| Harry Hamlin | ... | Jim Henley | |
| Susan Dey | ... | Patty Henley | |
| Jeremy Lelliott | ... | Matt Henley | |
| Basia A'Hern | ... | Kate Henley | |
| Jamie Croft | ... | Ethan | |
| Jeremy Kewley | ... | Deputy Sheriff Richards | |
| Roger Newcombe | ... | Lester | |
| Victoria Dixon-Whittle | ... | Lisa | |
| Annie Carter | ... | Tammy | |
| Ian Boyce | ... | Old Man | |
| Robert MacPherson | ... | Assistant Deputy | |
| Nikki Fort | ... | Ice Cream Waitress | |
| Christopher James Taylor | ... | Steve | |
| Charlotte Rees | ... | Rachel | |
| Paul Reichstein | ... | Brian | |
| Dominic Pedlar | ... | Bill the Cook | |
| Claude Revi | ... | Biker #1 | |
| Clive Cunningham | ... | Biker #2 |
Directed by | |||
| Walter Klenhard | |||
Writing credits(WGA) | ||
| Walter Klenhard | (written by) | |
Produced by | |||
| Ashley Aitken | .... | associate producer | |
| Michael O. Gallant | .... | producer | |
| Laurie Goldstein | .... | executive producer | |
| Brad Gordon | .... | co-producer (as Bradley H. Gordon) | |
| Robert Greenwald | .... | executive producer | |
| Philip K. Kleinbart | .... | supervising producer (as Philip Kleinbart) | |
| Walter Klenhard | .... | co-executive producer | |
Original Music by | |||
| Shirley Walker | |||
Cinematography by | |||
| David Connell | |||
Film Editing by | |||
| M. Scott Smith | (as Scott Smith) | ||
Casting by | |||
| Faith Martin | |||
| Melissa Skoff | |||
Production Design by | |||
| Leslie Binns | |||
Costume Design by | |||
| Marion Boyce | |||
Makeup Department | |||
| Marion Lee | .... | assistant hair stylist | |
| Marion Lee | .... | assistant makeup artist | |
| Jodee Lenaine-Smith | .... | assistant hair stylist | |
| Jodee Lenaine-Smith | .... | assistant makeup artist | |
| Fiona Rees-Jones | .... | key hair stylist | |
| Fiona Rees-Jones | .... | key makeup artist | |
Production Management | |||
| Gary Buss | .... | unit manager | |
| Barbara Gibbs | .... | unit production manager | |
| Mark 'Sharky' Johnson | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Liz Edwards | .... | second assistant director | |
| Matt Enfield | .... | first assistant director | |
| Kath McIntyre | .... | third assistant director | |
Art Department | |||
| Ben Bauer | .... | property master | |
| Campbell Burdon | .... | construction coordinator | |
| Scott Burdon | .... | leading hand | |
| Simon Clayton | .... | scenic artist | |
| Phillip 'Sunday' Hopkins | .... | set dresser | |
| Mark Hurtado | .... | storyboard artist | |
| Chris Jobson | .... | art department runner | |
| Zlatko Kasumovic | .... | assistant property master | |
| Kylie Lawson | .... | set finisher | |
| Sarah Light | .... | assistant art director | |
Sound Department | |||
| Marco Arlotta | .... | boom operator | |
| Gary S. Gelfand | .... | sound editor (as Gary Gelfand) | |
| Kurt Kassulke | .... | sound re-recording mixer | |
| Toivo Lember | .... | sound recordist | |
| Mark Linden | .... | adr editor | |
| Mark Linden | .... | sound re-recording mixer | |
| Michael Marion | .... | sound supervisor | |
| Tara Paul | .... | sound re-recording mixer | |
Special Effects by | |||
| John Parker | .... | special effects construction foreman | |
| Brian Pearce | .... | special effects coordinator | |
Visual Effects by | |||
| William Gammon | .... | digital compositor | |
| Jason Madigan | .... | digital compositor | |
| Adam Paschke | .... | digital compositor | |
| Ben Roberts | .... | digital compositor: Rising Sun Pictures | |
Stunts | |||
| Mitch Deans | .... | stunt coordinator | |
| Paul Phillips | .... | assistant stunt coordinator | |
| Peter West | .... | safety officer | |
Camera and Electrical Department | |||
| Sean Barnes | .... | still photographer | |
| Rodney Bolton | .... | camera operator | |
| Rodney Bolton | .... | director of photography: second unit | |
| John Dolan | .... | key grip | |
| Werner Gerlach | .... | best boy | |
| Gavin Head | .... | second focus puller | |
| Ian MacMillan | .... | camera operator: "b" camera | |
| Ian MacMillan | .... | steadicam operator | |
| Daryl Pearson | .... | gaffer | |
| Craig Philpott | .... | first focus puller | |
