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Sneak Peek new images of actress Eva Green ("Sin City: A Dame to Kill For") posing for the 16th edition of the "Campari" calendar, titled "Mythology Mixology" celebrating the company's most popular cocktails:
About her film career, Green said "...there are simply not enough good roles for women, and for the last 20 years it has been so male-dominated and continues to be so."
In 2006, Green was awarded the 'BAFTA' Rising Star Award.
- Michael Stevens
In a time full of excellent Television programming, it would be quite easy to get engulfed in the flames of Hannibal, True Detective and various other top notch shows, and accidentally fail to catch another show completely filled to the brim with excellent writing, acting and some of the most gorgeous set pieces around. Luckily, thanks to technology, DVD and Bluray allows us, the silly souls who missed out on the greatness that was season one of the John Logan/Sam Mendes Showtime show, Penny Dreadful, the chance to rectify that mistake, and hell yes, missing what was in my opinion one of the impressive debut seasons of a new TV shows, was just that: one large mistake.
Right now, the idea of “reinventing” classic, beloved characters is in somewhat of a boom or craze, and for every well written fresh new take on a character we love (i.e-Hannibal »
- Jerry Smith
Is there any actress out there as desired by the straight male (and lesbian) population as Eva Green right now? The French star has been an eye-opening cinematic presence throughout 2014, first for her kinky, twisted performance in 300: Rise of an Empire, and then in last week’s Sin City: A Dame to Kill For, where she once again cemented her status as one of the film industry’s trustiest go-to femme fatales. If you need a strong, sexy, seductive female for a role, there’s not really anyone better than Green at the moment.
Still, Green’s willingness to strip down for a part isn’t exactly something new, and despite her own (scarcely believable) claims that she’s in fact rather shy, she’s been taking her clothes off ever since her 2003 debut in Bernardo Bertolucci’s The Dreamers, and been the object of desire of millions ever since. »
- Jack Pooley
"You cannot defeat the Goddess," says one character in Sin City: A Dame to Kill For. "She cannot die." He's referring to Ava Lord, the seductive black widow who gives the film its title, and when she's played by Eva Green, who can blame him for using heavenly superlatives? There's always been something otherworldly about Green, who first impressed (and undressed) in Bernardo Bertolucci's The Dreamers, won best Bond Girl ever honors with Casino Royale, and just this year starred as the formidable Artemesia in 300: Rise of an Empire and toplined the Showtime series Penny Dreadful. A few weeks ago in Los Angeles, the slinky Green met up with Vulture at The Four Seasons to tell us how she got into character for the Robert Rodriguez–directed Sin City, and how she felt about getting out of her clothes for it.Do you consider yourself an inhibited person »
- Kyle Buchanan
Eva Green never let her role as a Bond Girl typecast her, and, today, the actress is working more than ever.
After getting her start in an erotic Bertolucci film and breaking out in 2005's "Casino Royale," Green has played one captivating role after another. She was a standout in Tim Burton's poorly received "Dark Shadows" (2012) opposite Johnny Depp and is currently earning rave reviews for her mysterious and supernaturally-charged Vanessa in Showtime's "Penny Dreadful." This summer, she can be found as the sexy and manipulative Ava in Frank Miller's "Sin City: A Dame to Kill For."
2. Her last name is pronounced "grain" and is derived from the Swedish word "gren, »
- Jonny Black
This story first appeared in the Aug. 22 issue of The Hollywood Reporter magazine. With his heavy-lidded gaze, impeccably tousled hair and brooding turns in such films as The Dreamers, Regular Lovers and Love Songs, 31-year-old Louis Garrel is French cinema's ultimate hipster heartthrob. In his latest movie, Jealousy (opening Aug. 15 in New York and Aug. 22 in Los Angeles), Garrel gives his most mature performance to date as a divorced stage actor juggling career, fatherhood and a stormy new mistress. You're a star in France but not as well-known in the U.S. Any
- Jon Frosch
I Origins, the second feature film from writer and director Mike Cahill, tells the story of Dr. Ian Gray (Michael Pitt),tells the story about a molecular biologist studying the evolution of the eye, and finds himself in a struggle between science and spirituality. Recently, I sat down with director Mike Cahill and star Michael Pitt to talk about the film Check it out below!
He finds his work permeating his life after a brief encounter with an exotic young woman (Astrid Bergès- Frisbey) who slips away from him. As his research continues years later with his lab partner Karen (Brit Marling), they make a stunning scientific discovery that has far reaching implications and complicates both his scientific and spiritual beliefs. Traveling half way around the world, he risks everything he has ever known to validate his theory.
What is the impetus of the idea?
Mike Cahill : This idea »
- Melissa Howland
Chicago – The debate between science and intelligent design (God) will go on as long as man evolves and searches for answers. A new and provocative film, “I Origins,” takes on the challenge of the debate through storytelling, and features hot actor Michael Pitt (“Boardwalk Empire”), directed by Mike Cahill (“Another Earth”).
