In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - ... See full summary »
Miguel Ángel Solá,
Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their ... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
Santiago Carlos Oves is a heck of a screenwriter. He writes better than hi directs. Same happens in the U.S. with Brian Helgeland.
Ariel (Ricardo Darin) comes from a six year exile due to the military government in Argentina. A friend was killed and his father was dead with no clear reasons. So he investigates. A sinister company was involved in this matter. Problems are: acting, intensity and climax. All related. I don't think that Mr. Darin is a "bad" actor. The same for the rest (his girlfriend played by Luisa Kuliok, Lorenzo Quinteros, Juan Leyrado, etcetera). So Mr. Oves couldn't lead these actors. Are was unable. Maybe because this film was his debut in the director's category. Let me give you an example: the sex scene. Poor directed. They actors don't feel anything, neither do you. An argument: They discuss as if they are having a coffee. Luckily the intention you couldn't find, with great difficulty you can see it near the end. A great photography by Carlos Torlaschi (in the dark scenes) and a very good music by Ulises Butron. I rate this movie: 4.5 out of 10. Andres.
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