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A nurse, a policeman, a young married couple, a salesman, and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies, take refuge in a mega Midwestern shopping mall.
Kirsty is brought to an institution after the death of her family, where the occult-obsessive head resurrects Julia and unleashes the Cenobites once again.
Two college friends, Marie and Alexa, encounter loads of trouble (and blood) while on vacation at Alexa's parents' country home when a mysterious killer invades their quiet getaway.
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of ... See full summary »
Directors:
Oxide Pang Chun,
Danny Pang
Stars:
Angelica Lee,
Lawrence Chou,
Jinda Duangtoy
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building. Adding further drama to their plight, they are targeted by the ghost of former resident.
Director:
Walter Salles
Stars:
Jennifer Connelly,
John C. Reilly,
Tim Roth
Ewan McGregor plays a law student who takes a job as a night watchman at a morgue. He begins to discover clues that implicate him as the suspect of a serial of murders.
Laurie Strode, now the dean of a Northern California private school with an assumed name, must battle the Shape one last time and now the life of her own son hangs in the balance.
Director:
Steve Miner
Stars:
Jamie Lee Curtis,
Adam Arkin,
Michelle Williams
This is the story of Willard Stiles who is a social misfit taking care of his ill and fragile but verbally abusive mother Henrietta in a musty old mansion that is also home to a colony of rats. Willard then finds himself constantly humiliated in front of his co-workers and is eventually fired by his cruel and uncaring boss, Mr. Frank Martin, a vicious man whose professional interest in Willard extends to a personal financial one. Written by
Anthony Pereyra <hypersonic91@yahoo.com>
The brand name on the container of nuts Willard first feed to the rats is 'Numm Nuts.' See more »
Goofs
The gender of the two main rats, Socrates and Ben change through out the film. In some scenes the rats are male and in others they are female. See more »
People who hated this movie went to see it with the preconceived notion that rats would be doing a lot bloodier leg work for Willard. What they got was a movie wherein Crispin Glover kisses his best rattie friend and slowly ambles toward insanity.
Willard has flaws, and plenty of them, but they rarely detract from what is, at heart, a psychological parable and subtle love story. Crispin Glover's performance is one of his most genuinely human and believable, evoking ugly emotions rarely seen in Hollywood, while still retaining a manic kind of dignity.
You can hardly fault New Line for marketing Willard as a horror flick, since that is what would inevitably sell better. But Willard is really more of a movie for people who genuinely like rats, not those who fear them. It's a movie for people who find greater horror in failure and abuse and solitude than buckets of blood and gore. Willard is the kind of movie that aims to make you uncomfortable, but not truly horrified. It uses few of the common elements of the horror movie, including graphic violence, deformity, fear of the unknown, and sudden, unexpected movement or loud noises to propel you from your seat. It is slow moving and subtle, and often uses crude humor to detract from the more creepy moments. It shows itself as a juvenile in those moments, a child who has put on his father's suit and is masquerading as a serious adult. It is much like the character of Willard, in that sense, and the coincidence is almost admirable.
The movie is unquestionably more subtle, evocative, and well-crafted than its predecessor; it is also more faithful to the original novel, Ratman's Notebooks, than the version starring Bruce Davison. It's a dubious honor, some might say.
Willard deserves no prizes, but it is well-made to be what it is... not a horror movie, nor a drama, nor a thriller. It's an intimate little movie about a boy and his rat, and it is all the better for it.
8 of 10 people found this review helpful.
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People who hated this movie went to see it with the preconceived notion that rats would be doing a lot bloodier leg work for Willard. What they got was a movie wherein Crispin Glover kisses his best rattie friend and slowly ambles toward insanity.
Willard has flaws, and plenty of them, but they rarely detract from what is, at heart, a psychological parable and subtle love story. Crispin Glover's performance is one of his most genuinely human and believable, evoking ugly emotions rarely seen in Hollywood, while still retaining a manic kind of dignity.
You can hardly fault New Line for marketing Willard as a horror flick, since that is what would inevitably sell better. But Willard is really more of a movie for people who genuinely like rats, not those who fear them. It's a movie for people who find greater horror in failure and abuse and solitude than buckets of blood and gore. Willard is the kind of movie that aims to make you uncomfortable, but not truly horrified. It uses few of the common elements of the horror movie, including graphic violence, deformity, fear of the unknown, and sudden, unexpected movement or loud noises to propel you from your seat. It is slow moving and subtle, and often uses crude humor to detract from the more creepy moments. It shows itself as a juvenile in those moments, a child who has put on his father's suit and is masquerading as a serious adult. It is much like the character of Willard, in that sense, and the coincidence is almost admirable.
The movie is unquestionably more subtle, evocative, and well-crafted than its predecessor; it is also more faithful to the original novel, Ratman's Notebooks, than the version starring Bruce Davison. It's a dubious honor, some might say.
Willard deserves no prizes, but it is well-made to be what it is... not a horror movie, nor a drama, nor a thriller. It's an intimate little movie about a boy and his rat, and it is all the better for it.