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A Mighty Wind (2003)

PG-13  |   |  Comedy, Music  |  9 May 2003 (USA)
7.3
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Ratings: 7.3/10 from 21,372 users   Metascore: 81/100
Reviews: 271 user | 96 critic | 40 from Metacritic.com

Mockumentary captures the reunion of 1960s folk trio the Folksmen as they prepare for a show at The Town Hall to memorialize a recently deceased concert promoter.

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Nominated for 1 Oscar. Another 15 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Stuart Luce ...
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Ramblin' Sandy Pitnik (as Marty Belasky)
Michael Baser ...
Jared Nelson Smith ...
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Todd Lieberman ...
Matthew Joy ...
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Brian Riley ...
Young George Menschell
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Storyline

When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Back together for the first time, again.

Genres:

Comedy | Music

Motion Picture Rating (MPAA)

Rated PG-13 for sex-related humor | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 May 2003 (USA)  »

Also Known As:

Untitled Christopher Guest Project  »

Box Office

Opening Weekend:

$2,112,140 (USA) (18 April 2003)

Gross:

£62,657 (UK) (16 January 2004)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The cover of Mitch and Mickey's record "Meet Mitch and Mickey" is a reference to the cover of "Meet The Beatles". See more »

Goofs

Just before Mitch and Mickey are introduced the MC has his right hand up, holding a piece of blue paper. In the next shot, he has both hands at his sides. See more »

Quotes

Jonathan Steinbloom: [Mitch has disappeared] Would you consider doing both parts?
Mickey: No, I'd consider going home, making a nice tray of nanaimo bars, lying in bed and watching TV - that's what I like doing.
See more »

Crazy Credits

At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »

Connections

References Saturday Night Live (1975) See more »

Soundtracks

Potato's in the Paddy Wagon
Written by Michael McKean and Annette O'Toole
Performed by The New Main Street Singers
See more »

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User Reviews

 
Blowin' in the wind
17 April 2003 | by (New York) – See all my reviews

Christopher Guest is a generous actor/director in that he doesn't hog the camera for himself. He lets his actors do their thing without much interfering; he fades into the background, practically.

This pseudo-documentary about the folk music craze of the late 50s and early 60s in this country is accurate. It is a hilarious take on those performers that were part of the era. Mr. Guest has a great insight in presenting the different characters and brings them together with an accurate eye for detail.

Eugene Levy and Catherine OHara are teamed up again as Mitch and Mickey, a famous duo from those days who were the biggest act in folk music of the time. Eugene Levy appears to be catatonic as Mitch, who agrees to take part in the Town Hall ceremony honoring his mentor. Catherine O'Hara is excellent in her part as Mickey, the loyal partner.

The documentary form seems to work well, as it serves the point for the reunion of all these performers coming together one more time, even though the world has forgotten them.

There are disappointments in that no one has a central role, but the misuse of Parker Posey in the film is regrettable. I guess there was no space to showcase any actor over another.

Mr. Guest keeps getting better with every new film and it seems a very great idea to concentrate on this very talented cast for future occasions where they can all interact, as it has been the case, in the previous occasions.


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