Centers on 30-year-old Tom Chadwick who, after losing his job and his girlfriend, begins exploring his family heritage after inheriting a mysterious box from a great aunt he never met. ... See full summary »
Spinal Tap, having put Stonehenge on the map in their legendary song about the world heritage site, pay their first visit to the monument. As if drawn by some primal, magnetic force, Nigel ... See full summary »
When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous. Written by
Sujit R. Varma
Mickey's new husband is a model train enthusiast with only one train. This is because when the filmmakers went to the home which supposedly contained an impressive train setup, all of the trains themselves were broken or otherwise unusable. The engine seen moving in the movie is being pulled by dental floss through "Crabbe Town". See more »
When Terry and Laurie Bohner are telling the story of how they met, Laurie's arm is alternately around Terry's shoulders/by her side between shots. See more »
At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »
Some felt that this was too close to reality to be considered a parody, but I thought it was beautifully done - made fun of the cloying smugness of some "folkies", but mixed it with genuine pathos. I have a feeling Eugene Levy may have lost a couple of friends to bad acid trips
his portrayal was hilarious, but not cruel. Christopher Guest
continues to amaze me with his light touch; most comedies put people in bad situations and make them squirm their way through; instead Guest takes apparently mediocre characters and puts them in situations that stretch their personalities.
Contains the single funniest comment I've ever heard about model trains.
Suggested double feature: This is Spinal Tap, Waiting for Guffman, or Bob Roberts
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