In this irreverent comedy, a failed actor-turned-worse-high-school-drama-teacher rallies his Tucson, AZ students as he conceives and stages politically incorrect musical sequel to Shakespeare's Hamlet.
Joseph Julian Soria
The Rocker tells the story of a failed drummer who is given a second chance at fame. Robert "Fish" Fishman is the extremely dedicated and astoundingly passionate drummer for the eighties ... See full summary »
When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by
Sujit R. Varma
Two minutes into the movie, as Jonathan Steinbloom says he is an organized person, one of the brown packages on his desk is askew on the long shots, but straight in the close-ups. See more »
I always thought it was "hey nonny no, nanny ninny no" and I'm getting kind of confused with all the nannies and the ninnies.
There's no nanny, just take that out of the equation. It's "hey nonny no, nonny ninny o".
Iron clad rule, Alan. Nonny before ninny.
Well, I don't sing this one anyway.
No, so it's kind of academic.
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At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »
An excellent entertainment, though very different from this ensemble's other pseudo-documentary efforts (Spinal Tap, Best in Show).
Incredibly creative. I'm a fan of folk music and this film really nails the eclectic backgrounds of folk musicians, right down to the distinctive vocalizations, multi-line harmonies and excessive enthusiasm. I was so impressed that all the parodied songs were written and performed (well) by the actors and I now covet the sound track. Get ready for a lot of subtle humor and story lines and enjoy the send-up.
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