| Jack Sheridan | .... | videosplit operator | |
Casting Department | |||
| Faith Martin | .... | casting: Australia | |
| Linora May | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sarah Jameson | .... | costume supervisor | |
| Heather Wallace | .... | costume stand-by | |
Editorial Department | |||
| Jason Bretz | .... | assistant editor | |
| Wade Felker | .... | colorist | |
Music Department | |||
| Diane Griffen | .... | music editor | |
| Mako Sujishi | .... | music mixer | |
Other crew | |||
| Elaine Crowther | .... | production accountant | |
| Michael J. Curran | .... | executive assistant | |
| Mason Curtis | .... | location manager | |
| Melissa Dunstone | .... | production assistant | |
| Wade Felker | .... | high definition mastering | |
| Daniel Fitzgerald | .... | production assistant | |
| Brian Jonason | .... | executive assistant | |
| Sharon Kerrigan | .... | production coordinator | |
| Mojgan Khadem | .... | continuity | |
| Liane Lee | .... | production accountant | |
| Terry Lee | .... | aerial helicopter pilot | |
| Paul Lightfoot | .... | assistant: Mr. Hamlin | |
| Rob MacPherson | .... | dialogue coach | |
| Steve Marcus | .... | caterer | |
| Ted Mertens | .... | snake wrangler | |
| Judi Oehme | .... | production secretary | |
| Andrew Payne | .... | animal wrangler: owl & crow | |
| Neil Phipps | .... | assistant: Mr. Gallant | |
| Lily Takanashi | .... | production accountant: Los Angeles | |
| Christopher James Taylor | .... | assistant: Mr. Klenhard | |
| Hareth Yateem | .... | assistant: Ms. Dey | |
| Julie Stewart | .... | post-production accounts (uncredited) | |
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| Desperation | Dead Silence | FairyTale: A True Story | The Three Burials of Melquiades Estrada | The Glass House |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb USA section |
Disappearance is about a couple who take their family on vacation in New Mexico and find themselves in deep trouble after taking a detour off the main highway to visit a town that was seemingly abandoned in 1948 for unknown reasons. The town of Weaver seems harmless at first and has tourist appeal until the family is stranded there overnight and they begin to have good reason to suspect that others have experienced their same predicament with fatal outcomes. The Henleys watch a Blair-Witch-Project-esquire video diary left by the town's last victim, which ironically demonstrates the best performance of anyone in this movie. Although Hamlin and Dey's performances are much better than the supporting casts', their emotional affect seems "flat" to me throughout the movie.
Disappearance has appeal for most of the movie as there is much suspense and good direction. However, the plot takes unexpected and implausible turns that seemingly make no sense. Worse yet it that there really is no understanding of what exactly is going on in the movie, which makes the bizarre ending less tolerable. It appeared to me that the movie makers were so focused on making a stream of suspenseful scenes, that they threw away all the elements of good story making: plot development, gradual explanation of themes and symbols that lead to a cohesive solution/outcome.
The most difficult aspect of the movie for me was that the first three-quarter of it was spent building up tension and curiosity about certain aspects of the plot that were then suddenly disposed of as if we didn't deserve an explanation:
What was the significance of the Indian symbols on the walls? What happened to the original people of Weaver? What was the connection with the people at the dinner? What did the Sheriff know? What did the missing boy discover if anything?
This was, I believe, a bad move, since it engendered some resentment. I had invested quite a bit of brainpower into hypothesizing some plausible explanations for some of these plot turns and strange events, only to have the movie makers simply end it without giving an answer to any of these things. These are some nice cliffhangers for the ending of a miniseries that is about to pickup again next week, but a totally frustrating and inappropriate ending for a stand-alone movie.