Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both... See full summary »
Rebellious footballer Johnny, falls for cheerleader Tracy. They come from opposite backrounds; she's from a comfortable well off family, his is poor and broken. Tracy already has a ... See full summary »
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
Romantic comedy set during the European football championships in 1996, where football fan Martin finds his life is going from bad to worse after losing his job and splitting up with his ... See full summary »
John Gordon Sinclair
What Jake Vig doesn't know just might get him killed. A sharp and polished grifter, Jake has just swindled thousands of dollars from the unsuspecting Lionel Dolby with the help of his crew: Insideman Gordo, Shills Miles, and Big Al--and two corrupt LAPD officers, Lloyd Whitworth and Omar Manzano. But when both Lionel and Big Al turn up dead, it becomes clear that Lionel wasn't just any mark--as Jake soon learns, he was an accountant for eccentric crime boss Winston King. Never one to shy away from a challenge, Jake offers to repay The King by pulling off the biggest con of his career. The mark? Morgan Price, a banker with deep ties to organized crime. With so much riding on the outcome, Jake decides to bring in a brash, blonde pickpocket named Lily, who joins the crew in a complex scheme involving corporate loans, creative accounting, wire transfers and off-shore accounts. Jake and his crew will have to stay one step ahead of both the criminals and the cops to finally settle their ... Written by
Sujit R. Varma
During the credits sequence, when the narrator says "that's why we give you the fix," what he means is "the blow-off." The "fix" refers to bought cops, whereas the "blow-off" is the way the mark is convinced not to come back. See more »
So I'm dead. And I think it's because of this redhead.
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Everyone must love a good con artist tale. We all see our selves as both victim and perpetrator. We love the thrill of the ride, of the something for nothing, of doing bad, but not really hurting anyone who does not deserve it. These are the archetypical elements of a good con movie, and Confidence delivers them with panache.
There is nothing really new here. No mind bending twists beyond the twists that have to be constructed for a picture like this to succeed, and succeed it does. Why? It is the cast. Everyone delivers the performance of their career in the film, and I mean everyone. I have not seen Dustin Hoffman act in a long time, and here he does much more than phone in the part. He proves himself to be a real risk taker. Nothing less can be said of any of the cast members, some familiar, others not so. This may be the defining role of Edward Burns' career, and likewise for Rachel Weisz. I did not even recognize Andy Garcia, that is how transformed we has. Imagine Paul Giamatti in a role that you did not want to slap him for or ask why he was wasting his talents!
This film is like a really rich dessert. Even though you know it is not good for you, you just cannot help yourself because it is so delicious.
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