Jason Gutierrez is a Puerto Rican from New York City and the quintessential All-American guy. Status comes at a high price as rumors spread that Jason is gay. With his identity questioned, ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Rosie returns to her home city on the death of her father, a former policeman. His diaries hint at corruption, and she also receives hints and veiled threats which support her suspicions. ... See full summary »
Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed. Written by
Andreas Furumo <firstname.lastname@example.org>
While watching a football match together, Veronica (Cate Blanchett) tells to the "Tattooed Boy" ('Colin Farrell') that "once she met Eric Cantona" (famous football player from the '90s). Blanchett and Cantona worked together in Elizabeth (1998). See more »
While Guerin is in Dublin Airport with the Monk, signs for Terminal 1's Pier C departure gates are visible in the background. Pier C did not open until 2000. See more »
[to an informer who is bound and gagged in a derelict flat]
[genially but menacingly]
Ah Jamey, Jamey, Jamey. You're an awful man, d'you know that? What did you have to go and shoot your mouth off to the Gards about me for? Did you think I wouldn't find out it was you? You know, I was thinking about killing you. And then I thought to myself, you know, sure, people get killed every day - and nobody gives a shite. So I've decided I'm going to have to hurt you a bit.
Jamey the Tout:
[mumbling through gag]
[...] See more »
Disclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect." See more »
I've been revaluing Joel Schumacher as a director for some years. I was used to think he was just a typical Hollywood movie maker. But I understood this man does commercial features whenever he needs money ("Batman forever", "Batman & Robin", "The client", "A time to kill"), as he gets it he manages to do good and more personal films.
In fact his mainstream movies are quite boring and mannered. Fortunately Schumacher is much better with more alternative or low-budget films ("Falling down", "Tigerland", "Phone booth"). "Veronica Guerin" belongs to this category.
I'm also happy, in this case, that a blockbuster producer like Jerry Bruckheimer manages not to spoil the movie with artificial tricks.
Veronica Guerin seems to me a symbol of Irish tragicalness. I mean, the tragicalness you can find in works of James Joyce and Oscar Wilde, in stories and legends of Ireland as well. Sadly, her story is true.
The film has the right speed in presenting all the facts, it is simple and well acted -Cate Blanchett's performance is outstanding.
Maybe Joel Schumacher, in the final part, looses a little the sense of rhythm because he wants us to be moved and touched (and we are, indeed. Because it's a shame that a woman and a brave journalist as well had to pay that price). But it's a true story, as I said. The film is valid because it denounces the "conspiracy of silence" and inaction from authorities.
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