | Matías | |
| Mario Figueroa | ... | Chente | |
| Enrique Vásquez | ... | Asaltante 1 / Assailant No. 1 | |
| Cristo Yánez | ... | Asaltante 2 / Assailant No. 2 (as Cristo Yáñez) | |
| Marina Vera | ... | Mujer Asaltante / Woman Assailant | |
| Leticia Valenzuela | ... | Doctora / Doctor | |
| Raúl Azkenazi | ... | Hueso | |
| Carmen Giménez Cacho | ... | Madre Hada | |
| Roberto Linares | ... | Tiburón | |
| Víctor Hernández | ... | Guaraura | |
| Isidra Morales | ... | Comadre Dionisia / Dionisia's Friend | |
| Ines Cuspinera | ... | Madrina Bebé Chato / Chato Baby's Godmother (as Inés Cuspinera) | |
| Martha Posternak | ... | Esposa Chato Aguilar / Chato Aguilar's Wife | |
| José Luis Caballero | ... | Padrino Bebé Chato / Chato Baby's Godfather | |
| Vanesa Barba | ... | Bebe Chato / Chato Baby | |
| Paloma Cobos | ... | Empleada MP / Pleading MP | |
| Enrique Gilardi | ... | Amigo Narco 1 / Drug Dealer Friend No. 1 | |
| Jaime Cancino | ... | Amigo Narco 2 / Drug Dealer Friend No. 2 | |
| Pablo Hoyos | ... | Amigo Narco 3 / Drug Dealer Friend No. 3 | |
| Daniel Posterman | ... | Amigo Narco 4 / Drug DealerFriend No. 4 | |
| Daniel Posternak | ... | Amigo Narco 4 / Drug Dealer Friend No. 4 | |
| Dino Demichelis | ... | Amigo Narco 5 / Drug Dealer Friend No. 5 | |
| Ana C. Izquierdo | ... | Enfermera / Nurse | |
| José Guadalupe Pintor | ... | Sacristán Nuevo / New sexton | |
| Alejandro Álvarez | ... | Coro "Siquem" / "Siquem" Choir | |
| Sergio Navarro | ... | Coro "Siquem" / "Siquem" Choir | |
| José Santos | ... | Coro "Siquem" / "Siquem" Choir | |
| Miguel Ángel Álvarez | ... | Coro "Siquem" / "Siquem" Choir | |
| Ma. del Rosario Rodríguez | ... | Coro "Siquem" / "Siquem" Choir | |
| Lilia Hernández | ... | Coro "Siquem" / "Siquem" Choir | |
| Beatriz Álvarez | ... | Coro "Siquem" / "Siquem" Choir | |
| Ángel Cristian Cruz | ... | Coro "Siquem" / "Siquem" Choir | |
| Selena Hurtado | ... | Coro "Siquem" / "Siquem" Choir | |
| Norma Angélica González | ... | Coro "Siquem" / "Siquem" Choir | |
| rest of cast listed alphabetically: | |||
| Pope John Paul II | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Carlos Carrera | |||
Writing credits(in alphabetical order) | ||
| Eça de Queirós | novel | |
| Vicente Leñero | ||
Produced by | |||
| Claudia Becker | .... | associate producer | |
| Daniel Birman Ripstein | .... | producer | |
| Scot Evans | .... | associate producer | |
| Laura Imperiale | .... | executive producer | |
| Atahualpa Lichy | .... | associate producer | |
| José María Morales | .... | co-producer | |
| Alfredo Ripstein hijo | .... | producer (as Alfredo Ripstein) | |
Original Music by | |||
| Rosino Serrano | |||
Cinematography by | |||
| Guillermo Granillo | |||
Film Editing by | |||
| Óscar Figueroa | |||
Casting by | |||
| Claudia Becker | |||
| Sandra León Becker | |||
Art Direction by | |||
| Carmen Giménez Cacho | |||
Set Decoration by | |||
| Ivonne Fuentes | |||
Costume Design by | |||
| María Estela Fernández | (as Mariestela Fernández) | ||
Makeup Department | |||
| Aurora Chavira | .... | makeup artist | |
| Tere Chávez | .... | hair stylist | |
| Sylvia Fernández | .... | assistant hair stylist | |
| Marco A. Garcia | .... | assistant makeup artist | |
Production Management | |||
| Fernando Huberman | .... | production manager: Argentina | |
Second Unit Director or Assistant Director | |||
| Efren del Moral | .... | second assistant director | |
| Miguel Lima | .... | first assistant director | |
| Julian 'Chico' Valdez | .... | assistant director: second unit | |
Art Department | |||
| Luis Alderete | .... | painter | |
| Israel Borges | .... | painter | |
| Sebastián Cauvet | .... | art department assistant | |
| Bernardo De La Rosa | .... | art department assistant | |
| Rodolfo Martinez | .... | construction manager | |
| Mariana Omaña | .... | art department coordinator | |
| Diego Tellez | .... | on-set dresser | |
| Carlos Torres | .... | property master (as Carlos Torres) | |
Sound Department | |||
| Saúl Almaráz | .... | sound re-recording mixer | |
| Matías Barberis | .... | dialogue editor | |
| Nerio Barberis | .... | sound designer | |
| Natalia Bruschtein | .... | dialogue editor | |
| Rubén Buelta | .... | sound effects: Argentina | |
| Neto Gaytán | .... | sound mixer (as Ernesto Gaytán) | |
| Thanos Kazakos | .... | sound re-recording mixer: English dubbing | |
| Mario Martínez | .... | sound designer | |
| Felipe Meléndez | .... | sound mixer | |
| Santiago Núñez | .... | sound mixer | |
| Rubén Santeiro | .... | sound effects: Argentina | |
| Alexander Schwartz | .... | foley artist | |
| Rosario Tapia | .... | sound effects coordinator | |
| Felipe Zavala | .... | boom operator | |
Special Effects by | |||
| Sergio Jara Jr. | .... | special effects assistant | |
| Sergio Jara | .... | special effects coordinator | |
Stunts | |||
