| Photos (See all 34 | slideshow) | Videos (see all 4) |
Directed by | |||
| Christopher Guest | |||
Writing credits(WGA) | ||
| Christopher Guest | (written by) & | |
| Eugene Levy | (written by) | |
Produced by | |||
| Donna E. Bloom | .... | line producer | |
| Karen Murphy | .... | producer | |
Cinematography by | |||
| Arlene Nelson | (director of photography) (as Arlene Donnelly Nelson) | ||
Film Editing by | |||
| Robert Leighton | |||
Production Design by | |||
| Joseph T. Garrity | |||
Art Direction by | |||
| Pat Tagliaferro | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Durinda Wood | |||
Makeup Department | |||
| Kathryn Bihr | .... | makeup artist: New York | |
| Judi Cooper-Sealy | .... | hair designer | |
| Roxie Hodenfield | .... | hair stylist (as Roxie Norman) | |
| Lona Jeffers | .... | makeup artist | |
| Ann Masterson | .... | key makeup artist | |
| Josée Normand | .... | hair stylist (as Josee Normand) | |
| Maria Randelman | .... | hair stylist | |
| Kate Shorter | .... | department head makeup | |
| Jennifer Zide | .... | makeup artist | |
| Terri Ewton | .... | hair stylist (uncredited) | |
| Terri Ewton | .... | makeup artist (uncredited) | |
Production Management | |||
| Donna E. Bloom | .... | unit production manager | |
| Pamela Louise Griner | .... | post-production supervisor (as Pamela Griner) | |
| Montez A. Monroe | .... | production supervisor | |
Art Department | |||
| Daril Alder | .... | swing gang | |
| Rachel Beers | .... | swing gang | |
| Bob Bissonnette | .... | greensman | |
| Scott Buckwald | .... | property master (as Scott A. Buckwald) | |
| Randy Bushnell | .... | propmaker | |
| Brien Campbell | .... | propmaker | |
| Glenn M. Carrere | .... | swing gang | |
| David Clark | .... | assistant property master | |
| Chris Coakley | .... | set painter | |
| Robert Covelman | .... | property master: New York | |
| Ara Darakjian | .... | swing gang | |
| James Dean | .... | swing gang | |
| Frank DeCurtis Jr. | .... | assistant property master: New York | |
| Ken Deubel III | .... | paint coordinator (as Kenneth G. Deubel III) | |
| Terry Deubel | .... | paint foreman | |
| Dan Dorfer | .... | set painter | |
| Andrew Endsley | .... | swing gang (as Andrew M. Endsley) | |
| Marcus Epps | .... | swing gang | |
| Franco Esile | .... | swing gang | |
| Tim Ewell | .... | swing gang | |
| Daniel Favor | .... | propmaker (as Dan Favor) | |
| John Ford | .... | set painter | |
| Ron Gielow | .... | labor foreman (as Ronald G. Gielow) | |
| Kon Iliov | .... | propmaker | |
| Mervyn Johnson | .... | construction coordinator | |
| Dean B. Katz | .... | leadman (as Dean Katz) | |
| Joseph Kearney | .... | propmaker | |
| Jeanne Kukor | .... | property assistant (as Jeanne Marie Kukor) | |
| Tyler Lafferty | .... | propmaker | |
| Mike Needham | .... | greensman | |
| Peter Nesmith | .... | greensman | |
| John S. Ogden | .... | propmaker | |
| Kathy Orlando | .... | set decorating buyer | |
| Sherand Palmer | .... | set painter | |
| David Park | .... | graphic designer | |
| Douglas Peters | .... | set painter | |
| Joseph Proscia | .... | leadman: New York (as Joseph F. Proscia) | |
| Ron Rhodes | .... | construction foreman | |
| Christopher M. Ridino | .... | propmaker | |
| David Roesch | .... | propmaker | |
| Eli Rosenfeld | .... | construction assistant | |
| John Schmale | .... | plaster foreman | |
| Stan Shapiro | .... | set painter | |
| Craig Sheets | .... | propmaker | |
| Tim Snowber | .... | on-set dresser | |
| Debi Shirk Tagliaferro | .... | art department coordinator (as Deborah Shirk-Tagliaferro) | |
| Vartan 'V.T.' Tashjian | .... | swing gang (as Vartan Tashjian) | |
| Gary Thomas | .... | set painter | |
| George Torres | .... | flooring foreman | |
| Anne Margaret Tower | .... | art department assistant | |
| Warner Zavala | .... | greensman | |
| L. David Gordon | .... | drapery foreman (uncredited) | |
Sound Department | |||
| Lawrence L. Commans | .... | boom operator | |
| Alison Fisher | .... | adr editor | |
| Alison Fisher | .... | dialogue editor | |
| Gary Gegan | .... | sound re-recording mixer | |
| Amy Hammer | .... | sound facility coordinator | |
| Robin Harlan | .... | foley artist | |
