Matt is an elite ex-cop whose life has gone down hill since he was kicked off the Force. After a rough encounter with a mysterious henchman, Matt is brought face to face with his only ... See full summary »
Renée Elise Goldsberry
A hard core Interpol Agent is assigned to an Eastern European task force to target gun trafficking and dope running throughout the Balkans. While investigating a Russian gun dealer, his ... See full summary »
Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked ... See full summary »
Jonathon Cold is a freelance agent hired by a mysterious man to deliver a package from France to Germany. The contents of the package remain undisclosed, even between employer and employee, but whatever it contains seems to be attracting a swarm of political corruption, backstabbing bad guys and murder. However, Cold knows he must stay one step ahead of the evil powers at work, whoever they are, no matter what the cost, as it increasingly becomes a game of step on or be stepped on. Written by
The opening scene with the soldiers is an actual "change of duty" at the "Grave of an Unnamed Soldier" in Warsaw, Poland - a symbolic tribute to all those killed in the Second World War. See more »
During the fight between Dunoir and Cold at the end of the movie, the knife Dunoir pulls is clearly a rubber training knife (note how it wobbles side to side during the slow motion portions; it is also uncharacteristically thick). See more »
Merideth Van Aitken:
[on the phone with Cold after a hitman tried to jump him]
Mr. Cold, I can assure you that the least I am is naive.
Naivity is not what I accuse you of, Miss Van Aitken. However, arrogance does come to mind. So I'll leave you with this in mind: trying to kill me was your first and last mistake.
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The shape of things to come for Seagal,so it would seem
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Steven Seagal should have got a better agent.After Exit Wounds miraculously went straight to number one at the US box office and temporarily restored his position as a top ranking Hollywood action star,his next step was not to go for a leading role in a film by another big name,Hollywood action director like John Woo or Michael Bay,or even his old aquaintance Andrew Davis,but to go to trashy,sloppy DTV action director Albert Pyun and appear in a supporting role in a Godawful piece of dreck by the name of Ticker.This,did,however,go straight to video (as just about every film Pyun's ever made has) and probably went unnoticed by the cinema going public.However,when the film Half Past Dead was released a year later,in which Mr.Ponytail co starred with gravel voiced rap midget Ja Rule,the gimmick appeared to have worn off,and the film,unlike EW which started the whole Seagal/rappers thing,was a mega flop.Maybe it had something to do with it being released on the same weekend as Harry Potter 2,but nevertheless,flop it was,and now,Seagal appears to have plummeted smack-bang right to the position his career was in five years ago with the straight-to-video action movie The Foreigner,a labourous,over-stylised dud that runs for 92 minutes,but ends up feeling more like 992.
This is probably owed more than anything to a totally incomprehensible plot,with too many thinly plotted twists,turns and red herrings in it to sustain interest.
Seagal's raspy voice has always seemed to prove a hinderance to any movie he's in,but he mumbles so badly at certain stages in this,even the highest pitched dolby pro logic sound system probably couldn't make him sound any more audible.
Aside from this,the movie,especially for a 15 certificate,is full of gratuitous violence,mainly in the form of graphic shootings,especially from the Dunoir character.There are some other rather grisly images too,but the shootings are certainly the most consistent.
Certain scenes have a nice visual flair,and the action's not bad,but overall,this is a ponderous mess that shows clearly the direction in which Seagal's star is falling.**
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