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Master and Commander: The Far Side of the World (2003)

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During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

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(novels), (screenplay) | 1 more credit »
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1,648 ( 13)
Won 2 Oscars. Another 21 wins & 76 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Edward Woodall ...
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Jack Randall ...
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Richard Pates ...
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Tony Dolan ...
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Storyline

In April 1805 during the Napoleonic Wars, H.M.S. Surprise, a British frigate, is under the command of Captain Jack Aubrey. Aubrey and the Surprise's current orders are to track and capture or destroy a French privateer named Acheron. The Acheron is currently in the Atlantic off South America headed toward the Pacific in order to extend Napoleon's reach of the wars. This task will be a difficult one as Aubrey quickly learns in an initial battle with the Acheron that it is a bigger and faster ship than the Surprise, which puts the Surprise at a disadvantage. Aubrey's single-mindedness in this seemingly impossible pursuit puts him at odds with the Surprise's doctor and naturalist, Stephen Maturin, who is also Aubrey's most trusted advisor on board and closest friend. Facing other internal obstacles which have resulted in what they consider a string of bad luck, Aubrey ultimately uses Maturin's scientific exploits to figure out a way to achieve his and the ship's seemingly impossible goal. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The Courage To Do The Impossible Lies In The Hearts of Men.

Genres:

Action | Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated PG-13 for intense battle sequences, related images, and brief language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

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Release Date:

14 November 2003 (USA)  »

Also Known As:

The Far Side of the World  »

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

$25,105,990 (USA) (14 November 2003)

Gross:

$93,926,386 (USA) (7 May 2004)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Coincidentally, during the film's pre-production, the replica of Captain James Cook's ship, HMS Endeavour, was circumnavigating the globe. The production was able to fly 2 cameramen to the ship as it was about to sail round the bottom of South America, a route the HMS Surprise takes in the film. Thus, the footage of the stormy seas from that part of the voyage is genuine. See more »

Goofs

Reflections of studio light visible on the brass edge of Mr. Hollom's spy-glass in the beginning of the movie when the ship is inside of a fog bank. See more »

Quotes

[first lines]
Preserved Killick, Captain's Steward: [taking egg from chicken coop] Come on, come on. It's all right.
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Crazy Credits

There are no opening credits. See more »

Connections

Featured in The 100 Greatest War Films (2005) See more »

Soundtracks

Endless Ocean
Composed by Christopher Gordon and Iva Davies
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Frequently Asked Questions

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User Reviews

Masterly and Commanding
9 December 2004 | by (London, England) – See all my reviews

Few films manage to capture the era in which the original work was set and often rely on clichés of the particular genre at the expense of the core story. This film manages to avoid these pitfalls but more importantly serves as a worthwhile historical document. Anyone who is new to this period of history will not go far wrong keeping a copy of this movie as the attention to detail is excellent and adds to the experience as a whole (teachers take note).

This movie manages to tread a fine line between gritty realism and Boy's Own, portraying the pursuit of an elite French warship by an older embattled British frigate. The production values are very high and the dialogue and length allow the director a better than average framework for character development. The predominantly unknown British supporting cast (some aged as young as 12) are expertly handled and provide a counter balance to the excellent performances of Crowe and Bettany. Crowe's delivery is very reminiscent of Richard Burton, exuding a measured screen presence without overpowering the dialogue.

It would have been easy for the director to read through the salty notes of previous period pieces and deliver the usual tale of ocean going brutality and scurvy encrusted woe but Peter Weir's version of order through respect and camaraderie is far more believable especially when you realize that the sailor's greatest enemy was the ocean itself.

I found little to dislike and much to admire. Highly recommended.


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