7.3/10
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273 user 97 critic

A Mighty Wind (2003)

PG-13 | | Comedy, Music | 9 May 2003 (USA)
Mockumentary captures the reunion of 1960s folk trio the Folksmen as they prepare for a show at The Town Hall to memorialize a recently deceased concert promoter.

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Nominated for 1 Oscar. Another 14 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Stuart Luce ...
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Ramblin' Sandy Pitnik (as Marty Belasky)
Michael Baser ...
Jared Nelson Smith ...
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Todd Lieberman ...
Matthew Joy ...
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Brian Riley ...
Young George Menschell
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Storyline

When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Back together for the first time, again.

Genres:

Comedy | Music

Motion Picture Rating (MPAA)

Rated PG-13 for sex-related humor | See all certifications »

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Details

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Release Date:

9 May 2003 (USA)  »

Also Known As:

Untitled Christopher Guest Project  »

Box Office

Opening Weekend:

$2,112,140 (USA) (18 April 2003)

Gross:

$17,508,936 (USA) (25 July 2003)
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Company Credits

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In an early-'90s, and again in late 90's/ early 2000's, Spinal Tap tour, Michael McKean, Harry Shearer and Christopher Guest opened for themselves as The Folksmen and were booed during the first act, as people did not know or cared that the two bands had the same musicians. See more »

Goofs

Two minutes into the movie, as Jonathan Steinbloom says he is an organized person, one of the brown packages on his desk is askew on the long shots, but straight in the close-ups. See more »

Quotes

Jonathan Steinbloom: [Hosting "An Ode To Irving"] And now please join me in welcoming our next three talented performers. Taken alone, they are Jerry Palter, Alan Barrows and Mark Shubb... but when you put them all together, they spell "absolutely fantastic".
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Crazy Credits

At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »

Connections

References Good Times (1974) See more »

Soundtracks

Skeletons of Quinto
Written by Christopher Guest
Performed by The Folksmen
See more »

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User Reviews

 
Decent, But Not Guest's Best
17 April 2006 | by (United States) – See all my reviews

The third and last installment of Christopher Guest's "mockumentaries," this one centers around three folk-singing groups from the 1960s re-uniting for a concert many years later.

As someone who well remembers most of the folk singers from the '50s and '60s, and was familiar with Guest's other movies, I was anxious to see this. It was okay, but to be honest, I expected more, at least more laughs and a little better pacing. This was just a bit too slow and not as funny as his other films, especially "Best In Show."

There is some great music in here, to be sure, and not lip-synced, either, but most of that isn't heard until the last 30 minutes. Most of the same actors are in this film as in the previous two "mockumentaries," and I always appreciate the comedic talents of Catherine O'Hara and the rest of the crew.

The humor is unique, dry....very dry, and I appreciated it a bit more on the second viewing. The only annoying person, to me, was Eugene Levy's character "Mickey," a spaced-out loser whose act wears thin the more you see of him.

It's not a bad film; just not up to Guest's '"Best Of Show."


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