| Photos (See all 79 | slideshow) | Videos (see all 5) |
| Katie Holmes | ... | April Burns | |
| Derek Luke | ... | Bobby | |
| Oliver Platt | ... | Jim Burns | |
| Alison Pill | ... | Beth Burns | |
| John Gallagher Jr. | ... | Timmy Burns | |
| Patricia Clarkson | ... | Joy Burns | |
| Alice Drummond | ... | Grandma Dottie | |
| Vitali Baganov | ... | Half Asleep Man | |
| Lillias White | ... | Evette | |
| Isiah Whitlock Jr. | ... | Eugene | |
| Adrian Martinez | ... | Man in Mohair Sweater | |
| Susan Bruce | ... | Tish | |
| Jamari Richardson | ... | Boy on Bicycle | |
| Leila Danette | ... | Woman in Stairwell | |
| Stephen Chen | ... | Lee Loung Tan | |
| Sally Leung Bayer | ... | Lee Quong Tan | |
| Sean Hayes | ... | Wayne | |
| Sisqó | ... | Latrell (as SisQo) | |
| Marcus Lovett | ... | Parade Announcer | |
| Jack Chen | ... | Lee Quong | |
| Jacqueline Dai | ... | Lee Lang | |
| Rosa Luo | ... | Lee Wai Yam | |
| Birdie M. Hale | ... | Woman outside Bodega | |
| Armando Riesco | ... | Tyrone | |
| Christine Todino | ... | Waitress | |
| Anney Giobbe | ... | Young Mother | |
| Elizabeth Douglass | ... | Young Girl | |
| Rusty De Wees | ... | Joy's Biker Guy (as Rusty DeWees) | |
| Vincent Roselli | ... | Timmy's Biker Guy | |
| Ficchi | ... | Bernadette the Dog |
Directed by | |||
| Peter Hedges | |||
Writing credits(WGA) | ||
| Peter Hedges | (written by) | |
Produced by | |||
| Alexis Alexanian | .... | producer | |
| Lucy Barzun Donnelly | .... | co-producer (as Lucy Barzun) | |
| Dianne Dreyer | .... | associate producer | |
| Caroline Kaplan | .... | executive producer | |
| John S. Lyons | .... | producer (as John Lyons) | |
| Jonathan Sehring | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Lucille Smith | .... | co-producer (as Lucille Masone Smith) | |
| Gary Winick | .... | producer | |
| Holly Becker | .... | supervising producer (uncredited) | |
Original Music by | |||
| Stephin Merritt | |||
Cinematography by | |||
| Tami Reiker | (director of photography) | ||
Film Editing by | |||
| Mark Livolsi | |||
Casting by | |||
| Will Cantler | |||
| Bernard Telsey | |||
| David Vaccari | |||
Production Design by | |||
| Rick Butler | |||
Art Direction by | |||
| Shannon Robert Bowen | |||
| Aleta Shaffer | |||
Costume Design by | |||
| Laura Bauer | |||
Makeup Department | |||
| Julie Delaney | .... | hair department head | |
| Mike Potter | .... | makeup department head | |
| Mike Potter | .... | wig maker | |
| HolliPops Smith | .... | hair department head | |
| Joanna Stewart | .... | key makeup artist (as Joanna J. Stewart) | |
Production Management | |||
| Jake Abraham | .... | post-production supervisor | |
| Lucille Smith | .... | unit production manager (as Lucille Masone Smith) | |
Second Unit Director or Assistant Director | |||
| Vebe Borge | .... | first assistant director | |
| Augie Carton | .... | second assistant director | |
Art Department | |||
| Betsy Baker | .... | set dresser | |
| Jack Marcus Brodsky | .... | properties and furniture courtesy of | |
| Steph Brynner | .... | assistant art director | |
| Devin Butler | .... | scenic artist | |
| Denise Carbonelle | .... | sculpture: April's apartment courtesy of | |
| Carole Hedges | .... | ceramic turkeys courtesy of | |
| Leo Holder | .... | graphic artist | |
| Shane Klein | .... | on-set dresser | |
| Tim Okamura | .... | paintings: April's apartment courtesy of (as Tim C. Okamura) | |
| Tim Okamura | .... | scenic artist (as Tim C. Okamura) | |
| Christina Polumbo | .... | scenic artist | |
| Jimmy Simak | .... | art department assistant (as Jim Simak) | |
| Devin Butler | .... | painter (uncredited) | |
| Danny Rovira | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Robert Fernandez | .... | sound re-recording mixer | |
| Mariusz Glabinski | .... | post-production sound services: 701 Sound | |
| Piotr Glabinski | .... | post-production sound services: 701 Sound | |
| Marlena Grzaslewicz | .... | post-production sound services: 701 Sound | |
| Bryant Musgrove | .... | boom operator | |
| Aaron J. Rudelson | .... | production sound mixer (as Aaron Rudelson) | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| Ira Spiegel | .... | post-production sound services: 701 Sound | |
