Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
Black Cloud, is an inspirational story about a young Navajo, Native American boxer, who overcomes personal challenges as he comes to terms with his heritage, while fighting his way for a spot on the US Olympic boxing team.
Takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling ... See full summary »
In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to ... See full summary »
Charlie Silvercould III carries around a family curse passed down from his grandfather; death by a milk truck on his 25th birthday. With eight days left, Charlie accepts his fate and starts... See full summary »
Robert A. Guthrie,
Social realism regarding struggles of reservation-dwelling Native Americans in the North Central states of the US. Main character is an introspective and lovable person in a process of ... See full summary »
Joannelle Nadine Romero
Faced with the murder of three medicine men, Navajo police must find the culprit. That the murders appear to be the work of a Skinwalker, or bad medicine man, complicate and illuminate the detective's work. Written by
The knife found in Chee's tire is held in place by grey putty, clearly seen and covering the tire tread. See more »
Well, when something bugs you, usually turns out to be important, so I would stay on it. Come one, Joe. You'll solve it. You'll be a little dull until you do, but I know you'll solve it.
Lt. Joe Leaphorn:
You're the best.
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I'm a fan of Hillerman's mysteries, and had high hopes for Redford's film adaptations. I came away from Skinwalkers a bit disappointed. I should preface my comments by saying that I've read about two-thirds of the Navajo mysteries, and Skinwalkers is my least favorite, so in some sense my disappointment started with the choice of book to adapt. However, my main quibbles with the movie are independent of this issue.
The foremost problem is what I see as unfaithful characterizations of Leaphorn and Chee. In the books, Leaphorn's defining attribute is his preternatural intuition, which he backs up with methodical procedure--sort of an aging Navajo Adam Dalgleish. Chee's essence is that he's a good cop who has to overcome frequent waves of self-doubt. Both are men of few words, Leaphorn because his mind is always whirring, Chee because he's moody by nature. Perhaps most distinctly, the relationship between the two is extremely unequal: Chee is in awe of Leaphorn's reputation, and as such is perpetually worried about making a wrong move within Leaphorn's view. However, what the Skinwalker movie does is take a single dimension of the characters--the fact that Chee is an active participant in Navajo spirituality and Leaphorn is not--and make that their defining contrast. This distorts Leaphorn in particular almost beyond recognition: rather than the icy logician of the books, whose attitude toward Navajo spiritual tradition is at worst pragmatic, the movie renders him as sort of a reservation Dirty Harry (with a smaller gun), informed primarily by cynicism about human motives. Given this, there's nothing for Chee to be in awe of, and their collaboration is presented as an equal division of labor, with Chee providing the "Navajo insider" angle and Leaphorn the "hardheaded cop" grounding.
Beyond this, the plot of the movie diverged considerably from that of the book, for the worse in my opinion. Disparaging a movie for not being true to a book I didn't like all that much might sound like complaining about the small portions at a lousy restaurant, but the book did have some good moments, most of which got altered or left out. In particular, the book has an especially tense episode near the end when one of the principles is in grave danger, a scene that could have been adapted to great effect. Instead, the movie's denouement feels forced, as is not that exciting.
For fans of Hillerman's books, I strongly recommend seeing the film of The Dark Wind, which I think captures the feel of the books much better than does Skinwalkers. I have a harder time recommending The Dark Wind to those unfamiliar with the books, as it has a slow pace and will probably be hard to follow. I also liked the adapatation of Coyote Waits quite a bit, less than The Dark Wind, but much more than Skinwalkers.
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