| Photos (See all 20 | slideshow) | Videos (see all 2) |
| Steven Seagal | ... | Jonathan Cold | |
| Max Ryan | ... | Dunoir | |
| Harry Van Gorkum | ... | Jerome Van Aken | |
| Jeffrey Pierce | ... | Sean Cold | |
| Anna-Louise Plowman | ... | Meredith Van Aken | |
| Sherman Augustus | ... | Mr. Mimms | |
| Gary Raymond | ... | Jared Olyphant | |
| Philip Dunbar | ... | Alexander Marquee | |
| Izabela Okrasa | ... | Clarissa Van Aken | |
| Grzegorz Kowalczyk | ... | Rolls Royce Driver | |
| Dianna Camacho | ... | Hotel Clerk Imke | |
| Deobia Oparei | ... | The Stranger | |
| Grzegorz Emanuel | ... | Jonathan Look Alike | |
| Przemyslaw Saleta | ... | Security Guard | |
| Jan Jurewicz | ... | Man with Porsche | |
| Victoria Smirnova | ... | Claret | |
| John Edmondson | ... | Young Man at Railway Station | |
| Grzegorz Gerszt-Mostowicz | ... | Assailant (as Grzegorz Mostowicz) | |
| Lech Dyblik | ... | Brian | |
| Mariusz Zalejski | ... | Man at French Farm #1 | |
| Marek Sledziewski | ... | Man at French Farm #2 | |
| Tommy Tomaszewski | ... | Suit #1 (as Tomasz Tomaszewski) | |
| Janusz Blaszczyk | ... | Suit #2 | |
| Wenanty Nosul | ... | Polish Steward | |
| Ireneusz Koziol | ... | The Russian | |
| Teresa Szmigielówna | ... | Old French Woman (as Teresa Szmisielowna) | |
| Andrzej Pankowski | ... | Stefan Stockwell | |
| Miroslaw Zbrojewicz | ... | Scarface (as Mirek Zbrojewicz) | |
| Kate Fischer | ... | CIA Agent #1 (as Katie Fischer) | |
| Jacek Samojlowicz | ... | Assailant in Camel Coat | |
| Ryszard Kluge | ... | Forensic Officiel | |
| Oliver Stollorcz | ... | CIA Agent #2 | |
| Andrzej Mrozinski | ... | CIA Agent #3 | |
| Helena Sztyber | ... | Young Maid | |
| Tomasz Krzemieniecki | ... | Van Aken Guard | |
| John P. Gulino | ... | Hotel Manager (as John Gulino) | |
| Lukasz Jakobiak | ... | Waiter in Paris Brasserie |
Directed by | |||
| Michael Oblowitz | |||
Writing credits(in alphabetical order) | ||
| Darren O. Campbell | written by | |
Produced by | |||
| Kamal Aboukhater | .... | producer | |
| Binh Dang | .... | associate producer | |
| Phillip B. Goldfine | .... | co-producer (as Phil Goldfine) | |
| Kazimierz Kowalski | .... | executive producer | |
| Tracee Miller | .... | co-producer | |
| Elie Samaha | .... | producer | |
| Jacek Samojlowicz | .... | executive producer | |
| Steven Seagal | .... | producer | |
| Alison Semenza | .... | line producer | |
| William B. Steakley | .... | line producer | |
| Andrew Stevens | .... | producer | |
Original Music by | |||
| David Wurst | |||
| Eric Wurst | |||
Cinematography by | |||
| Michael Slovis | |||
Film Editing by | |||
| Michael Kuge | |||
Casting by | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Katarzyna Boczek | |||
Art Direction by | |||
| Bogdan Zajaczkowski | |||
Set Decoration by | |||
| Marek Kukawski | |||
Costume Design by | |||
| Magdalena Rutkiewicz | |||
| Maria Wilun | |||
Makeup Department | |||
| David Atherton | .... | hair stylist: Mr. Seagal | |
| David Atherton | .... | makeup artist: Mr. Seagal | |
| Mariola Paweek | .... | makeup assistant | |
| Ewa Radzikowska | .... | makeup artist | |
| Anna Trzepanska | .... | makeup artist | |
Production Management | |||
| Janusz B. Czech | .... | production manager | |
| Joel T. Pashby | .... | post-production supervisor | |
Art Department | |||
| Katarzyna Bajak-Karas | .... | assistant set decorator | |
| Jacek Gaecki | .... | construction labor | |
| Emil Kostecki | .... | property master | |
| Piotr Maksymiuk | .... | stand-by props assistant | |
| Wodek Maksymiuk | .... | stand-by props | |
| Sawek Markiewicz | .... | stagehand | |
| Sylwek Marszaowski | .... | stagehand | |
| Lech Ociesa | .... | property assistant | |
| Andrzej Rychtarczyk | .... | construction foreman | |
| Józef Ziemianek | .... | construction labor | |
Sound Department | |||
| Kami Asgar | .... | supervising sound editor | |
| Marty Church | .... | adr mixer (as Martin Church) | |
| David M. Cowan | .... | sound editor (as David Cowan) | |
| William Freesh | .... | sound re-recording mixer | |
| Jiah Gim | .... | sound assistant | |
| John Garret Gorman | .... | sound recordist (as John G. Gorman) | |
| Vincent Guisetti | .... | foley artist | |
| Devin Joseph | .... | dialogue editor | |
| Devin Joseph | .... | sound editor | |
| Pamela Kahn | .... | foley artist (as Pam Cahn) | |
| Mark Larry | .... | sound editor | |
| Pawel Luczyc-Wyhowski | .... | sound mixer | |
| Pawel Luczyc-Wyhowski | .... | sound | |
| Tomasz Luczyc-Wyhowski | .... | boom operator | |
| Sean McCormack | .... | sound recordist | |
| Robert Nichols II | .... | sound recordist (as Robert 'Bubba' Nichols) | |
| Kyle Rochlin | .... | foley mixer | |
| R. Russell Smith | .... | sound re-recording mixer | |
| Tim Tuchrello | .... | first assistant sound editor | |
| David Weisberg | .... | adr mixer | |
| Kerri Wilson | .... | sound editor | |
| James Wright | .... | stereo sound consultant: Dolby (as Jim Wright) | |
Special Effects by | |||
| Alexander Kierecki | .... | special effects | |
| Tomasz Michalik | .... | special effects | |
| Uki Neszer | .... | special effects coordinator | |
| Pawel Pajak | .... | special effects | |
| Pawel Suchozerbski | .... | special effects | |
| Piotr Szablowski | .... | special effects coordinator | |
| Magorzata Szabowska | .... | special effects coordinator | |
| Andreas Tügel | .... | special effects coordinator | |