| Chad Birmingham | .... | assistant sound editor (uncredited) | |
| Leslie Bloom | .... | foley artist (uncredited) | |
| Nancy Cabrera | .... | foley artist (uncredited) | |
| Mariusz Glabinski | .... | sound effects editor (uncredited) | |
| Piotr Glabinski | .... | sound editor (uncredited) | |
| Marlena Grzaslewicz | .... | adr editor (uncredited) | |
| Marlena Grzaslewicz | .... | dialogue editor (uncredited) | |
| Dan Korintus | .... | dialogue editor (uncredited) | |
| Matthew McKenzie | .... | adr recordist: Toronto (uncredited) | |
| Colin McLellan | .... | adr recordist (uncredited) | |
| Eric Rolnick | .... | foley mixer (uncredited) | |
| Ira Spiegel | .... | sound effects editor (uncredited) | |
Camera and Electrical Department | |||
| Cat Crosby | .... | key grip | |
| Hardwick Johnson | .... | thanks: Camera Service Center (as Hardwrick Johnson) | |
| Sam Levy | .... | camera operator: "b" camera | |
| Teddy Maki | .... | still photographer | |
| Stephen Mann | .... | thanks: action camera cars | |
| Nathaniel Miller | .... | first assistant camera | |
| Kate Phelan | .... | gaffer | |
| Charlie Tammaro | .... | thanks: Camera Service Center | |
| Jason Vandermer | .... | second assistant camera | |
| Graham Willoughby | .... | gaffer | |
| Lou Massa | .... | co-key grip (uncredited) | |
Casting Department | |||
| Jaclyn Brodsky | .... | casting associate | |
| Craig Burns | .... | casting associate | |
Costume and Wardrobe Department | |||
| Amy R. Burt | .... | wardrobe supervisor (as Amy Burt) | |
| Bobby Frederick Tilley | .... | assistant costume designer (as Bobby Tilley) | |
Editorial Department | |||
| Rachel Biles | .... | associate editor | |
| Milan Boncich | .... | colorist | |
| Emily Gardiner | .... | post-production coordinator | |
| Carlos Rodriguez | .... | colorist | |
| John Dowdell | .... | colorist (uncredited) | |
| Michael Hatzer | .... | color timer (uncredited) | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Alison LaCourse | .... | music editor | |
| Alex Steyermark | .... | executive music producer | |
Other crew | |||
| Bettina Bilger | .... | intern | |
| Brian Brown | .... | caterer: Shooting Stars Cattering | |
| Jeffrey A. Brown | .... | location manager (as Jeff Brown) | |
| Lisa Brown | .... | caterer: Shooting Stars Cattering | |
| Chika Chukudebelu | .... | intern (as Chika I. Chukudebelu) | |
| Wendy Cohen | .... | production resources | |
| Mara Hade Connolly | .... | assistant production accountant (as Mara Connolly) | |
| Adrian Correia | .... | set production assistant | |
| Dianne Dreyer | .... | script supervisor | |
| Jacqueline Eckhouse | .... | production legal: Sloss Law Office (as Jacqueline Eckhouse Esq.) | |
| Kerin Ferallo | .... | production coordinator | |
| Peter Friedlander | .... | assistant: John Lyons | |
| Jennifer Gaylord | .... | production legal: Sloss Law Office (as Jennifer Gaylord Esq.) | |
| Dave Hall | .... | location assistant | |
| Emily Hart | .... | intern | |
| Sebastian Ischer | .... | intern | |
| Richard S. Kaplinski | .... | intern | |
| Marion Koh | .... | intern | |
| Matt Longwell | .... | assistant location manager (as Matthew Longwell) | |
| Berndt Mader | .... | office production assistant (as R. Berndt Mader) | |
| Maria Maggenti | .... | dog supplier: Ficchi | |
| Kevin McGill | .... | caterer: Shooting Stars Cattering | |
| Karrie Myers | .... | intern | |
| Josh Newport | .... | location assistant | |
| David Pfluger | .... | tape to film shooting | |
| Thomas R. Polleri | .... | location scout (as Tom Polleri) | |
| Paul Polow | .... | set production assistant | |
| Taylor Roe | .... | intern | |
| Thomas Roughan | .... | set production assistant (as Thomas 'Bravo' Roughan) | |
| Jonathan Roumie | .... | location consultant | |
| Brian Sachson | .... | intern | |
| Ruedi Schick | .... | tape-to-film supervisor | |
| Beth M. Schniebolk | .... | assistant production coordinator | |
| Mandy Tagger | .... | production coordinator: InDiGent | |
| Adele Thaxton | .... | intern | |
| Matilde Valera | .... | production accountant | |
Thanks | |||
| Steve Abraham | .... | special thanks (as Dr. Steve Abraham) | |
| Gary Baker | .... | special thanks | |
| Chris Barra | .... | thanks: Xeno Lights | |
