Joong-ho is a dirty detective turned pimp in financial trouble as several of his girls have recently disappeared without clearing their debts. While trying to track them down, he finds a ... See full summary »
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
In Seoul, Ryu, a deaf worker has a sister who needs a kidney transplant. He tries to donate his own kidney to his sister, but his blood type is not compatible with hers. When Ryu is fired from Ilshin Electronics, he meets illegal dealers of organs, and the criminals propose that he give them his kidney plus ten millions Won to obtain a kidney suitable for his sister. Ryu accepts the trade, but he does not have money to pay for the surgery. His anarchist revolutionary girlfriend Cha Young-mi convinces him to kidnap Yossun, the daughter of his former employer Park, who owns Ilshin Electronics. However, a tragedy happens, generating revenge and a series of acts of violence. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Kang-ho Song shouted for three days to break his voice in order to sound more authentic and tired for the scene where he is screaming for help through the black plastic bag. See more »
During the scene where engineer Peng slashes his stomach four times, notice his strokes. He makes a semi-short stroke, then two strokes that are similar in length, and then a very long stroke on the bottom. All of these strokes are relatively straight; although, when you see the close-up of his gashes bleeding, you see that the first stroke is very short and angled down, and the bottom stroke is much shorter than the middle two, even though it should obviously be longer. See more »
The heir apparent to Sam Peckinpah is tucked away far from Hollywood. Chan-wook Park, I'm sure few people know of him outside of Korea but talent like this can not go unoticed for long. I knew nothing of this film or Mr. Park before seeing it at the Seattle International Film Festival. Human (political?) isolation permeates the film, connectiveness to others whether familial or conjugal comes with a steep price to pay. Vengence to reclaim honor is a staple in Asian cinema, Mr. Park's "Revenge" completely sidesteps the tired honor formula making us question what happens when normal folk take revenge into the realm of pyschotic? This is the type of film that you and your friends will passionately discuss over STRONG drinks afterwords, there is no nuetrality in opinions, like Solondz's "Hapiness" you love it or hate it. As the film ended, a packed house gave a tepid applause, not because of a lack of enthusiasm, a collective numbness left a pall over the audience, a raping of all the senses. Like Cronenberg's "Crash" and Tarkovsky's "Stalker", one becomes defeated by a hypnotic sense of forboding, you are forced to endure it, pummeled into submission. The violence is very graphic, but as much as Mr. Park show's, it's what he doesn't show that makes him so talented, the subtle use of sound to advance the film is outright brilliance. Like Takeshi Kitano's early films, the extreme violence is never gratuitous yet the like offbeat humor, very unsettling. "Sympathy For Mr. Vengence" is not 'dark' it is uncompromisingly bleak, ah but bleakness never looked so good!
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