| Photos (See all 28 | slideshow) | Videos (see all 2) |
| Elijah Wood | ... | Jones | |
| Franka Potente | ... | Jane | |
| Mandy Moore | ... | Lisa | |
| Chris William Martin | ... | Steve | |
| Deborah Harry | ... | Ma Mabley | |
| Elizabeth Perkins | ... | Blanche | |
| Aaron Pearl | ... | Brad | |
| Aloma Wright | ... | Alicia | |
| Andrew Jackson | ... | Guy | |
| Malcolm Scott | ... | Randy | |
| Frank C. Turner | ... | Custodian | |
| Josh Byer | ... | Skinhead | |
| Chad Faust | ... | Tough | |
| Daniella Evangelista | ... | Girlfriend | |
| Michael Roberds | ... | Clerk (as Michael Roberts) | |
| Michael P. Northey | ... | Phone Guy | |
| Vicky Huang | ... | Cantonese Girl | |
| Chris Boyd | ... | No Arms | |
| Narmaya | ... | Belly Dancer (as Narma Ya) | |
| Desiree Zurowski | ... | Nude Instructor | |
| Tom Bell | ... | Bartender |
Directed by | |||
| Jeffrey Porter | |||
Writing credits | ||
| Charles Kephart | (written by) | |
Produced by | |||
| Boaz Davidson | .... | executive producer | |
| Mike Elliott | .... | producer | |
| Randall Emmett | .... | producer | |
| George Furla | .... | producer | |
| Joseph P. Genier | .... | co-producer | |
| Bradley Jenkel | .... | executive producer (as Brad Jenkel) | |
| Avi Lerner | .... | executive producer | |
| Trevor Short | .... | executive producer | |
| John Thompson | .... | executive producer | |
| Michele Weisler | .... | producer | |
| Holly Wiersma | .... | producer | |
| Shawn Williamson | .... | co-producer | |
Original Music by | |||
| Andrew Gross | |||
Cinematography by | |||
| Blake T. Evans | (director of photography) (as Blake Evans) | ||
Film Editing by | |||
| David M. Richardson | (as David Richardson) | ||
Casting by | |||
| Maureen Webb | |||
Production Design by | |||
| Rachel O'Toole | |||
Art Direction by | |||
| Geoff Wallace | |||
Set Decoration by | |||
| Shane Vieau | |||
Costume Design by | |||
| Katrina McCarthy | (as Katrina McKarthy) | ||
Makeup Department | |||
| Devyn Griffith | .... | assistant makeup artist (as Devyn Griffiths) | |
| Kandace Loewen | .... | hair stylist (as Kandace Lowen) | |
| Andrea Simpson | .... | assistant hair stylist | |
| Margaret Yaworski | .... | makeup artist | |
Production Management | |||
| Dan Clarke | .... | production manager | |
| Jonathan Shore | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jeffrey Furlong | .... | trainee assistant director (as Jeff Furlong) | |
| Robert Lee | .... | second unit director | |
| Jay Henry Moritz | .... | second assistant director | |
| Michael Pohorly | .... | third assistant director | |
| Gary Blair Smith | .... | first assistant director | |
Art Department | |||
| James Blake | .... | key scenic artist | |
| Gerri Crawford | .... | props buyer (as Gerri-Lynne Crawford) | |
| Greg Diachok | .... | lead scenic artist | |
| Adrian Dowell | .... | construction coordinator (as Andrian Dowell) | |
| David Dowling | .... | lead props | |
| Michael Farrell | .... | head carpenter | |
| Scott Holburn | .... | on-set dresser | |
| Barry Kemp | .... | assistant set decorator | |
| Kristina Lyne | .... | assistant art director | |
| David Menske | .... | set decorator buyer | |
| David Perun | .... | property master | |
| Judi Stackaruk | .... | set dresser | |
Special Effects by | |||
| James Franchuk | .... | special effects first assistant | |
| John Sleep | .... | special effects coordinator | |
Visual Effects by | |||
| John Fukushima | .... | digital compositor | |
| Brady Hallongren | .... | title and camera supervisor: Stewart Motion Pictures | |
| Sean Hewitt | .... | optical printer operator: Stewart Motion Pictures | |
| Rita Schrag | .... | optical printing supervisor: Stewart Motion Pictures | |
| Jim Stewart | .... | optical design: Stewart Motion Pictures | |
| Joel Tong | .... | digital compositor | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
| Garvin Cross | .... | stunt performer | |
| Crystal Dalman | .... | stunt performer | |
| Ryan Ennis | .... | stunt performer | |
| Rick Pearce | .... | stunt performer | |
| Heath Stevenson | .... | stunt performer | |
| Claire Webb | .... | stunt performer | |
Camera and Electrical Department | |||
| Paul Akehurst | .... | lamp operator (as Paul Akerhurst) | |
| Ray Boyle | .... | gaffer | |
| Ryan Cox | .... | grip | |
| Michael Davies | .... | camera operator | |
| Dwight Durham | .... | assistant camera trainee | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Cliff Hokanson | .... | camera operator | |
| David Jones | .... | grip | |
| Lynne Kam | .... | best person grip (as Lynne Kamm) | |
| Benoît Lamarche | .... | key grip (as Benoit La Marche) | |
| Mark Lunn | .... | first assistant camera | |
| Heather MacNeill | .... | second assistant camera (as Heather Macneill) | |
| Dave McFarland | .... | additional cinematographer | |
| Patrick Moore | .... | generator operator | |
| Philippe Palu | .... | dolly grip (as Phillipe Palu) | |
| Shelly Papp | .... | best person electric (as Shelley Papp) | |
| Dave Roughley | .... | lamp operator (as Dave Roughly) | |
| Scott Kozak | .... | grip (uncredited) | |
Casting Department | |||
| Sandra Couldwell | .... | extras casting | |
| Lonnie Mackenzie | .... | extras casting assistant (as Lonnie Rathie) | |
Costume and Wardrobe Department | |||
| Kristen Bond | .... | costume set supervisor | |
| Jessica Costa | .... | costume truck supervisor | |