| Todd Harris | .... | assistant sound editor (as Todd M. Harris) | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Sarah Jacobs | .... | foley artist | |
| Tom Krajecki | .... | audio consultant: Shure, Inc. | |
| Tommy Louie | .... | utility sound: New York | |
| Michael Magill | .... | dialogue editor | |
| Danny Michael | .... | sound mixer: New York | |
| Michael A. Morongell | .... | sound facility engineer (as Mike Morongell) | |
| Chris Navarro | .... | adr recordist | |
| Nancy Nugent | .... | adr recordist | |
| Mark Pappas | .... | foley supervisor | |
| Andy Peach | .... | sound mixing recordist (as Andrew Peach) | |
| Paul Rodriguez | .... | sound facility coordinator | |
| Andrew Schmetterling | .... | boom operator: New York (as Andy Schmetterling) | |
| Randy Singer | .... | foley mixer | |
| Kira Smith | .... | utility sound | |
| Hamilton Sterling | .... | supervising sound editor | |
| Eric Thompson | .... | adr mixer | |
| Mark Weingarten | .... | sound mixer | |
| Sarah Monat | .... | foley artist (uncredited) | |
| Susumu Tokunow | .... | sound mixer: reshoots (uncredited) | |
Special Effects by | |||
| Chris Walkowiak | .... | special effects coordinator (as Christopher Walkowiak) | |
Visual Effects by | |||
| Anna Bolek | .... | still imaging visual effects: Digital Fusion, LLC | |
| Kim Metzger | .... | still imaging visual effects: Digital Fusion, LLC | |
| Hugh Milstein | .... | still imaging visual effects: Digital Fusion, LLC | |
| Joe Puleio | .... | still imaging visual effects: Digital Fusion, LLC | |
Stunts | |||
| Mark Warrick | .... | stunt coordinator (as Mark Warrack) | |
| Crystal Michelle | .... | stunts: coast riders (uncredited) | |
Animation Department | |||
| Mia Szafran | .... | animation sequence: PBN, R!ot | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting: Kee Casting, New York | |
| Leigh French | .... | voice casting | |
| Linda Grigorian | .... | casting associate | |
| Richard Hicks | .... | casting consultant | |
| Jimmy Jue | .... | extras casting: Central Casting | |
| Matthew Skrobalak | .... | casting associate (as Matt Skrobalak) | |
| Jill Warner | .... | casting intern (uncredited) | |
| Summer Wesson | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Lucinda Campbell | .... | costume supervisor | |
| Gloria Fonseca | .... | costumer | |
| Melissa Stanton | .... | costumer: New York (as Melissa Adzima Stanton) | |
| Jennifer Starzyk | .... | costumer | |
| Cesha Ventre | .... | costumer | |
| Benjamin Wilson | .... | costume supervisor: New York | |
| Katherine Wright | .... | costumer | |
| Jaimie Froemming | .... | costumer intern (uncredited) | |
Editorial Department | |||
| Andrew Dickler | .... | additional editor | |
| Stephanie Sea | .... | post-production coordinator | |
| Chris Wagley | .... | color timer | |
| Mark Yoshikawa | .... | first assistant editor | |
Music Department | |||
| Kit Alderson | .... | instrument instructor | |
| Ted Barela | .... | assistant remote music recording engineer | |
| Fernand Bos | .... | supervising music editor | |
| Charlie Bouis | .... | remote music recording engineer | |
| Ian Charbonneau | .... | assistant remote music recording engineer | |
| Ed Cherney | .... | music mixer | |
| Ed Cherney | .... | music recording engineer | |
| David Cole | .... | music recording engineer | |
| Tom Halm | .... | music coordinator | |
| John Michael Higgins | .... | vocal arranger: The New Main Street Singers | |
| Ohkee Kim | .... | assistant music mixing engineer (as Oh Kee Kim) | |
| John Kurnick | .... | instrument instructor | |
| Tom Lowry | .... | instrument technician | |
| Jim McAuley | .... | instrument instructor | |
| Barry Mitterhoff | .... | instrument instructor | |
| Jared Nelson Smith | .... | instrument rustler | |
| Adrian Van Velsen | .... | assistant music editor | |
| Jeffrey C.J. Vanston | .... | logic audio engineer (as CJ Vanston) | |
| Jeffrey C.J. Vanston | .... | music producer (as Jeffrey CJ Vanston) | |
Transportation Department | |||
| George Andrews | .... | production driver (as George L. Andrews) | |
| Robert Baeza | .... | production driver: New York | |
| Mike Berdrow | .... | production driver | |
