| Leonardo Sbaraglia | ... | Victor | |
| Fernando Fernán Gómez | ... | Max | |
| Geraldine Chaplin | ... | Marie | |
| Ana Fernández | ... | Carmen | |
| Adriana Ozores | ... | Pilar | |
| Leticia Brédice | ... | Eileen | |
| Roberto Álvarez | ... | Luis | |
| Àlex Casanovas | ... | Alberto | |
| Mónica Estarreado | ... | Beatriz | |
| Alfredo Alcón | ... | Rancel | |
| Natacha Kucic | ... | Isabelle | |
| Jorge San José | ... | Alejandro | |
| Lorena López | ... | Lorena | |
| Alain Chipot | ... | Pierre | |
| Eduardo Torroja | ... | Recepcionista 2 | |
| Gabriel Ignacio | ... | Médico 1 | |
| Ramata Koite | ... | Infermera 1 | |
| Cecile Jambon | ... | Conserje | |
| Carlos Cordente | ... | Empleado Hotel | |
| José Luis Gil | ... | Ignacio | |
| Charly Bravo | ... | Portera (as Charli Bravo) | |
| Antonio Hernández | ... | Amigo de Rancel | |
| Jean-Claude Guimard | ... | Thierry | |
| Natalie Pinot | ... | Enfermera 2 (as Nathalie Pinto) | |
| Carolina Elmalen | ... | Enfermera 3 | |
| Jorge Casalduero | ... | Camarero |
Directed by | |||
| Antonio Hernández | |||
Writing credits(in alphabetical order) | ||
| Enrique Brasó | ||
| Antonio Hernández | ||
Produced by | |||
| Alain Depardieu | .... | producer: France | |
| Arnaud Kerneguez | .... | producer: France | |
| Natacha Kucic | .... | associate producer | |
| José Nolla | .... | executive producer | |
| José Nolla | .... | producer | |
| Antonio Saura | .... | executive producer | |
| Antonio Saura | .... | producer | |
| José Velasco | .... | producer | |
| Cristina Zumárraga | .... | supervising producer | |
Original Music by | |||
| Víctor Reyes | |||
Cinematography by | |||
| Unax Mendía | |||
Film Editing by | |||
| Patricia Enis | |||
| Javier Laffaille | |||
Art Direction by | |||
| Gabriel Carrascal | |||
Costume Design by | |||
| Cristina Caspueñas | |||
| Laura Herrera | |||
Makeup Department | |||
| Patricia López | .... | assistant makeup artist | |
| Elena Pérez | .... | additional hair stylist | |
| Teresa Rabal | .... | additional makeup artist | |
Production Management | |||
| Jesús Alonso | .... | chief of production | |
| Natalia Freige | .... | production manager: France | |
| Nicolas Lecovic | .... | assistant chief of production: France | |
| Philippe Lenfant | .... | chief of production: France | |
| Ariel Saúl | .... | production manager: Argentina | |
| Rafael Álvarez | .... | chief of production | |
Art Department | |||
| José Alba | .... | graphic designer | |
| David Bello | .... | decoration assistant | |
| Israel García Fernández | .... | graphic designer | |
| Sébastien Mazière | .... | props: France | |
| Germán Quejido | .... | props | |
| Jaiver Toledo | .... | construction coordinator | |
Sound Department | |||
| Óscar Barros | .... | sound editor | |
| Jaime Fernández | .... | sound re-recording mixer | |
| Jaime Fernández-Cid Buscató | .... | boom operator (as Jaime Cid-Fernández) | |
| Ruth Márquez | .... | sound assistant | |
| Jaume Puig | .... | sound consultant: Dolby | |
| Miguel Rejas | .... | sound engineer | |
| Ian Sasplugas | .... | sound effects editor (as Ian Saplugas) | |
| Ian Sasplugas | .... | sound re-recordist | |
| Edgar Vidal | .... | sound effects editor (as Edgard Vidal) | |
| Kiku Vidal | .... | sound effects editor | |
| Ricardo Viñas | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| Carlos Martínez | .... | optical effects | |
| Antonio Ojeda | .... | optical effects | |
| Raúl Romanillos | .... | special effects coordinator | |
| Carlos Ruiz de la Prada | .... | special effects | |
Visual Effects by | |||
| Javier Mosqueda | .... | scanner operator | |
| Ana Nuñez | .... | optical effects | |
| Pablo Urrutia | .... | digital artist | |
Costume and Wardrobe Department | |||
| Giorgio Armani | .... | costume designer: Geraldine Chaplin | |
| María Barrio | .... | additional costumer assistant | |
| María Carmen Castro | .... | seamstress (as Carmen Castro) | |
| Joaquín Coronel | .... | costume designer: Geraldine Chaplin | |
| Raquel del Val | .... | costume assistant | |
Editorial Department | |||
| Ángel Armada | .... | assistant editor (as Ángel Fernández Armada) | |
| Felisa Catalinas | .... | negative cutter | |
| José Cruz | .... | color timer | |
| Paulino Fernández Ibáñez | .... | telecine | |
| Elsa Fernández | .... | assistant editor (as Elsa Fernández Van Trier) | |
| Vanessa Marimbert | .... | assistant editor | |