| Brie Thorpe | .... | assistant costume designer (as Brie Thrope) | |
Editorial Department | |||
| Dave Duce | .... | post-production coordinator (as David Duce) | |
| Earl Fudger | .... | first assistant editor | |
| Harvey Greenberg | .... | head of post-production | |
| Ryan Hogan | .... | final colorist | |
| Vicki McIsaac | .... | post-production coordinator (as Vicki Mcisaac) | |
Music Department | |||
| James Jacobson | .... | composer: additional music (as Jake Jacobson) | |
| Jeff Lingle | .... | music editor | |
| Ashley Miller | .... | music supervisor | |
| Brian Reardon | .... | composer: source cue | |
| Rich Walters | .... | music editor | |
| Brian Reardon | .... | session musician (uncredited) | |
Transportation Department | |||
| Richard Atchison | .... | driver (as Rick Atchison) | |
| Joanna Banks | .... | driver | |
| Ben Derrick | .... | transportation coordinator | |
| John Derushie | .... | driver | |
| Don Garden | .... | driver | |
| Dave Gaudet | .... | driver | |
| Viola Janzen | .... | transportation captain | |
| Mike Larson | .... | driver | |
| Bernie MacDonald | .... | driver (as Bernie Macdonald) | |
| Rick Marcoux | .... | driver | |
| Lindsay Morris | .... | driver | |
| Len Nordine | .... | driver | |
| Matt Trask | .... | co-transportation captain | |
| Len Turgeon | .... | driver | |
Other crew | |||
| Tsila Adler | .... | post-production accountant | |
| Leon Thomas Braun | .... | production assistant | |
| Merav Broder | .... | production legal: Frankel & Feig LLP (as Merav Broder Esq) | |
| Donald Bruce | .... | production controller | |
| Karen M. Cockrell | .... | post-production accounting manager (as Karen Cockrell) | |
| Ian Doig | .... | animal trainer: wild animals | |
| Dani Elias | .... | production assistant | |
| Glenn D. Feig | .... | production legal: Frankel & Feig LLP (as Glenn D. Feig Esq) | |
| Bianca Feldevere | .... | production assistant | |
| Scott Firth | .... | trainee assistant location manager | |
| Kelly Forbes | .... | assistant: Mr. Elliott | |
| Jason E. Frankel | .... | production legal: Frankel & Feig LLP (as Jason E. Frankel Esq) | |
| Kate Gajdosik | .... | accounting clerk | |
| Dave Gaudet | .... | stand-in | |
| Peter Graham | .... | senior vice president: The Lewis Horwitz Organization | |
| Brandon Grimes | .... | assistant: Mr. Emmett and Mr. Furla | |
| Tim Gunderson | .... | craft service | |
| Tim Gunderson | .... | first aid | |
| Shannon Harron | .... | assistant accountant | |
| Patti Henderson | .... | script supervisor | |
| Carol Hocking | .... | production accountant | |
| Dmitry Kazak | .... | production assistant (as Dmitri Kazak) | |
| Jayme Lemons | .... | assistant: Ms. Weisler | |
| Paul Lukaitis | .... | location manager | |
| Grace MacLeod | .... | animal trainer | |
| Gregory Makaroff | .... | stand-in (as Greg Makaroff) | |
| Dawn Mander | .... | stand-in (as Dawn Manders) | |
| Rico Mielnicki | .... | assistant location manager | |
| Travis Mitchell | .... | accountant | |
| Samantha Morris | .... | assistant: Mr. Williamson | |
| Theresa Peoples | .... | assistant: Ms. Weirsma | |
| Katherine Potts | .... | assistant: Mr. Lerner | |
| Sharon Ricketts | .... | assistant: Mr. Elliott | |
| Christine Roberts | .... | assistant: Mr. Thompson & Mr. Davidson | |
| Brendan Rooney | .... | assistant production coordinator | |
| Joey Setter | .... | production coordinator | |
| David Sitzman | .... | contracts administrator | |
| Luis A. Soria | .... | corporate controller | |
| M. Dal Walton III | .... | production executive: Emmett Furla Films | |
| Bradley Weiss | .... | accountant | |
| Heidi Windebank | .... | production assistant | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
This is a very sensitive and original `coming of age' film, centered around a seventeen-year-old boy seeking to find meaning in his life. His mom had been, in her youth, a self-absorbed, dope-smoking and thrill-seeking Bohemian, who fell for an equally superficial and pretentious pseudo-intellectual of the writer variety, and by the time he went out for a pack of cigarettes never to return, she had found herself pregnant. That would have been the end of her story had mom been a pauper, but her family had money, so by the time the story opens the son had been shuttled around through every prep-school in the country. He never knew his father, and what he knew about his mother was that she never grew up.
What little his mother would say about his father were myths, which he clings to desperately in this story. Had his father `really' been a writer? All he has for proof is an old typewriter, on which he tries to write letters to his father that are never mailed. The whereabouts of the father are not known. Estranged and alienated from his parents, he ends up in an apartment where he can begin to find himself through associations with others who have complicated stories of their own to share. Not surprisingly, he falls in love with an older woman who is much like his mother: self-absorbed and addicted to dysfunctional relationships. Almost as though to redeem his mother through the woman, he tries to prove himself the better man to her, in contrast to the slick and quick former boyfriend, with his leather clothes and hot guitar. He is a nice guy that wants to finish better, not last. It is a very mature and well-crafted story.