After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt... See full summary »
An aspiring young writer (Jackson) tracks a literary titan (Keitel) suffering from writers block to his refuge in rural Italy and learns about life and love from the irascible genius and his daughters.
On March 12, 1956, Basque Nationalist Jesús de Galíndez Suarez disappears from his apartment in New York, never heard from again. He had been working with the FBI and was about to publish a... See full summary »
A thesis picture: is Western Europe turning a blind eye to the dangers of Islamic fundamentalism? Professor Alceo Bandini believes so. He writes and lectures to a few students at a Roman ... See full summary »
An out-of-town heist becomes a nightmare for a crew of French burglars when they mistakenly rob the head of the Chicago mafia. Unaccustomed to the ways of the American underworld, it is not long before they have the mafia, the FBI and a couple of street gangs on their backs as they attempt to make their way back to Paris. Written by
Another "in joke": when the thieves want to take aliases to protect their identities, Marcel insists on being called "Elvis". That's because Johnny Hallyday, who plays Marcel, is known as the "Elvis of France". See more »
After Frankie Zammeti throws the spaghetti, the remaining spaghetti on the plate changes between shots. See more »
They were all French guys.
French Guys? You mean like French from France?
Yeah, French guys from France!
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All they needed was Jean Reno. Depardieu, Hallyday, Renaud, Taghmaoui and the lesser known, Freiss and Dray make up a gang of complete screw-ups who are set up to take a fall and wind up robbing Keitel, always great as a mafioso, and get involved in every kind of mess-up imaginable. The ending is charming and remindful of the ending in Lock, Stock and Two Smoking Barrels. Although the film is quite violent, and liberally sparkled with gallows humor, it comes off incredibly well as a dark comedy. Depardieu does well with comedy and his chemistry with the rest of the bunch is superb in all their antics.
If you haven't seen it, do. If you have, rent it again. I had to, in order to pick up on some of the laughs I missed while guffawing the first time around. Even if you don't speak French, the subtitles are cleverly apt and capture most of the witty dialogue among these veteran French actors.
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