Mike Cahill also teams again up with actress Brit Marling, who plays a research co-worker to Pitt’s main scientist character. Her last collaboration with Cahill, “Another Earth” – Marling also co-wrote the script – also investigated the concept of scientific certainly when faced with the mystery of an expansive and perplexing universe. In “I Origins,” the examination of the unique nature of the eye is explored, especially within its definition as a “window to the soul.”
Photo credit: Fox Searchlight Pictures
- firstname.lastname@example.org (Adam Fendelman)
Italian director Bernardo Bertolucci enters the living room of his Rome apartment through a door that had been in New York’s now-defunct New Yorker Theater, the legendary mecca for film buffs where his “Before the Revolution” screened in 1965, when he was 24.
Wheelchair-bound due to a back injury, a white cat sitting on his lap, the 74-year-old helmer asks his assistant to turn off the 4K projector beaming images on the wall, and begins to speak about his latest film, “Me and You,” as well as to muse on his lingering desire to work in 3D.
The maestro’s first feature since 2004’s “The Dreamers,” “Me and You” (Io e te) — also Bertolucci’s first Italian-language film in 32 years — debuted in Cannes in 2012 to mixed reviews; in 2012, it made a strong $2 million-plus in Italy and played in key markets in Europe. The film opened in New York on July 4 via niche distrib Emerging Pictures. »
- Nick Vivarelli
Exclusive: Israeli film-maker to develop Micro Robert (working title) with Les Films des Tornelles.
Israeli filmmaker Nadav Lapid is joining forces with Paris-based production house Les Films des Tournelles to develop a feature about a young Israeli man getting to grips with life in the French capital, provisionally entitled Micro Robert.
“I’m still writing the script but it’s at a relatively advanced stage,” Lapid told Screen. “I’m very excited about the challenge of filming in Paris and putting my own look to a city that has been shot thousands of times before…it could shoot next year.”
“It’s an existentialist comedy about a young Israeli man living in Paris,” added Les Films des Tournelles founding chief Anne-Dominique Toussaint.
The French-language feature is provisionally entitled Micro Robert after the pocket version of one of France’s best-known dictionary brands.
“We won’t set a budget or start trying to finance until we’ve signed »
The reason there hasn't been a new Bernardo Bertolucci film for more than ten years is because the now 72-year-old master filmmaker of The Conformist, Last Tango in Paris and The Last Emperor, has been having health problems. His bad back led to multiple surgeries and ultimately left him wheelchair-bound. Me and You (Io e te), his first film since The Dreamers, and his first Italian language film in more than 30 years, is a gentle, affecting coming-of-age story masterfully told.The film is unexpectedly sweet. Sure, there are a bit of Bertolucci's usual sexual innuendos and brashness but skin is kept to a bare minimum. Don't despair yet, because there is a lot to love in Me and You. I can see why the project,...
[Read the whole post on twitchfilm.com...]
First things first: Bernardo Bertolucci’s latest, Io e Te (Me and You), is, for all its loveliness, a slight film — a bit of a surprise for a director known for making sweeping works about history, politics, and sexuality. (His previous one, 2003’s The Dreamers, was another chamber piece, but even that swung for the fences, taking on the May ’68 riots, the French New Wave, and incest.) But Bertolucci wears the lightness well. The director’s first Italian-language film in three decades, Me and You has the reflection and patience of age, and the fleet-footed energy of youth.Based on Niccolo Ammaniti’s novel, the film follows Lorenzo (Jacopo Olmo Antinori), a wild-haired, zit-faced teen who pretends to go on a weeklong school ski trip but instead hides out in the storage cellar of his apartment building. At first, he spends his time happily listening to music, reading, and watching »
- Bilge Ebiri
Nr, 1 Hr., 20 Mins.
Directed by Ignacio Ferreras, a disciple of Sylvain Chomet (The Triplets of Belleville), and dubbed into English from Spanish, this animated gem tells a story of friendship in an old folks’ home. Emilio (Martin Sheen) is dumped there by his son after one too many senior moments, while Miguel (George Coe), a white-haired Randle McMurphy, cuts deals and runs the joint. The animation artfully transitions between what is real and what the aging residents think is real. Rare is the “cartoon” that penetrates and even haunts; Wrinkles is not easily forgotten. (Available on iTunes and VOD »
- EW staff
It's been over nine years since the last feature film from Bernardo Bertolucci, and for a moment there, it looked like "The Dreamers" would be the final effort from the currently wheelchair-bound filmmaker. And while we're glad he's re-energized and back to making movies, unfortunately, "Me And You" will be remembered as nothing more than a middling effort at best. A limp and lukewarm film about addiction and the relationships between parents and children, brothers and sisters, Bertolucci's first entirely Italian-language film in a couple of decades doesn't build to anything of consequence, offering an insubstantial drama that mostly feels incomplete. Your endurance will be tested by the movie's overly-long opening stretch, spent with the 14-year-old Lorenzo (Jacopo Olmo Antinori). We first meet him during a standoffish session with a psychologist, and follow that by watching him in school, learning enough to know that he's considered an outsider by his. »
- Kevin Jagernauth
Unhappy Together: Bertolucci’s Muted Return to the Director’s Seat
Seemingly against the odds, wheelchair bound Bernardo Bertolucci arrives with his first directorial effort, Me and You, in a decade, his last being the controversial 2003 film, The Dreamers. Also of note, it’s the first Italian language film Bertolucci’s made in thirty years, adding additional significance to this late work from the master provocateur. Yet, as arresting as its visuals are, paired with an odd mix of youthful soundtrack selections, the film never elevates beyond a sometimes ungainly and trifling exploration of themes and relationships exhibited more daringly and memorably in other works. Creative child artists recovering from years of drug abuse and the specter of incest amongst families of the privileged class promise a thickening soup, yet never congeal into anything more than a basic broth of domestic bonds.