| Rudolph Camphausen | .... | production driver: New York | |
| David T. Chong | .... | production driver | |
| Edward Coonan | .... | production driver: New York | |
| Robert Deluca | .... | production driver: New York (as Robert M. Deluca) | |
| Anthony A. Devito | .... | production driver | |
| Bob Donavan | .... | production driver: New York (as Bob Donovan) | |
| Gary Edelman | .... | production driver (as Gary B. Edelman) | |
| Ken Farnell | .... | production driver (as Kenny Farnell) | |
| Keith D. Fisher | .... | transportation captain (as Keith Fisher) | |
| Mo Fitzgerald | .... | production driver: New York | |
| Kevin Harrigan | .... | production driver: New York | |
| Lawrence J. Hennessy | .... | production driver: New York | |
| Thomas J. Hoke | .... | production driver (as Tom Hoke) | |
| Kevin Keefe | .... | transportation coordinator: New York (as Kevin K. Keefe) | |
| Carl Keobalein | .... | production driver: New York | |
| Bill Liversage | .... | production driver (as William Liversage) | |
| Salvatore R. Maffei | .... | production driver: New York | |
| Dick McCartney | .... | production driver (as Dick T. McCartney) | |
| Tim Moran | .... | production driver (as Timothy Scott Moran) | |
| James Moreno | .... | production driver: New York (as Jimmy Moreno) | |
| Angelo J. Orefice | .... | production driver (as Angelo Joseph Orefice) | |
| Jan Ostermann | .... | production driver | |
| Joe Parvis | .... | production driver: New York (as Joseph Parvis) | |
| Don Poole | .... | production driver (as Dan Poole) | |
| Richard Presutti | .... | production driver: New York | |
| T.J. Seccamanie III | .... | production driver: New York (as Thomas J. Seccaranie III) | |
| Aaron Skalka | .... | transportation coordinator | |
| Russ Swanson | .... | production driver: New York (as Russell Swanson) | |
| Jay Thompson | .... | production driver (as Jay C. Thompson) | |
| Arthur Trapolsi | .... | production driver (as Arthur Trapolisi) | |
| Ted Visser | .... | production driver | |
| James Waitkus | .... | production driver | |
| Gregg Wallace | .... | production driver (as Greg Wallace) | |
| Samuel S. White | .... | production driver | |
| Lee Willis | .... | production driver | |
| Michael Forte | .... | transportation coordinator: re-shoots (uncredited) | |
| Rick Scheil | .... | driver: cast (uncredited) | |
Thanks | |||
| David Blasucci | .... | special thanks: Castle Rock | |
| Henry Burnett | .... | special thanks | |
| Jim Campbell | .... | special thanks: Castle Rock | |
| Pam Evans | .... | special thanks: Castle Rock | |
| Dan Fellman | .... | special thanks: Warner Bros | |
| Patti Fernandez | .... | special thanks: Castle Rock | |
| Jim Fredrick | .... | special thanks: Warner Bros | |
| Sam Fusco | .... | special thanks: Castle Rock | |
| Barbara Galbo | .... | special thanks: Warner Bros | |
| Liz Glotzer | .... | special thanks: Castle Rock | |
| Juli Goodwin | .... | special thanks: Warner Bros | |
| Margo Meyer | .... | special thanks: Castle Rock | |
| Debbie Miller | .... | special thanks: Warner Bros | |
| Debbie Padrick | .... | special thanks: Warner Bros | |
| Rob Reiner | .... | special thanks: Castle Rock | |
| Jessica Roddy | .... | special thanks: Castle Rock | |
| Andrew Scheinman | .... | special thanks: Castle Rock (as Andy Scheinman) | |
| Mark Scoon | .... | special thanks: Warner Bros | |
| Anne Scott | .... | special thanks: Castle Rock | |
| Martin Shafer | .... | special thanks: Castle Rock | |
| Marc Solomon | .... | special thanks: Warner Bros | |
| Jeffrey Stott | .... | special thanks: Castle Rock (as Jeff Stott) | |
| Dawn Taubin | .... | special thanks: Warner Bros | |
| Jess Wittenberg | .... | special thanks: Castle Rock | |
| Keith Zajic | .... | special thanks: Warner Bros | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Christopher Guest's movies, like his performances, are generally subtle and always low-key. They are not for people who need laugh tracks to follow the humor and most of his work is so contextually-based that some knowledge of the subject he's dissecting is a definite asset. Guest, who was a performer in the very early SATURDAY NIGHT LIVE, is, in many respects, the Anti-Belushi of modern American comedy.