| Susan Batten | .... | special thanks | |
| Kamau Benjamin | .... | special thanks | |
| Carl Berg | .... | special thanks (as Dr. Carl Berg) | |
| Merri Biechler | .... | special thanks | |
| Jane P. Brawley | .... | thanks: deputy commissioner, New York City Mayor's Office of Film, Theatre & Broadcasting | |
| Steve Briemer | .... | special thanks (as Stephen F. Breimer) | |
| Stephanie Broadnax | .... | thanks: The Palisade Interstate Park Commission, Bear Mountain, New York | |
| Joannie Burstein | .... | special thanks | |
| Diana Burton | .... | special thanks | |
| Niamh Butler | .... | special thanks | |
| Joseph Calritos | .... | special thanks | |
| Andrew Cathcart | .... | thanks: Meow Mix, New York City | |
| Justin Christopher | .... | special thanks | |
| Ana Cintron | .... | special thanks | |
| Myfa Cirinna | .... | thanks: Entertainment Partners Inc. | |
| Vin Crapanzano | .... | thanks: St. Thomas Aquinas College | |
| Tomas Crespo | .... | thanks: Organic and Natural Food Market | |
| Elaine Crowley | .... | thanks: New York City Parks | |
| Joe Dapello | .... | special thanks | |
| Chris Delosangeles | .... | special thanks | |
| Steve Dontanville | .... | special thanks | |
| Berrain Eno | .... | thanks: Arthur's Dress Shop | |
| Mary Clare Evans | .... | special thanks | |
| Anthony Famigietti | .... | special thanks | |
| Brian Fiarello | .... | thanks: Krispy Creme of East Meadow, New York | |
| Van Fleet | .... | thanks: Arthur's Dress Shop | |
| Marc H. Glick | .... | special thanks | |
| Wendy Goidell | .... | special thanks | |
| Claudia Gonson | .... | special thanks | |
| Kenny Goodman | .... | special thanks | |
| Richard Greenberg | .... | special thanks | |
| Desmond Guthrie | .... | special thanks | |
| Frankie Hailey | .... | thanks: The Salvation Army | |
| Carole Hedges | .... | in memory of | |
| Laurel Hedges | .... | special thanks | |
| Lucas Hedges | .... | special thanks | |
| Robert B. Hedges | .... | special thanks (as Rev. Robert B. Hedges) | |
| Simon Hedges | .... | special thanks | |
| Karl Heiselman | .... | special thanks | |
| Belinda Houchens | .... | thanks: Kings Korner Gifts Scottsburg, Indiana | |
| Randy Johnson | .... | thanks: Randy's Garage | |
| Susan King | .... | special thanks | |
| Peter Krimitsos | .... | thanks: Blauvelt Coach Diner | |
| Scott Laule | .... | special thanks | |
| Michael Leslie | .... | special thanks | |
| Jill Lichtig | .... | special thanks | |
| Rich Lichtig | .... | special thanks | |
| Ken Lipper | .... | special thanks | |
| Austin Lopez | .... | special thanks | |
| Derrick Loris | .... | special thanks | |
| Tod A. Maitland | .... | special thanks | |
| Jaime Marks | .... | thanks: The Puck Building | |
| Ryan McMahon | .... | special thanks | |
| Douglas McWilliams | .... | special thanks | |
| Lisa McWilliams | .... | special thanks | |
| Megan McWilliams | .... | special thanks | |
| Tory Metzger | .... | special thanks | |
| Ruth Moore | .... | special thanks | |
| Harold W. Morris Sr. | .... | thanks: Willis Avenue United Methodist Church (as Rev. Harold W. Morris Sr.) | |
| Bruce Page | .... | thanks: Greenbush Presbyterian Church | |
| Mary-Louise Parker | .... | special thanks | |
| Tim Patmont | .... | thanks: Patmont Motor Works | |
| Adrienne Patsos | .... | thanks: Barbizon Lighting Company | |
| Michael Peretzian | .... | special thanks | |
| Scott H. Ramsey | .... | thanks: Xeno Lights (as Scott Ramsey) | |
| Bob Ricca | .... | special thanks | |
| Ann Roth | .... | special thanks | |
| Carin Sage | .... | special thanks | |
| Kirsten Schatz | .... | special thanks | |
| Ira Schreck | .... | special thanks | |
| Larry Schwartz | .... | thanks: The Puck Building | |
| Eric Scott | .... | special thanks | |
| Mike Scott | .... | special thanks | |
| Pat Scott | .... | thanks: commissioner, New York City Mayor's Office of Film, Theatre & Broadcasting (as Patricia Reed Scott) | |
| Lawrence Shaffer | .... | thanks: The Salvation Army (as Major Lawrence Shaffer) | |
| Raymond Ted Shelton | .... | special thanks (as Raymond T. Shelton) | |
| Eric Shonz | .... | thanks: Entertainment Partners Inc. | |
| David Shuchat | .... | special thanks | |
| Sydney Sidner | .... | special thanks | |
