Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both... See full summary »
What Jake Vig doesn't know just might get him killed. A sharp and polished grifter, Jake has just swindled thousands of dollars from the unsuspecting Lionel Dolby with the help of his crew: Insideman Gordo, Shills Miles, and Big Al--and two corrupt LAPD officers, Lloyd Whitworth and Omar Manzano. But when both Lionel and Big Al turn up dead, it becomes clear that Lionel wasn't just any mark--as Jake soon learns, he was an accountant for eccentric crime boss Winston King. Never one to shy away from a challenge, Jake offers to repay The King by pulling off the biggest con of his career. The mark? Morgan Price, a banker with deep ties to organized crime. With so much riding on the outcome, Jake decides to bring in a brash, blonde pickpocket named Lily, who joins the crew in a complex scheme involving corporate loans, creative accounting, wire transfers and off-shore accounts. Jake and his crew will have to stay one step ahead of both the criminals and the cops to finally settle their ... Written by
Sujit R. Varma
(One Rascal Mix)
Performed by Aretha Franklin
Written by Otis Redding
Published by Irving Music, Inc. (BMI)
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products See more »
Everyone must love a good con artist tale. We all see our selves as both victim and perpetrator. We love the thrill of the ride, of the something for nothing, of doing bad, but not really hurting anyone who does not deserve it. These are the archetypical elements of a good con movie, and Confidence delivers them with panache.
There is nothing really new here. No mind bending twists beyond the twists that have to be constructed for a picture like this to succeed, and succeed it does. Why? It is the cast. Everyone delivers the performance of their career in the film, and I mean everyone. I have not seen Dustin Hoffman act in a long time, and here he does much more than phone in the part. He proves himself to be a real risk taker. Nothing less can be said of any of the cast members, some familiar, others not so. This may be the defining role of Edward Burns' career, and likewise for Rachel Weisz. I did not even recognize Andy Garcia, that is how transformed we has. Imagine Paul Giamatti in a role that you did not want to slap him for or ask why he was wasting his talents!
This film is like a really rich dessert. Even though you know it is not good for you, you just cannot help yourself because it is so delicious.
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