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When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by
Sujit R. Varma
Mickey's new husband is a model train enthusiast with only one train. This is because when the filmmakers went to the home which supposedly contained an impressive train setup, all of the trains themselves were broken or otherwise unusable. The engine seen moving in the movie is being pulled by dental floss through "Crabbe Town". See more »
When he's playing alone in the motel room, one of Mitch Cohen's pill bottles moves between shots. See more »
At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »
The third and last installment of Christopher Guest's "mockumentaries," this one centers around three folk-singing groups from the 1960s re-uniting for a concert many years later.
As someone who well remembers most of the folk singers from the '50s and '60s, and was familiar with Guest's other movies, I was anxious to see this. It was okay, but to be honest, I expected more, at least more laughs and a little better pacing. This was just a bit too slow and not as funny as his other films, especially "Best In Show."
There is some great music in here, to be sure, and not lip-synced, either, but most of that isn't heard until the last 30 minutes. Most of the same actors are in this film as in the previous two "mockumentaries," and I always appreciate the comedic talents of Catherine O'Hara and the rest of the crew.
The humor is unique, dry....very dry, and I appreciated it a bit more on the second viewing. The only annoying person, to me, was Eugene Levy's character "Mickey," a spaced-out loser whose act wears thin the more you see of him.
It's not a bad film; just not up to Guest's '"Best Of Show."
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