Selene, a beautiful vampire warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a werewolf who longs for the war to end.
Transplanted to Mars, a Civil War vet discovers a lush planet inhabited by 12-foot tall barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter a princess who is in desperate need of a savior.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Renowned adventurer Allan Quatermain leads a team of extraordinary figures with legendary powers to battle the technological terror of a madman known as "The Fantom." This "League" comprises seafarer/inventor Captain Nemo, vampiress Mina Harker, an invisible man named Rodney Skinner, American secret service agent Tom Sawyer, the ageless and invincible Dorian Gray, and the dangerous split personality of Dr. Jekyll/Mr. Hyde. Written by
While capturing Hyde in Paris, Quartermain says Hyde has been terrorizing the Rue Morgue for some time. An allusion Edgar Allan Poe's "The Murders in the Rue Morgue", another famous 19th-century literary work. See more »
During some of the head shots of characters in the scene on the bridge of the Nautilus, the sea behind them is frozen in place; no waves, no light off the water. See more »
I've been reading the comments page in a somewhat bemused fashion. It seems to be divided between people who don't like the movie because it's not enough like the original graphic novel and people who don't like it because they've never heard of half of the characters that are members of the League. The latter seems to me to be an unutterably silly reason for disliking a film. Does nobody read the classics anymore? Nobody reads Oscar Wilde, Bram Stoker, Robert Louis Stevenson, Jules Verne, H.G. Wells, or Sir Arthur Conan Doyle? I find that difficult to believe. As to the former--not enough like the graphic novel, in other words--just how in the heck can a screenwriter accommodate the dark and twisted visions of Alan Moore in a two-hour Hollywood movie, anyway?
I don't believe that one can compare anything written by Alan Moore to what ends up on the screen being ostensibly "based on the graphic novel". (The same applies to FROM HELL, which is another one most people pan, and one which I think is under-appreciated even though the style is breathtaking. I don't even want to think about the reaction that will ensue once THE WATCHMEN comes out!)
What seems to have been missed by most people is that this movie is about style as opposed to substance. It's based on a graphic novel. That's a fancy way of saying it's based on a comic book. On that level, the film succeeds admirably. The characters are archetypes of their literary forbears. They aren't supposed to be, strictly speaking, human. Of course the plot is grandiose, impractical, and over-the-top. Hello? Aren't most comic books like that? Good heavens, isn't most of STAR WARS?
I don't claim that this is a masterpiece. I do claim that's it's fun to watch if one approaches it with a willing suspension of disbelief. For a couple of bucks shelled out at the DVD rental shop, it takes one to a different world for close to two hours. On that level, it's worth a rental. It's also worth a rental, once one watches the movie, to listen to the commentary from various actors and to realize just how well these so-called "unknowns" do assorted accents that aren't even close to their own. Plus the golfing anecdotes are amusing. (And I don't even like golfing.)
This ain't CASABLANCA. Nor is it TITANIC, for which I eternally thank the gods. (Now, THERE was an overhyped piece of inaccurate trash that pretended to be history, but I digress.) But it's kind of fun, anyway, as long as one doesn't take it too seriously.
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