Nevertheless, he shares with Belushi - and many of their contemporaries, who came from one or another branch of the Second City organization - a certain fondness for off-the-wall elements in his work; Guest's tend to be slipped in, quietly, while Belushi's popped out of exploding cakes.
A MIGHTY WIND is a spot-on satire of the American Folk Music movement of the early and mid-1960s. The narrative conceit is a memorial concert for a recently deceased impressario, organized by his son, which reunites three folk groups from the 60s.
The real elements of the film are the send-ups of a variety of tropes of the era, musical styles, personalities, and quite an array of music-business cliches. Remarkably, however, the songs are genuinely entertaining in themselves; both the writing and the performances. They're satirical, but so subtlely performed that it's easy to loose the thread of the lyrics and wind up mindlessly nodding heads and grooving along, which pretty neatly captures the popular music experience for the last several generations. Satire within satire.
The musical performances are excellent, recreating, almost frighteningly, the taste and texture of folk music of the era. And, bringing several real 60s folk acts to mind.
The acting is typical of Guest movies, such as SPINAL TAP and BEST IN SHOW; very quiet, restrained, low-key, with, apparently, a lot of dialogue improvised. The performers are mostly drawn from the same group Guest has used in the past: Eugene Levy (who co-wrote the script with Guest) and Catherine O'Hara, Harry Shearer, Michael McKean, Ed Begley, Jr., and Guest, himself.
Comparisons with Guest's most popular picture, THIS IS SPINAL TAP are both interesting and tricky. Interesting because both movies were written and directed by the same man, and shared most of the same casts. Tricky, because while some seem to compare AMW unfavorably with TIST, a looking at these films, together, they have a lot in common. So much so, in fact, that it's reasonable to consider them a pair; very similar takes on two, distinct musical genres of a similar era. The writing, acting, tone, pacing of these two movies is very similar. The jokes are similar. The points of view are similar. The focus on both performers, and the behind-the-scenes people is similar. The real difference is the music.
This, in turn, tends to suggest that those who react very differently to these two films may be reacting more to the music, directly, and to the ambiance of the world around the particular musical genre more than anything else.
Guest's movies don't have many laugh-out-loud moments. Most of the humor is more the "big-smile", sometimes, the chuckle, kind. But, Ed Begley, Jr. has perhaps his best comic scene, ever, when he does a take as a Swedish-American public television producer dropping Yiddish into his conversation; one word per sentence. It's a totally dead-pan and very quiet performance which, like so much of Christopher Guest's humor, you will either get or not get. If you do, you may fall off your chair.
Eugene Levy, who co-wrote the script, with Guest, is also very good, having finally invented a second character after having spent something more than 30 years (since his Second City TV days) doing variations of one.
Who might enjoy A MIGHTY WIND? Anyone who remembers the era and the music, and anyone who enjoys show business insider takes. It's a more difficult call for those born later. And, if you have trouble keeping Janis Joplin and Joanie Mitchell distinct in your mind, you probably won't follow most of what's going on.