| Alin Splichel | .... | special thanks | |
| Erwin Stoff | .... | special thanks | |
| John A. Narcissa Titman | .... | special thanks | |
| Leslie Topping | .... | special thanks | |
| Brooke Webster | .... | thanks: Meow Mix, New York City | |
| Sally Willcox | .... | special thanks | |
| Jim Zachar | .... | special thanks | |
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The premise of the movie is a simple one and basically summarizes the whole movie, "A wayward daughter invites her dying mother and the rest of her estranged family to her apartment for Thanksgiving dinner."
The movie starts us off on that Thanksgiving morning. First, we are introduced to April, and her boyfriend Bobby who are living together in a shanty apartment in New York, and then to April's mother, father, and brothers and sisters in another location, who are preparing to make the trip to visit her. We aren't provided with any back story, except what we gather about the past from conversations that April's mother has with the rest of the family during their voyage.
Honestly, I was finding myself slightly bored during the beginning of the movie. The film, although over an hour, manages to span over just one day, lending it a slow feel. The cinematography was somewhat unimpressive. The soundtrack is sparse, with most scenes not having any music at all, and the music that is present is humming just outside the viewer's awareness most of the time rather than being the main focus in any one scene.
I found myself easily able to make prejudgments about each of the main characters based on their limited dialogues and their reactions to things going on around them. I stereotyped Beth as the movie's prim and proper "good younger daughter". She gave unsolicited advice with surprising frequency, and always seemed to try to distinguish herself as being the opposite of the "wild child" elder sister that she obviously secretly envied, if not admired. Timmy played an easygoing middle-child, cleverly juggling his role of responsibility as the one only other "man of the house" with the conflicting role of unimportance being in the middle tends to lend to a person. Bobby was the soft-hearted but firm father. You could almost feel his tension when you looked at him, empathize with his struggles to hold his family together, knowing that he would someday have to do it all alone.
Finally, we come to April's mother, Joy. Whether Joy is an ironic name for her or not, I will leave for you viewers to decide. She comes across as jaded and sarcastic, with a sly sense of humor and a stubborn streak. Most of all though, she seems tired, the toll from her illness clear on her; the toll from her strained relationship with April, clearer still.
Then of course, there's April herself. She's fierce, independent, and loyal. It isn't hard to see why she could've gotten into trouble in the past, but it also isn't difficult to see how she probably got out of it.
This movie definitely has its funny moments, mostly stemming from the encounters with the characters that Apirl meets as she struggles to pull together her Thanksgiving dinner. Her family also has some adventures during their trip, starting (almost) with picking up April's partially senile grandmother from the nursing home.
Despite its simplicity- or maybe because of it- this film will tug at your heartstrings in a way that you don't expect. At least, it certainly did mine, partially because I could personally identify with having a strained relationship with my own mother, even if it was just for a time. I found myself close to tears during some moments, which is rare.
I think the message of the movie is, that love has power, that family is still family even when some of you don't fit in, some of you don't like each other too much, and some of you try too hard to be perfect, ultimately failing. Most fail, however, when they don't try at all. It all sounds trite and very cliché, but this film somehow delivers itself in a way that makes the message both memorable and believable. The cast had to carry so much and each member carried his/her share with significant grace.
Happy Thanksgiving to everybody- hopefully this movie will help you to remember what the season is supposed to be about.