Lorenzo (Jacopo Olmo Antinori) is an introverted 14 year »
- Nicholas Bell
Bertolucci at Cannes, two years agoThere was a time when the release of every new film from Italian director Bernardo Bertolucci would cause some level of controversy. Consider that in a career that spans more than five decades, he has directed films like The Conformist. Last Tango in Paris and The Dreamers. His latest film, Me and You, was made almost a decade after The Dreamers. It premiered at Cannes more than two years ago but is being released only now, almost as if the publicity for his films has gotten as quiet as the man himself, now sitting (and directing) permanently in wheel chairs.
The opening of Me and You promises more of the director’s provocative thematic interests. Lorenzo (Jacopo Olmo Antinori) is a troubled looking teenager finishing a conversation with his psychiatrist. He is reclusive and detached, and his misbehaviours are confirmed when we overhear a conversation »
- Amir S.
Title: Me & You (Io e Te) Director: Bernardo Bertolucci Starring: Jacopo Olmo Antinori, Tea Falco, Sonia Bergamasco, Veronica Lazar, Tommaso Ragno, Pippo Delbono. When it comes to Bernardo Bertolucci, undoubtably the expectations are very high: he shocked with ‘Last Tango In Paris,’ enchanted with ‘The Last Emperor’ and had a great come back with ‘The Dreamers’ in 2003. Now the Italian Maestro returns with a story on borderline siblings. Lorenzo (Jacopo Olmo Antinori), a quirky 14-year-old loner who has difficult relationships with his parents and peers, decides to take a break from it all by hiding in his building’s neglected basement, when everyone thinks he’s skiing with his classmates [ Read More ]
The post Me & You (Io e Te) Movie Review appeared first on Shockya.com. »
- Chiara Spagnoli Gabardi
London — The Karlovy Vary Intl. Film Festival will open with the international premiere of Mike Cahill’s “I Origins,” which will be attended by the film’s lead actor Michael Pitt, Cahill and actress Astrid Berges-Frisbey.
Pic enters on a young scientist whose work investigates the human eye. His research leads him to the discovery of surprising links between the human physiognomy and psyche, with implications bordering on the mystical.
The film garnered a great deal of attention at this year’s Sundance film festival, where it won the Alfred P. Sloan prize for films focusing on science, and was picked up by Fox Searchlight for worldwide distribution.
The film marked out Cahill, who won the same prize at Sundance three years ago for “Another Earth,” as a promising filmmaker to watch.
Pitt broke through »
- Leo Barraclough
Eva Green would like you to kill for her and let’s face it, you’re tempted to do it. It’s Eva Green, after all. The girl from “300: Rise of an Empire” and “The Dreamers” and that one Bond movie. She was also in “Dark Shadows,” but, uh, let’s not bring that one up too often. Anyhoos. Check out five new gritty character posters for Robert Rodriguez and his co-director Frank Miller’s “Sin City: A Dame to Kill For.” Eva Green plays the titular dame, in case you weren’t quite sure, despite the previous paragraph. Ironically, Eva Green’s character doesn’t show up in one of these five character posters. Go figure. “Sin City: A Dame To Kill For” weaves together two of Miller’s classic stories with new tales in which the town’s most hard boiled citizens cross paths with some of its more repulsive inhabitants. »
On the day I was scheduled to talk to both Lena Headey and Eva Green about their work in "300: Rise Of An Empire," there was also a morning screening of "Mr. Peabody & Sherman." Both of my sons were eager to see that, and that meant they would need to come to the interviews with me as well. As a result, they got a chance to meet Green, and by the time we walked out of that room, both of them had grown full beards and their voices had dropped an octave. Green gives off a powerful feminine vibe in person, and seems well aware of the effect she has on people. It's interesting how similar the roles are that she played in "Dark Shadows" and in "300," right down to a scene that happens in both films. It wouldn't surprise me if she got cast in "300" specifically because of "Dark Shadows. »
- Drew McWeeny
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