| Murilo Benício | ... | Máiquel | |
| Cláudia Abreu | ... | Cledir | |
| Natália Lage | ... | Érica | |
| Jorge Dória | ... | Dr. Carvalho | |
| André Gonçalves | ... | Galego | |
| Lázaro Ramos | ... | Marcão | |
| Perfeito Fortuna | ... | Robinson | |
| Paulo Moska | ... | Enoque | |
| Wagner Moura | ... | Suel | |
| André Barros | ... | Marlênio | |
| Carlo Mossy | ... | Delegado Santana | |
| Mariana Ximenes | ... | Gabriela | |
| Amir Haddad | ... | Gonzaga | |
| José Wilker | ... | Sílvio | |
| Agildo Ribeiro | ... | Zilmar | |
| Paulo César Peréio | ... | Seu Humberto | |
| Marcelo Biju | ... | Neno | |
| José Henrique Fonseca | ... | Caju | |
| Nill Marcondes | ... | Ezequiel | |
| Vick Militello | ... | Tia Laura | |
| Xando Graça | ... | Councilman Pimenta | |
| Marcelo Portinari | ... | Conan | |
| Romeu Evaristo | ... | Pedrão | |
| Mr. Catra | ... | Verli | |
| Guilherme Estevam | ... | Pereba | |
| Lúcio Andrey | ... | Uncle Galinha | |
| Orã Figueiredo | ... | Átila | |
| Maurício Gonçalves | ... | Detective Max | |
| Marilu Bueno | ... | Cledir's Mother | |
| Guil Silveira | ... | Pharmacist | |
| Railane Borges | ... | Girl | |
| Alexandre Tavares | ... | Lad | |
| Perigoso | ... | Caju's friend | |
| Vitor Igreja Maclaren | ... | Samanta | |
| Alex Sander | ... | Lucio |
Directed by | |||
| José Henrique Fonseca | |||
Writing credits(in alphabetical order) | ||
| Rubem Fonseca | writer | |
| Patrícia Melo | novel "O Matador" | |
Produced by | |||
| Beto Bruno | .... | executive producer | |
| José Henrique Fonseca | .... | producer | |
| Leonardo Monteiro de Barros | .... | producer | |
| Flávio R. Tambellini | .... | producer | |
Original Music by | |||
| Dado Villa-Lobos | |||
Cinematography by | |||
| Breno Silveira | |||
Film Editing by | |||
| Sérgio Mekler | |||
Casting by | |||
| Marcela Altberg | |||
Production Design by | |||
| Kiti Duarte | |||
Art Direction by | |||
| Toni Vanzolini | |||
Costume Design by | |||
| Cláudia Kopke | |||
Makeup Department | |||
| Juliana Mendes | .... | hair designer | |
| Juliana Mendes | .... | makeup designer | |
Production Management | |||
| Felipe Braga | .... | production supervisor | |
| Maria Clara Ferreira | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tatiana De Lamare | .... | assistant director | |
| Luiza Nazareth | .... | assistant director | |
| Tina Salles | .... | assistant director | |
Art Department | |||
| Joana Mureb | .... | set dresser | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Márcio Câmara | .... | sound recordist | |
| Jeff Formosa | .... | sound effects editor | |
| Daniel Mazzuca | .... | sound effects editor | |
| Eric Milano | .... | sound effects editor | |
| Branka Mrkic | .... | sound editor | |
| Tom Paul | .... | sound designer | |
| Tom Paul | .... | supervising sound editor | |
| Daniel Perlin | .... | sound editor | |
| Michael Semanick | .... | sound re-recording mixer | |
| Mark A. Van Der Willigen | .... | sound post-production | |
| Waldir Xavier | .... | sound effects editor | |
Special Effects by | |||
| Sergio Farjalla Jr. | .... | special effects | |
| Sergio Farjalla | .... | special effects supervisor | |
Visual Effects by | |||
| Andre Waller | .... | digital compositor | |
Camera and Electrical Department | |||
| Pablo Hoffmann | .... | video assist | |
| Paulo Souza | .... | gaffer | |
Music Department | |||
| Eric Milano | .... | music editor | |
Other crew | |||
| Sergio Farjalla Jr. | .... | weapons | |
| Fernanda Luz | .... | script supervisor | |
| Perigoso | .... | assistant set manager | |
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| Gone with the Wind | Greed | The Best of Youth | Head-On | The Opposite of Sex |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Brazil section |
I'm not sure just where in the USA this Brazilian film has been released but I'm grateful that it came to my small city...
I saw "City of God" and was mesmerized by its raw power and its characters struggling with their sordid lives of hopelessness. But "The Man of the Year" I had to see twice. Everything about this film appealed to me. Murilo Benicio as Maiquel is nothing less than brilliant as a quiet middle class loser - vain, smug, angry, brooding, thoughtful, remorseful, duped, and with a special fondness for a baby pig that is handed him as a gift. Many twists and turns of fate cause his life to take on dimensions similar to a Greek tragedy. The two women in his life are equally well-cast, along with just about everyone in the entire film. Maiquel struggles with two jealous women, life-long friendships, and along with his new job as a hit-man, he has more than enough to keep him brooding, on edge, questioning his actions, his fate. I could sense his desperation in every scene. And always, you empathize with him.
What made this movie especially powerful for me was the way it was filmed. I read that it is the first movie of director Jose Enrique Fonseca - this man has a real future! The beginning panorama of Rio at night, Murilo's apartment and the pet shop, the wedding, a dose of religion, the final round of killings, the Rave - these and other scenes were filmed with such beauty and panache, propelling the plot with momentum, vigor, color, even tenderness as the Murilo's life changes bigtime. There are touches of humor - being in the dentist's chair, bathing a baby pig, ranting about the pitfalls of marriage. The musical score added immensely to the film, and the camera angles and overall cinematography were expert.
Here's to filmmakers from Brazil, Mexico, and other countries in Central and South America! I hope this film has a wide release, it deserves it.