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Directed by | |||
| Douglas McGrath | |||
Writing credits(WGA) | ||
| Charles Dickens | (novel) | |
| Douglas McGrath | (screenplay) | |
Produced by | |||
| Simon Channing Williams | .... | producer | |
| Gail Egan | .... | executive producer | |
| John Hart | .... | producer (as John N. Hart) | |
| Michael Hogan | .... | executive producer | |
| Robert How | .... | line producer | |
| Robert Kessel | .... | executive producer | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Dick Pope | (director of photography) | ||
Film Editing by | |||
| Lesley Walker | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Andrew Grant | |||
| Tom Read | (supervising art director) | ||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Sue Ignatius | .... | makeup artist | |
| Sarah Monzani | .... | makeup designer | |
| Graham Pownall | .... | hair stylist | |
| Maralyn Sherman | .... | key makeup artist | |
| Simon Thompson | .... | hair designer | |
| Christine Whitney | .... | crowd makeup artist | |
| Trefor Proud | .... | hair stylist (uncredited) | |
Production Management | |||
| Steve Harrow | .... | post-production supervisor: UK | |
| Christopher Kenneally | .... | post-production supervisor: US | |
| Ian Pollington | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Vicki Allen | .... | crowd third assistant director | |
| Dan Channing-Williams | .... | third assistant director (as Dan Channing Williams) | |
| Ben Howard | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Josh Robertson | .... | first assistant director | |
| Rob Burgess | .... | assistant director: second unit (uncredited) | |
| Christian Rigg | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Eddie Baker | .... | stand-by props | |
| David Cheesman | .... | storeman (as Dave Cheesman) | |
| Tanya Clark | .... | art department researcher | |
| Gary Davies | .... | stand-by stagehand | |
| Steve Deane | .... | chargehand carpenter | |
| Andrew Forrest | .... | assistant art director (as Andy Forrest) | |
| Gary Fox | .... | stand-by props | |
| Claire Grainger | .... | prop buyer | |
| Katy Harvey | .... | stand-by art director (as Katy Pain) | |
| Dave Hill | .... | stand-by carpenter | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | art department coordinator | |
| Leon McCarthy | .... | stand-by carpenter | |
| Adam McCreight | .... | dressing props | |
| Richard Mills | .... | property master | |
| John O'Connor | .... | chargehand carpenter | |
| Justin Overhill | .... | scenic artist | |
| Dave Perschky | .... | construction manager | |
| Don Santos | .... | dressing props | |
| Ben Smith | .... | draftsman | |
| Michael Standish | .... | prop buyer | |
| David Stapleton | .... | chargehand painter (as Dave Stapleton) | |
| Ed Walsh | .... | draftsman | |
| Kimberley Fahey | .... | art department trainee (uncredited) | |
| Nick Pelham | .... | storyboard artist (uncredited) | |
| Ben Smith | .... | draughtsman (uncredited) | |
Sound Department | |||
| Tom Barrow | .... | sound assistant | |
| John Bateman | .... | adr and foley recording: UK | |
| Jonathan Bates | .... | supervising sound editor | |
| Philip Bothamley | .... | dialogue editor (as Phillip Bothamley) | |
| Ricky Butt | .... | foley artist (as Ricki Butt) | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Tim Fraser | .... | production sound mixer | |
| Bobby Johanson | .... | adr and foley recording: US | |
| Claire Mahoney | .... | foley artist | |
| Nadine Finzi Maybruck | .... | adr assistant: US | |
| Michael Redfern | .... | foley editor | |
| Mark Rose | .... | sound editor | |
| Steve Single | .... | sound re-recording mixer | |
| Alastair Sirkett | .... | adr editor (as Alistair Sirkett) | |
| Andy Tait | .... | consultant: DTS | |
| William Towers | .... | boom operator (as Will Towers) | |
| Chris Wilson | .... | consultant: Dolby | |
| Graham Day | .... | sound trainee (uncredited) | |
| Steve Finn | .... | boom operator (uncredited) | |
Special Effects by | |||
| Christopher Longhurst | .... | special effects assistant (as Chris Longhurst) | |
| Graham Longhurst | .... | special effects advisor | |
| Keith Dawson | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Andrew Jeffery | .... | visual effects supervisor (as Andy Jeffery) | |
| Simon Carr | .... | digital artist (uncredited) | |
Stunts | |||
| Gary Connery | .... | stunts | |
| Rowley Irlam | .... | stunts | |
| Gareth Milne | .... | stunt coordinator | |
| Bill Weston | .... | stunts | |
Camera and Electrical Department | |||
| Ashley Bond | .... | first assistant camera | |
| Robert Brown | .... | rigging gaffer | |
| Richard Carroll | .... | second assistant camera | |
| Mike Cooper | .... | electrician | |
| Ray Evans | .... | photographer: title sequence | |
| Alex Griffiths | .... | camera loader | |
| Stuart Howell | .... | camera operator | |
| Lorraine Jones | .... | video technician | |
| Paul McGeachan | .... | electrician | |
| Michael McHugh | .... | electrician | |