Visual Effects by | |||
| Blake Busby | .... | title graphics | |
| Chris Ervin | .... | visual effects | |
| Julie Landholt | .... | title graphics | |
| Brian Portenberry | .... | optical programer | |
| Mike Uguccioni | .... | digital compositor | |
| Christopher Dusendschon | .... | digital imaging: iO FILM (uncredited) | |
Stunts | |||
| Tom Delmar | .... | stunt coordinator | |
| Evangelos Grecos | .... | stunts | |
| Ryszard Janikowski | .... | assistant stunt coordinator | |
| Stella Kuczynska | .... | stunts | |
| Wolfgang Lindner | .... | stunt double: Steven Seagal | |
| Diz Sharpe | .... | stunts | |
| Marcin Velinov | .... | stunts | |
Casting Department | |||
| Andrzej Bednarski | .... | additional casting: Poland | |
| Andrea Clark | .... | casting associate: UK | |
| Lana Veenker | .... | casting assistant: Los Angeles (uncredited) | |
Costume and Wardrobe Department | |||
| Karolina Bystrowska | .... | costumer: second unit | |
| Anna Kiliaska | .... | costumer | |
| Anna Rychlik | .... | costumer: Mr. Seagal | |
Editorial Department | |||
| Joshua Gershon | .... | first assistant editor | |
| Michael Hatzer | .... | color timer | |
| Aaron Rottinghaus | .... | second assistant editor | |
Music Department | |||
| Matt LaPoint | .... | technical assistant: score | |
| Michael Lloyd | .... | music supervisor | |
| Eric Wurst | .... | conductor | |
| Eric Wurst | .... | orchestrator | |
Transportation Department | |||
| Grayna Duda | .... | transportation coordinator | |
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| Into the Sun | From Paris with Love | The Professional: Golgo 13 | G.I. Joe: The Rise of Cobra | Maximum Risk |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Jonathan Cold is a freelance agent who is hired by Alexander Marques to carry a package across Europe to Jerome Van Aiken. When the simple collection turns into a gunfire that ends with the building in flames, Cold suspects something is up but, after a diversion to his father's funeral, continues to try and deliver the package. However as the hours pass, Cold finds that more and more people seem to want either a) the package, b) Cold stone cold dead or c) both of the above. Unsure of who these people are or why they want the package (or even what the package is because, despite everyone in the world betraying him, he is too "professional" to look inside) Cold tries to sort out right from wrong and make it out alive.
Call me a stubborn man but although Out For A Kill was a shambles, I still somehow thought that I would give this joint Oblowitz/Seagal film a shot. Very quickly it becomes apparent that the plot isn't going to stand up for longer than 20 minutes which is a problem in a 90 minute film. Taking the usual cliché of an agent being chased by all sides, trying to find a solution, this film forgets to actually write it in such a way that it makes sense or even engages. People pop up all over the place, are thrown out of windows and generally interact with bullets or explosions in one way or another but we don't really know who they are or why they are doing it. In one sense this might have worked by producing a general sense of claustrophobia and tension but it doesn't instead it gives the impression that the writers haven't done much with the story other than drawing up a storyboard where lots of people fall through windows. This lack of effort in the writing is not only at this level but also runs all through the film for example on man behind shot twice by a shotgun (at 10 foot range), falling out a second storey window but turning up alive minutes later with an injury to his side but generally fine otherwise.
With these problems it will be no surprise to find that the characters are poor. Most of them are just cardboard clichés but Cold is the main problem. Here is someone we are meant to like, who is a professional, however he managed to be completely lacking in morals and is closer to the baddies than I'm sure Seagal would have liked. For example he pays some "normal" guy to deliver his car to Germany, thus drawing the bad guys away from him problem is, the normal guy was always going to get killed is this a plan that is meant to make me like him or care if Cold lives or dies? Maybe this was the point but, if it was, it didn't work because Seagal delivers it just the same as ever loads of mumbles and slightly altering his tone of voice when required to display any emotion. Ryan is a little bit more expressive (and thus fun) but he seems to spend most of his time running away from explosions or reappearing from the dead. The rest of the support is bland, being made up of obscure sports stars turned actors and lots of people trying to look classy without the material to allow them to do it. Suffice to say that, when none of the cast even manage to outshine Seagal then you know things aren't good.
Overall a poor Seagal film that even fans will struggle to get into. The action is poor and is directed with no flow (or edit longer than a second) and it is too hard to get excited about it. This leaves the story, which is a sorry mess of a plot that makes no effort to engage or make sense of; basically it just relies on people falling through glass and those looking for a complex thriller and not just wasting their time they are deluding themselves. Even Seagal fans (if any remain) will struggle to care about this garbage.