When most of the population of Earth is infected with a virus and transformed into flesh eaters and blood drinking creatures, a group of hunters led by Tao chases the vampire zombies to ... See full summary »
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
When former black ops operative Cross (Seagal) and his partner Manning (Austin) are assigned to decommission an old prison, they must oversee the arrival of two mysterious female prisoners.... See full summary »
"Force of Execution" is the story about a crime lord torn between his legacy and his desire to get out of the life of crime that has built his empire, when a new player to the scene tries ... See full summary »
Jonathon Cold is a freelance agent hired by a mysterious man to deliver a package from France to Germany. The contents of the package remain undisclosed, even between employer and employee, but whatever it contains seems to be attracting a swarm of political corruption, backstabbing bad guys and murder. However, Cold knows he must stay one step ahead of the evil powers at work, whoever they are, no matter what the cost, as it increasingly becomes a game of step on or be stepped on. Written by
To this date, 2014, is the second of two collaborations between Steven Seagal and director Michael Oblowitz. The first collaboration was Out For A Kill. See more »
When Dunoir enters the hotel room where Mr. Mimms is checked in under Cold's name, he is holding two handguns. The handgun in his right hand has a silencer on the end of the barrel. However, when he fires from both handguns into the shower, no silencer is seen on the gun in his right hand, and loud gunshots are heard. When he turns in the next camera shot, the silencer is back. See more »
You know, you kind of look like Ray Charles. Then again, old Ray can't shoot as good as you, right.
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The Foreigner is a straight-to-video Steven Seagal film that was originally intended to be released as a theatrical feature in March, 2003, an intention which was reportedly reversed when Seagal's prior film (Half Past Dead) tanked at the box office. According to some reports, the film had a lavish $20 million budget, including location shoots in Warsaw and Paris, and was completed as part of the studio's obligation to a two-picture deal which was negotiated after the relative success of Exit Wounds seemed to indicate that Seagal still had a solid following.
Despite the size of their investment, Sony Screen Gems probably made the right move in shelving this movie. It is nearly incomprehensible. What am I saying? It IS incomprehensible. I don't think I understood what was going on at all, except in the very broadest terms.
Seagal is employed by a mysterious guy to deliver a mysterious package to another mysterious guy. Other mysterious guys try to stop him. Other highly mysterious guys try to kill the moderately mysterious guys who try to stop him. Other really, really mysterious guys do especially mysterious stuff, all of which which was in fact too mysterious for me to figure out. The intended recipient's mysterious wife tries to intercept the package before it can be delivered to her husband. Because he is a self-proclaimed "consummate professional" who has been hired to deliver the package only into the hands of the husband, Seagal at first defies the wife, then later gets involved in protecting her and her daughter from other mysterious guys with unexplained agendas, as well as from her husband.
Many people have mysterious, cryptic conversations. Many people blow each other's brains out. Some guys seem to die more than once, while in other scenes gunfights end without a clear view of the result, so the audience sees somebody die, but is not sure which one of the gunslingers is headed to boot hill. Allegiances shift often, adding further mystery. Or should I say confusion?
I don't know who was on whose side, or what anybody really wanted, and the resolution was as unsatisfying as the exposition. At the end of the movie, I just sat there thinking, "That's the end? What the ...?"
I couldn't even figure out the credits. IMDb says that Aussie actress Kate Fischer (from "Sirens") was in this film, but I'll be damned if I know where. Either she was left on the cutting room floor or she wisely opted out of the project. She could have found some activities more beneficial to her career, like having unnecessary surgery, ripping those pesky insert cards out of magazines, or taking some community college courses in animal husbandry.
Seagal used to be a pretty fair hand-to-hand combatant, but the action scenes didn't manage to redeem this film at all. Seagal is in his 50's now and is a very large man, so he is reduced to a mimimal level of physical exertion and even during that he is contained in a knee-length coat to hide his inchoate Brandoesque girth. He might even get a little winded removing the wrappers from candy bars, although that's understandable if you estimate just how many of those he must have to eat to maintain his present girth.
Steven Seagal seemed to be making a comeback with Exit Wounds, but if his last film was half past dead, this one must be pretty close to filling out the other half.
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