Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In Havana, Cuba in the late 1950s, a wealthy family, one of whose sons is a prominent night-club owner, is caught in the violent transition from the oppressive regime of Batista to the ... See full summary »
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
What Jake Vig doesn't know just might get him killed. A sharp and polished grifter, Jake has just swindled thousands of dollars from the unsuspecting Lionel Dolby with the help of his crew: Insideman Gordo, Shills Miles, and Big Al--and two corrupt LAPD officers, Lloyd Whitworth and Omar Manzano. But when both Lionel and Big Al turn up dead, it becomes clear that Lionel wasn't just any mark--as Jake soon learns, he was an accountant for eccentric crime boss Winston King. Never one to shy away from a challenge, Jake offers to repay The King by pulling off the biggest con of his career. The mark? Morgan Price, a banker with deep ties to organized crime. With so much riding on the outcome, Jake decides to bring in a brash, blonde pickpocket named Lily, who joins the crew in a complex scheme involving corporate loans, creative accounting, wire transfers and off-shore accounts. Jake and his crew will have to stay one step ahead of both the criminals and the cops to finally settle their ... Written by
Sujit R. Varma
When the group is walking after meeting with Ashby, Miles and Gordo talk about packing and going to Belize, but it has not been decided that Gordo was going to go to Belize, Jake was supposed to be going. See more »
So I'm dead. And I think it's because of this redhead.
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House of the Rising Sun
Performed by Donald Byrd
Arranged by Alan Price
Used by Permission of Beechwood Music Corporation
Courtesy of The Verve Music Group
Under License from Universal Music Enterprises See more »
Perfectly paced, excellent acting, beautiful con scheme
Definitely one of the best con-artist movies ever. Throughout the movie, I kept thinking of the many possible twists possible, but I never really saw the final big twist - and thought it could all come together so nicely and believable. The movie is paced smoothly (there are no tedious scenes or moments you feel you've missed something), the acting is excellent (Hoffman's character seems overdone at first, but the creepy-weird character he plays is believable and, therefore, all the more serious and scary), the cons they play are very smart (and convincing), and the way it all comes together at the end is just beautiful (although the overall scheme is complex and plays many twists on the audience, it is not at all difficult to follow what 'really' happens). All in all, a very enjoyable movie, with genuine suspense, characters we get to like (and even care about - to the amount possible for grifters), excellent acting and a worthy end. 7/10 (good movie - not great, but above the average)
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