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A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed. Written by
Andreas Furumo <email@example.com>
Composer Harry Gregson-Williams heard a boy (Brian O'Donnell) singing on the street for money in Dublin when he arrived to spend a few days on the set of the film. Later, he tracked the boy down again and recorded him singing six or seven folk songs acapella in a quiet alley. Gregson-Williams chose "Fields of Athenry" from the recording and added his own music around the song. See more »
During the epilogue, it is claimed that in an emergency Parliament session, the Government altered the Constitution. This is inaccurate for two reasons. Firstly, no such amendment of the Constitution occurred. Secondly, when an amendment is made, the Government alone does not have the authority to enact it: it may only propose such amendments to the people, in the form of a referendum. See more »
[to an informer who is bound and gagged in a derelict flat]
[genially but menacingly]
Ah Jamey, Jamey, Jamey. You're an awful man, d'you know that? What did you have to go and shoot your mouth off to the Gards about me for? Did you think I wouldn't find out it was you? You know, I was thinking about killing you. And then I thought to myself, you know, sure, people get killed every day - and nobody gives a shite. So I've decided I'm going to have to hurt you a bit.
Jamey the Tout:
[mumbling through gag]
[...] See more »
Disclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect." See more »
Moving, unsentimental account of a remarkable woman
This was an extremely moving film, covering the life and death of the remarkable Veronica Guerin.
It would have been easy to sentimentalize this story, but it unfolded in a realistic, down-to-earth fashion that somehow made Guerin's death all the more harrowing.
However, Guerin was not painted as a tragic figure, but was shown throughout as a flawed and all-too-human figure (the incident with the skateboard at her son's party was very telling) who felt that she just HAD to continue with her crusade.
It is impossible to over-praise Cate Blanchett's performance, varying from flirtatious and humorous to passionate and driven.
Not an easy film to watch, but one that I cannot recommend highly enough.
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