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The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, ... See full summary »
Director:
John Boorman
Stars:
Brendan Gleeson,
Adrian Dunbar,
Sean McGinley
A true story about Frank Abagnale Jr., who, before his 19th birthday, successfully conned millions of dollars' worth of checks as a Pan Am pilot, doctor, and legal prosecutor.
Director:
Steven Spielberg
Stars:
Leonardo DiCaprio,
Tom Hanks,
Christopher Walken
After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized; over 10 years later, they get their chance for revenge.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.
Director:
Martin McDonagh
Stars:
Elizabeth Berrington,
Colin Farrell,
Brendan Gleeson
Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed. Written by
Andreas Furumo <andreas.furumo@bredband.net>
When Traynor meets with Veronica on a pier in Dublin, he parks his car right behind Veronica's car, between two small pillars. When their meeting is over, Veronica drives away, which should be impossible because the exit off the pier is completely blocked by Traynor's car and the pillars. See more »
Quotes
Veronica Guerin:
It'll be worse for me, and it'll be worse for journalism or any journalist if they were to be intimidated, then that means they've won, and they're not going to win.
See more »
Crazy Credits
Disclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect." See more »
"Aftermath"
Written by Adrian Thaws
Published by Universal-Island Music Ltd.
Performed by Tricky
Courtesy of Universal-Island Records Limited See more »
I've been revaluing Joel Schumacher as a director for some years. I was used to think he was just a typical Hollywood movie maker. But I understood this man does commercial features whenever he needs money ("Batman forever", "Batman & Robin", "The client", "A time to kill"), as he gets it he manages to do good and more personal films.
In fact his mainstream movies are quite boring and mannered. Fortunately Schumacher is much better with more alternative or low-budget films ("Falling down", "Tigerland", "Phone booth"). "Veronica Guerin" belongs to this category.
I'm also happy, in this case, that a blockbuster producer like Jerry Bruckheimer manages not to spoil the movie with artificial tricks.
Veronica Guerin seems to me a symbol of Irish tragicalness. I mean, the tragicalness you can find in works of James Joyce and Oscar Wilde, in stories and legends of Ireland as well. Sadly, her story is true.
The film has the right speed in presenting all the facts, it is simple and well acted -Cate Blanchett's performance is outstanding.
Maybe Joel Schumacher, in the final part, looses a little the sense of rhythm because he wants us to be moved and touched (and we are, indeed. Because it's a shame that a woman and a brave journalist as well had to pay that price). But it's a true story, as I said. The film is valid because it denounces the "conspiracy of silence" and inaction from authorities.
34 of 47 people found this review helpful.
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I've been revaluing Joel Schumacher as a director for some years. I was used to think he was just a typical Hollywood movie maker. But I understood this man does commercial features whenever he needs money ("Batman forever", "Batman & Robin", "The client", "A time to kill"), as he gets it he manages to do good and more personal films.
In fact his mainstream movies are quite boring and mannered. Fortunately Schumacher is much better with more alternative or low-budget films ("Falling down", "Tigerland", "Phone booth"). "Veronica Guerin" belongs to this category.
I'm also happy, in this case, that a blockbuster producer like Jerry Bruckheimer manages not to spoil the movie with artificial tricks.
Veronica Guerin seems to me a symbol of Irish tragicalness. I mean, the tragicalness you can find in works of James Joyce and Oscar Wilde, in stories and legends of Ireland as well. Sadly, her story is true.
The film has the right speed in presenting all the facts, it is simple and well acted -Cate Blanchett's performance is outstanding.
Maybe Joel Schumacher, in the final part, looses a little the sense of rhythm because he wants us to be moved and touched (and we are, indeed. Because it's a shame that a woman and a brave journalist as well had to pay that price). But it's a true story, as I said. The film is valid because it denounces the "conspiracy of silence" and inaction from authorities.