Centers on 30-year-old Tom Chadwick who, after losing his job and his girlfriend, begins exploring his family heritage after inheriting a mysterious box from a great aunt he never met. ... See full summary »
Spinal Tap, having put Stonehenge on the map in their legendary song about the world heritage site, pay their first visit to the monument. As if drawn by some primal, magnetic force, Nigel ... See full summary »
When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by
Sujit R. Varma
After Mitch and Mickey are introduced during the concert, there is an overhead distant shot of the stage. Mitch can be seen nodding to the guitarist to his left, and the two begin strumming - but no music is heard. Mickey also begins playing and her lips don't move, but she is heard thanking the audience. It then cuts to a two-shot, and nobody is playing while Mickey continues talking to the audience. See more »
In 1971, after the breakup of the Main Street Singers, Chuck Wiseman moved up to San Francisco where she started a retail business with his brothers Howard and Dell, the Three Wisemen's Sex Emporium. It was very successful for a year until they were sued over something having to do with a box of ben wah balls.
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At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »
Christopher Guest is a generous actor/director in that he doesn't hog the camera for himself. He lets his actors do their thing without much interfering; he fades into the background, practically.
This pseudo-documentary about the folk music craze of the late 50s and early 60s in this country is accurate. It is a hilarious take on those performers that were part of the era. Mr. Guest has a great insight in presenting the different characters and brings them together with an accurate eye for detail.
Eugene Levy and Catherine OHara are teamed up again as Mitch and Mickey, a famous duo from those days who were the biggest act in folk music of the time. Eugene Levy appears to be catatonic as Mitch, who agrees to take part in the Town Hall ceremony honoring his mentor. Catherine O'Hara is excellent in her part as Mickey, the loyal partner.
The documentary form seems to work well, as it serves the point for the reunion of all these performers coming together one more time, even though the world has forgotten them.
There are disappointments in that no one has a central role, but the misuse of Parker Posey in the film is regrettable. I guess there was no space to showcase any actor over another.
Mr. Guest keeps getting better with every new film and it seems a very great idea to concentrate on this very talented cast for future occasions where they can all interact, as it has been the case, in the previous occasions.
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