| Carlos Martínez | .... | anamorphic negative | |
| Mani Martínez | .... | assistant editor | |
| Ana Nuñez | .... | anamorphic negative | |
| Antonio Ojeda | .... | anamorphic negatives | |
Music Department | |||
| Peter Baran | .... | musician: cello solos | |
| David Hernando | .... | conductor | |
| Ian Poda | .... | musician: violin solo | |
| Víctor Reyes | .... | music producer | |
| Víctor Reyes | .... | musician: piano and percussion | |
Other crew | |||
| Óscar Alejano | .... | production assistant | |
| Daniel Bravo | .... | groupist | |
| Verónica Carpintero | .... | administrative team: Argentina | |
| Gonzalo Cañellas | .... | production assistant | |
| Marcelo Cheskis | .... | administrator | |
| Urko Errazquin | .... | marketing | |
| Laura Fernández | .... | press attache | |
| María Emilia Ferrari | .... | administrative team: Argentina | |
| Raquel Flotta | .... | publicist: Argentina (as Raquel Flotra) | |
| Sandra Franco | .... | commercial manager: Argentina | |
| Nuria Garcia Atienza | .... | marketing | |
| Alberto García | .... | production assistant | |
| Marga García | .... | marketing | |
| Antonio Giménez | .... | marketing | |
| Adela Gutiérrez | .... | script supervisor | |
| Manu Gómez | .... | assistant to director | |
| Barbara Heinrich | .... | production assistant: France | |
| María Hellín | .... | marketing | |
| María José Miñano | .... | head of administration | |
| Mónica Jurado | .... | secretary | |
| Michele Kallmen | .... | post-production accountant | |
| Margarita Kramer | .... | press attache | |
| Javier Martín Arroyo | .... | press attache | |
| Carlos Martínez | .... | digital titles | |
| Octávio Nadal | .... | commercial manager: Argentina | |
| José Manuel Nogales | .... | production intern | |
| Victoria Nogueras | .... | administration supervisor: Argentina (as Maria Victoria Nogueras) | |
| Nacho Nolla | .... | production intern | |
| Ana Nuñez | .... | digital titles | |
| Olga Núñez | .... | production secretary | |
| Antonio Ojeda | .... | optical titles | |
| Mariana Panelo | .... | administrative team: Argentina | |
| Norberto Pelliccioni | .... | administrative team (as Norberto Pellichoni) | |
| Tato Perdiguero | .... | location scout | |
| Leonardo Polesel | .... | administrative team: Argentina | |
| Óscar Prieto | .... | production assistant | |
| Roxana Pulido | .... | commercial manager: Argentina | |
| Karine Raphaël | .... | extras coordinator: France | |
| Rodrigo Rocco | .... | administrative team: Argentina | |
| María Rodríguez | .... | administration assistant | |
| Mercedes Ruboni | .... | administrative team: Argentina | |
| Francisco Sanchez Ortiz | .... | marketing director | |
| Ariel Saúl | .... | financial manager: Argentina | |
| Germán Sela | .... | marketing coordinator | |
| Nacho Sinova | .... | production assistant | |
| Sofía Torroja | .... | making-of | |
| Eva Yuste | .... | production assistant | |
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| The Bourne Ultimatum | Captain Conan | The War Is Over | The Wings of the Dove | Close to Leo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
This is a movie with strong acting and a suspenseful intrigue that successfully peels open layer by layer to leave a sentiment of understanding and satisfaction to the attentive audience.
"En la ciudad sin limites" is the story of a Spanish family (Madrid) who is gathered in Paris to support the 'pater familia' in his fight against a terminal illness. Family secrets and tense relations will surface and the dying old man, secretive as can be, will nonetheless give clues to what is really going on in the city without limits.
This Spanish and Argentinian co-production is a testament to the collaboration of nations to produce top-notch film-making with an excellent cast, great directing, deep and compelling storytelling, and the power of a incredible cinematic experience.
There are so many interesting stories intertwined that some will be left without clear answers, and this is particularly effective because of the care taken to flesh out believable flawed characters that make us attached and concerned about their lives. Lives that are no less complicated and problematic than our own.
You will experience unexpected turns hand and hand with the characters and be able to not only relish the story and the denouement of the complex plot, but to appreciate this portray of the drives and constraints of men.