| Oscar Cantua | .... | stunts | |
Camera and Electrical Department | |||
| Adrian Enriquez | .... | third assistant camera | |
| Miguel Enríquez | .... | first assistant camera | |
| Federico García | .... | still photographer | |
| Iwao Kawasaki | .... | director of photography: second unit | |
| Andrés León Becker | .... | director of photography: second unit | |
| Froylán López | .... | gaffer | |
| Abel Martinez | .... | electrician | |
| Victor Muro | .... | electrician | |
| Omar Muñoz | .... | video assist operator | |
| Salvador Orendain | .... | electrician | |
| Moisés Salazar | .... | electrician | |
| Luis David Sansans | .... | Steadicam operator (as Luis Sansans) | |
| Antonio Uruñuela | .... | second assistant camera | |
Casting Department | |||
| Ernesto Cairo | .... | extras casting | |
Costume and Wardrobe Department | |||
| Rodolfo Cruz | .... | assistant costumer | |
| Marga Lozada | .... | assistant costumer | |
| Margarita Lozada | .... | wardrobe: set | |
| Rafael Ravello | .... | assistant costumer | |
Editorial Department | |||
| Alberto Acevedo | .... | color timer: Argentina | |
| Nerio Barberis | .... | post-production | |
| Héctor Belvedere | .... | negative cutter: Argentina | |
| Alejandro Clancy | .... | post-production | |
| Susana González | .... | assistant negative cutter | |
| Lilia Lupercio | .... | negative cutter | |
Music Department | |||
| Saúl Almaráz | .... | music mixer | |
| Emanuel Ax | .... | musician: piano for "Piano Concert No. 5, Adagio un poco mosso" | |
| Ariel Barreras | .... | musician | |
| Juan Carlos Ertze | .... | music mixer assistant | |
| Juan Carlos Ertze | .... | music preparation: score | |
| Joel Numa | .... | musician | |
| Valeria Palomino | .... | associate music recordist | |
| Rosino Serrano | .... | conductor | |
| Rosino Serrano | .... | orchestrator | |
| Rosino Serrano | .... | producer: original score | |
Transportation Department | |||
| Edmundo Pérez | .... | production driver | |
Other crew | |||
| Victoria Alberca | .... | representative: Wanda Films (as María Victoria Alberca') | |
| José Luis Caballero | .... | legal assistant | |
| Rodolfo González | .... | location manager | |
| Juan Pablo Goya | .... | coordinator: Alameda Films | |
| Blanca Lidia Guzmán | .... | production coordinator | |
| Raul Jacome | .... | production accountant | |
| Teul Moiron | .... | location manager: Veracruz | |
| Gabriela Monroy | .... | continuity | |
| Héctor Montalvo | .... | assistant extras coordinator | |
| Marcedes Moreno | .... | production assistant | |
| Silvia Requena | .... | representative: Wanda Films | |
| Esperanza Reyes | .... | production secretary | |
| Claudio Tarrabe | .... | title designer: Argentina | |
| Luis Villarreal | .... | production assistant | |
Thanks | |||
| Francisco Rabal | .... | dedicatee (as Paco Rabal) | |
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| Kings & Queen | Diary of a Country Priest | Burnt Money | Pianese Nunzio, Fourteen in May | Angela's Ashes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Mexico section |
The release of the film THE CRIME OF PADRE AMARO caused about as much of an uproar in Mexico in 2002 as the publication of the novel, written by Jose Maria Eca de Queiroz, caused in 1875. With its dangerously intertwining themes of spiritual ecstasy and sexual passion, it's not hard to see why. At the heart of the story is a young priest who wrestles in a major way with the tempting hungers of his body and the grace-filled yearnings of his spirit. It does not help that, to pursue his vocation, he is sent to a town sustained by a culture of corruption.
One thing actor Gael Garcia Bernal does not know how to do is give a bad performance, and in the movie's title role he captures brilliantly all the agonizing ambiguity that comes with being a young adult male intent on asserting his masculinity while also serving the spiritual needs of his community. Unfortunately, his happily deluded demeanor meets with an equally intense personality in the form of Amelia, a devout young devotee acted with mesmerizing perfection by the gorgeous Ana Claudia Talancon. Amelia idolizes the young priest as a true and noble holy man whose sexuality is made sacred by his presumably pure soul. He in turn dares to drape her in a cape reserved for representations of the Madonna and recites to her from Solomon's "Song of Songs" as they seduce each other. Controversial? Better believe it.
As in the film THE HEALER (please see companion review) "The Crime of Padre Amaro" depicts sexuality and spirituality as equally powerful forces of attraction capable of producing very different results, which will not be revealed here. The outcome in "The Crime of Padre Amaro" is shocking in more ways than one and well worth contemplating for a long time.
by Author-Poet Aberjhani, author of "Christmas When Music Almost Killed the World"