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Master and Commander: The Far Side of the World (2003)
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Overview
User Rating:
Director:
Writers:
Contact:
Release Date:
14 November 2003 (USA)
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Tagline:
The Courage To Do The Impossible Lies In The Hearts of Men.
Plot:
During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America. full summary | full synopsis
Plot Keywords:
French
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Napoleonic Wars
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Violin
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Pursuit
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Naturalist
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Awards:
Won 2 Oscars.
Another 17 wins
&
57 nominations
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NewsDesk:
(82 articles)
Pirate Radio
(From Scorecard Review. 13 November 2009, 4:07 AM, PST)
“Creation” Movie Poster and Trailer
(From Filmofilia. 3 November 2009, 10:37 AM, PST)
(From Scorecard Review. 13 November 2009, 4:07 AM, PST)
“Creation” Movie Poster and Trailer
(From Filmofilia. 3 November 2009, 10:37 AM, PST)
User Comments:
Masterly and Commanding
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Cast
(Cast overview, first billed only)| Russell Crowe | ... | Capt. Jack Aubrey | |
| Paul Bettany | ... | Dr. Stephen Maturin, Surgeon | |
| James D'Arcy | ... | 1st Lt. Tom Pullings | |
| Edward Woodall | ... | 2nd Lt. William Mowett | |
| Chris Larkin | ... | Capt. Howard, Royal Marines | |
| Max Pirkis | ... | Blakeney, Midshipman | |
| Jack Randall | ... | Boyle, Midshipman | |
| Max Benitz | ... | Calamy, Midshipman | |
| Lee Ingleby | ... | Hollom, Midshipman | |
| Richard Pates | ... | Williamson, Midshipman | |
| Robert Pugh | ... | Mr. Allen, Master | |
| Richard McCabe | ... | Mr. Higgins, Surgeon's Mate | |
| Ian Mercer | ... | Mr. Hollar, Boatswain | |
| Tony Dolan | ... | Mr. Lamb, Carpenter | |
| David Threlfall | ... | Preserved Killick, Captain's Steward |
Additional Details
Also Known As:
The Far Side of the World (Australia) (working title) (USA) (working title)
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MPAA:
Rated PG-13 for intense battle sequences, related images, and brief language.
Parents Guide:
Runtime:
138 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Iceland:12 (video rating) |
Iceland:14 |
Malaysia:U |
France:-12 (DVD rating) |
South Korea:12 |
Portugal:M/12 |
New Zealand:M |
Argentina:13 |
Australia:M |
Brazil:14 |
Canada:14A |
Chile:TE |
Finland:K-11 |
Germany:12 (bw) |
Hong Kong:IIA |
Norway:11 |
Philippines:PG-13 |
Singapore:PG |
Spain:7 |
Sweden:11 |
UK:12A |
USA:PG-13 (certificate #39922)
Filming Locations:
Fun Stuff
Trivia:
The miniatures of the Surprise and the Acheron were built by WETA workshops in New Zealand who then spent five weeks filming them in action.
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Goofs:
Revealing mistakes: When the crew is shown battling a leak below the waterline, the boat is pitching on the sea. However the water is not sloshing back and forth in the bilge/hold because the "pitching" of the boat is simulated by camera movement.
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Quotes:
[first lines]
Preserved Killick, Captain's Steward: [taking egg from chicken coop] Come on, come on. It's all right.
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Preserved Killick, Captain's Steward: [taking egg from chicken coop] Come on, come on. It's all right.
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Movie Connections:
Referenced in "Saturday Night Live: Taylor Swift (#35.5)" (2009)
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Soundtrack:
O'Sullivan's March
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FAQ
Will there be a sequel?So, is Stephen Maturin an "Evolutionist"?
Which books form the basis of the film?
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more (639 total)
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Few films manage to capture the era in which the original work was set and often rely on clichés of the particular genre at the expense of the core story. This film manages to avoid these pitfalls but more importantly serves as a worthwhile historical document. Anyone who is new to this period of history will not go far wrong keeping a copy of this movie as the attention to detail is excellent and adds to the experience as a whole (teachers take note).
This movie manages to tread a fine line between gritty realism and Boy's Own, portraying the pursuit of an elite French warship by an older embattled British frigate. The production values are very high and the dialogue and length allow the director a better than average framework for character development. The predominantly unknown British supporting cast (some aged as young as 12) are expertly handled and provide a counter balance to the excellent performances of Crowe and Bettany. Crowe's delivery is very reminiscent of Richard Burton, exuding a measured screen presence without overpowering the dialogue.
It would have been easy for the director to read through the salty notes of previous period pieces and deliver the usual tale of ocean going brutality and scurvy encrusted woe but Peter Weir's version of order through respect and camaraderie is far more believable especially when you realize that the sailor's greatest enemy was the ocean itself.
I found little to dislike and much to admire. Highly recommended.