A winner and sure to please. In front of one of the largest newspaper offices is a hot air shaft through which immense volumes of air are forced by a blower. Ladies in crossing this shaft ... See full summary »
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out?
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
Strong-man Eugene (Eugen) Sandow poses in a long shot on a bare stage against a black background, wearing only tight trunks and laced sandals. He begins with his arms folded against his ... See full summary »
"In the opening of this film is seen the astronomer intently poring over his books. Suddenly, in a cloud of smoke, Satan appears and surprises the astronomer. At the command of the Fairy ... See full summary »
A winner and sure to please. In front of one of the largest newspaper offices is a hot air shaft through which immense volumes of air are forced by a blower. Ladies in crossing this shaft often have their clothes slightly disarranged. A young man is escorting a young lady and talking very earnestly. They walk slowly along until they stand directly over the air shaft. The young lady's skirts are suddenly raised to an almost unreasonable height, greatly to her horror and much to the amusement of the newsboys, bootblacks, and passersby. Written by
One of the films in the 3-disk boxed DVD set called "More Treasures from American Film Archives (2004)", compiled by the National Film Preservation Foundation from 5 American film archives. This film is preserved by the Library of Congress, has a running time of 74 seconds and an added piano music score. See more »
Of all the short films in the four disc Edison/Kino set this is the one I liked the best. And it's amazing it's from 1901. The majority of the films from the historic Edison Co. survived only in a paper print form. That is each frame of a particular film was printed on photographic paper and deposited in the LOC(Library of Congress). It's a very good fortune that these films were randomly deposited in this manner else they might have stayed lost forever. The paper prints, fortunately, were one or two steps away from the clarity of the camera negative, thus the pictorial quality on some of these early gems is quite clear as opposed to the murky/muddy quality we're used to seeing on films of this very early vintage.
WHAT HAPPENED ON 23RD STREET, is valuable as it documents a section of New York City that could probably be matched up today to the very point where the cameraman was filming. This film also has fun at tempting the sexual attitudes of it's time. Looking at it today you basically see people going about their daily affairs, though one can't help wondering if a taping measure or mark-off point has been told to the people to stay away & not look at the camera. Anyhow no one looks at the camera nor gets near it until the close of the film. Then the 'starring' couple walks up and the young woman in long skirt walks over an air duct and parts of her skirt fly up just above the knees. The lady and her male friend get a kick out of this but they would've understood the moral implications of this. They walk off laughing trying to play it off that she didn't know that there was an air grate on the sidewalk and that her dress would rise high up to her head.
It's hard for us today to believe that this was being risqué. But there was a time in America that if a woman showed her legs in public it could throw men into a frenzy. And no doubt many a man enjoyed this flick for the sexually stimulating experience of seeing her skirt go up and viewing her legs. Another thing is that this film must have been available in some kind of form in the 1950s since the same type of scene is virtually aped by Marilyn Monroe in the movie The Seven Year Itch. But to less effect if you ask me.
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