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Filmmaker Michael Moore explores the roots of America's predilection for gun violence.

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4,625 ( 61)
Won 1 Oscar. Another 38 wins & 11 nominations. See more awards »

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Cast

Credited cast:
...
Himself - Narrator
Rest of cast listed alphabetically:
...
Himself - President of Chile (archive footage)
Jacobo Arbenz ...
Himself - President of Guatemala (archive footage)
Mike Bradley ...
Himself - Mayor of Sarnia, Ontario, Canada
Arthur A. Busch ...
Himself - County Prosecutor: Flint, Michigan (as Arthur Busch)
...
Himself (archive footage)
...
Himself (archive footage)
Michael Caldwell ...
Himself - Police Detective
Richard Castaldo ...
Himself - Columbine Victim
...
Himself
...
Himself (archive footage)
Steve Davis ...
Himself - Deputy Sheriff (archive footage)
Ngo Dinh Diem ...
Himself - President of South Vietnam (archive footage)
Mike Epstein ...
Himself - Shopper in Mall
Joe Farmer ...
Himself - Superintendent of Schools (archive footage)
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Storyline

The United States of America is notorious for its astronomical number of people killed by firearms for a developed nation without a civil war. With his signature sense of angry humor, activist filmmaker Michael Moore sets out to explore the roots of this bloodshed. In doing so, he learns that the conventional answers of easy availability of guns, violent national history, violent entertainment and even poverty are inadequate to explain this violence when other cultures share those same factors without the equivalent carnage. In order to arrive at a possible explanation, Michael Moore takes on a deeper examination of America's culture of fear, bigotry and violence in a nation with widespread gun ownership. Furthermore, he seeks to investigate and confront the powerful elite political and corporate interests fanning this culture for their own unscrupulous gain. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

Is America a nation of gun nuts? Or just nuts? See more »


Motion Picture Rating (MPAA)

Rated R for some violent images and language | See all certifications »

Parents Guide:

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Details

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Release Date:

15 November 2002 (USA)  »

Also Known As:

Akiryhtos polemos  »

Filming Locations:

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend:

$209,148 (USA) (11 October 2002)

Gross:

$312,914 (Brazil) (20 June 2003)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was the highest-grossing documentary until 2004 when Fahrenheit 9/11 (2004)--also directed by Michael Moore--made more in its opening weekend than this movie did in its entire run. See more »

Goofs

As Charlton Heston walks away from Michael Moore in the final interview, the scene cuts repeatedly between Heston (point of view from behind Moore) and Moore (point of view from the stairs directly in front of Moore) holding a photo of the slain Flint, Michigan girl and asking Heston to look at it. When the POV is of Moore holding the photo, there is clearly no cameraman anywhere behind him. The same with the POV of Heston, there is clearly no cameraman anywhere in front of Moore. So the two POVs were not filmed simultaneously as the film implies. See more »

Quotes

Michael Moore: What if I had a spear?
See more »

Crazy Credits

There is no cast list, either at the start of the film or at the end. People are credited either by subtitle, by the narrator or by themselves. See more »

Connections

References The Ten Commandments (1956) See more »

Soundtracks

Won't You Be My Neighbour
(1967)
Written by Fred Rogers
Performed by David Reid & Adam Morrison
Courtesy of Family Communications and Record Company
See more »

Frequently Asked Questions

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User Reviews

One of the most thought provoking movies.
7 May 2003 | by (iowa city, iowa) – See all my reviews

What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.


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