| Simon Mein | .... | still photographer | |
| Mike Miller | .... | camera operator: second unit | |
| Tommy O'Sullivan | .... | best boy | |
| Andy Ormesher | .... | stand-by rigger | |
| John Powell | .... | electrician | |
| Darren Quinn | .... | grip: second unit | |
| Alex Scott | .... | gaffer | |
| Gordon Segrove | .... | first assistant camera: second unit | |
| Colin Strachan | .... | grip | |
| Danny Espey | .... | rigging electrician (uncredited) | |
| Steve Finberg | .... | additional electrician (uncredited) | |
| Stuart Howell | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant | |
| Tamara Gillon | .... | casting assistant | |
| Nina Gold | .... | casting: UK | |
| Alison E. McBryde | .... | casting associate | |
| Lina Todd | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Liam Flavell | .... | costume assistant | |
| William McPhail | .... | costume supervisor | |
| Michael Mooney | .... | costume assistant | |
| Marnie Ormiston | .... | costume assistant | |
| Kirsty Wilkinson | .... | costume assistant | |
| Nicole Young | .... | assistant costume designer | |
| Lucy Denny | .... | costumer (uncredited) | |
Editorial Department | |||
| Claire Ferguson | .... | assistant editor: avid | |
| Alec Gibson | .... | color timer | |
| Joe Hobeck | .... | assistant editor: avid (as Joseph Hobeck) | |
| Jeremy Hume | .... | assistant editor | |
| Mark Neale | .... | assistant editor: avid | |
| Marsha Bramwell | .... | trainee assistant editor (uncredited) | |
| Matthew Streatfield | .... | trainee assistant editor (uncredited) | |
| Jason Wheeler | .... | negative cutter (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Chris Dibble | .... | music engineer | |
| George Hamer | .... | orchestral contractor | |
| Rachel Portman | .... | music producer | |
| David Snell | .... | conductor | |
| Graham Sutton | .... | music editor | |
Transportation Department | |||
| Jimmy Carruthers | .... | unit driver (uncredited) | |
| Enyo Mortty | .... | driver: Christopher Plummer (uncredited) | |
Thanks | |||
| Tim Cribb | .... | thanks: Churchill College, Cambridge University | |
| Gordon Campbell Gray | .... | thanks: One Aldwych | |
| Daniel Johansson | .... | thanks: One Aldwych | |
| Trevor May | .... | thanks | |
| Betty Moore | .... | thanks: DTA Tours & Travel | |
| Andrew Xavier | .... | thanks: The Dickens House Museum, London | |
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| Love in the Time of Cholera | Fellini Satyricon | The Life and Adventures of Nicholas Nickleby | The Kite Runner | Spider-Man 3 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Stunning photography, outrageous characters and a powerful, emotional story: that's Nicholas Nickleby, the 2002 adaptation from the famous book by Charles Dickens. I have not read that book, so this story was new to me and I couldn't help but be impressed.
Hopefully, most people are still satisfied to see good people triumph in the end. With a Dickens story, you know there will be a lot to overcome, too, and lots of suffering and heartache along the way to a happy ending.
Douglas McGrathdid a fine job directing this film. Dick Pope, director of photography (cinematographer) made England look as beautiful as any Merchant-Ivory film I've seen. Start-to-finish the landscape of England never looked prettier. Pope performed the same kind of magic two years later in "The Illusionist," a gorgeous-looking movie. Kudos to Rachel Portman for a magnificent score, too, with a beautiful, sweeping theme song. This movie is a treat for the ears, as well.
Charlie Hunnam as Nicholas Nickleby was adequate; Christopher Plummer as his Uncle Ralph was very good and Jamie Bell as the unforgettable "Smike" was excellent. It's hard to believe he's the same kid who played "Billy Elliott" just a couple of years ago.
Jim Broadbent and Juliet Stevens as the wicked, evil husband-and-wife-team who run DotheBoys Hall, a boys boarding school, were also memorable. Dickens also had cruel people mistreating little boys and these two personify cruelty.
Two beautiful women: Anne Hathaway's as Nicholas' love "Madeline Bray" and Romola Garai as his sister "Kate" were both pleasant and easy on the eyes. As for supporting actors, I enjoyed them all as well, getting an extra smile from Timothy Spall and Gerald Horan and "Charles and Ned Cherryble" The same can be said for Nathan Lane and Alan Cumming, who provide much-needed comic relief and whimsy.
I did not recognize Tom Courtenay as "Newman Noggs." I guess I still picture him from his younger and much thinner years. It's been almost 25 years since I last saw him in "The Dresser" and he's changed quite a bit.
One other thing that was fun to observe in this film: everyone's vocabulary! , I loved how they expressed themselves, the good and the bad people
Of the many well-put sentences delivered in this well-intentioned and high-minded film, I remember Nickleby saying near the end,
"Weakness is tiring, but strength is exhausting."