Centers on 30-year-old Tom Chadwick who, after losing his job and his girlfriend, begins exploring his family heritage after inheriting a mysterious box from a great aunt he never met. ... See full summary »
When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by
Sujit R. Varma
The early sequence in which the Folksmen rehearse for their reunion concert at a farm in upstate New York was inspired by the documentary The Weavers: Wasn't That a Time (1982), in which the real-life folk-music group The Weavers were shown preparing for a reunion concert at the upstate New York farm owned by one of their members, Lee Hays. See more »
In the final Reunion Scene, you can obviously tell that none of the actors are actually playing guitar. Most of them just move their fingers like strumming, and you can clearly see no vibration from the strings or contact with the fingers and strings. See more »
I always thought it was "hey nonny no, nanny ninny no" and I'm getting kind of confused with all the nannies and the ninnies.
There's no nanny, just take that out of the equation. It's "hey nonny no, nonny ninny o".
Iron clad rule, Alan. Nonny before ninny.
Well, I don't sing this one anyway.
No, so it's kind of academic.
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At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »
Christopher Guest is a generous actor/director in that he doesn't hog the camera for himself. He lets his actors do their thing without much interfering; he fades into the background, practically.
This pseudo-documentary about the folk music craze of the late 50s and early 60s in this country is accurate. It is a hilarious take on those performers that were part of the era. Mr. Guest has a great insight in presenting the different characters and brings them together with an accurate eye for detail.
Eugene Levy and Catherine OHara are teamed up again as Mitch and Mickey, a famous duo from those days who were the biggest act in folk music of the time. Eugene Levy appears to be catatonic as Mitch, who agrees to take part in the Town Hall ceremony honoring his mentor. Catherine O'Hara is excellent in her part as Mickey, the loyal partner.
The documentary form seems to work well, as it serves the point for the reunion of all these performers coming together one more time, even though the world has forgotten them.
There are disappointments in that no one has a central role, but the misuse of Parker Posey in the film is regrettable. I guess there was no space to showcase any actor over another.
Mr. Guest keeps getting better with every new film and it seems a very great idea to concentrate on this very talented cast for future occasions where they can all interact, as it has been the case, in the previous occasions.
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