Wallace takes a break from trying to decide on a holiday destination only to find he has no cheese for his crackers. The solution to both problems is a trip to the moon, with dog Gromit, because everybody knows the moon's made of cheese.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
It's 'vege-mania' in Wallace and Gromit's neighborhood, and our two enterprising chums are cashing in with their humane pest-control outfit, "Anti-Pesto." With only days to go before the annual Giant Vegetable Competition, business is booming, but Wallace & Gromit are finding out that running a "humane" pest control outfit has its drawbacks as their West Wallaby Street home fills to the brim with captive rabbits. Suddenly, a huge, mysterious, veg-ravaging "beast" begins attacking the town's sacred vegetable plots at night, and the competition hostess, Lady Tottington, commissions Anti-Pesto to catch it and save the day. Lying in wait, however, is Lady Tottington's snobby suitor, Victor Quartermaine, who'd rather shoot the beast and secure the position of local hero-not to mention Lady Tottingon's hand in marriage. With the fate of the competition in the balance, Lady Tottington is eventually forced to allow Victor to hunt down the vegetable chomping marauder. Little does she know that... Written by
Each character needed several versions to cover a range of emotions and poses. There were 43 versions of Gromit, 35 Wallaces, 16 Victor Quartermaines and 15 Lady Tottingtons, as well as 20 differently shaped mouths. A single line of dialog of only a few words could take a whole day to animate. See more »
When Gromit presses the button to deploy the lasso, there is a hood ornament on the car, which rotates 90 degrees as the hood opens. But a moment later when the lasso rises (and for the remainder of the chase) the hood ornament is gone. When the car returns to Wallace's house and shakes off the mud, the ornament is back again. See more »
Rabbits float up the screen during the closing credits. On the Sci-fi music, they flash in different colors. On the romantic music, two rabbits act romantic and sometimes fly in other directions. The final line in the credits is "We would like to stress that no animals were harmed during the making of this film", and a rabbit hits its head on the text and falls. See more »
I saw it at a German press screening. Without giving too much away: Most critics really seemed to like it very much. There was even applause afterwards, which is quite unusual for that species. From my point of view and until now, it was the funniest movie of the year. It keeps the charm and wit of the three W+G shorts and it is enlarged with many references to these and other movies. Of course, there are obvious allusions to monster- and werewolf-movies, especially to "An American Werewolf in London", "Jaws", "King Kong" and even to Peter Jackson's "Braindead"/"Dead Alive", but also to other genres.
Characterization was better done in "Chicken Run", but that movie had a complete new "cast" where introduction was necessary. Here, you are already able to know the two main characters. So, the new "Wallace and Gromit"-movie is enjoyed best if you watched (and liked) the shorts already, yet it also works on its own. "Chicken Run" had the more convenient, but also more "storytelling" plot. Instead, this new Aardman masterpiece keeps that crazier and somehow more "isolated" feeling of the W+G shorts. Children should also enjoy it very much, especially because of the sweet rabbits (if you love cute bunnies, this is a must-see for you!!!) and because Gromit has a lot do to and really steals the show (children also love dogs... :-) ). But many jokes are thought for a more adult audience (there are even soft sexual allusions in it). The movie manages, like "Shrek 1+2" and "The Incredibles", to fulfil high level entertainment for the whole family, with adding a British and at least a little bit darker edge to the humour of American animated movies.
The animation is as expected superb, and they kept true to the Aardman style because they didn't put in too many digital effects - I realized just a few when it came to Wallace's inventions.
Finally, the score works fine in the movie, although one of the main themes definitely is "borrowed" by Randy Edelman's "Dragonheart" score.
The bad thing is: It will probably take another six years from now until we can see a new animated gem from Nick Park & Co.
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