| Photos (see all 35 | slideshow) |
Directed by | |||
| Douglas McGrath | |||
Writing credits(WGA) | ||
| Charles Dickens | (novel) | |
| Douglas McGrath | (screenplay) | |
Produced by | |||
| Simon Channing Williams | .... | producer | |
| Gail Egan | .... | executive producer | |
| John Hart | .... | producer (as John N. Hart) | |
| Michael Hogan | .... | executive producer | |
| Robert How | .... | line producer | |
| Robert Kessel | .... | executive producer | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Dick Pope | (director of photography) | ||
Film Editing by | |||
| Lesley Walker | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Andrew Grant | |||
| Tom Read | (supervising art director) | ||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Sue Ignatius | .... | makeup artist | |
| Sarah Monzani | .... | makeup designer | |
| Graham Pownall | .... | hair stylist | |
| Maralyn Sherman | .... | key makeup artist | |
| Simon Thompson | .... | hair designer | |
| Christine Whitney | .... | crowd makeup artist | |
| Trefor Proud | .... | hair stylist (uncredited) | |
Production Management | |||
| Steve Harrow | .... | post-production supervisor: UK | |
| Christopher Kenneally | .... | post-production supervisor: US | |
| Ian Pollington | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Vicki Allen | .... | crowd third assistant director | |
| Dan Channing-Williams | .... | third assistant director (as Dan Channing Williams) | |
| Ben Howard | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Josh Robertson | .... | first assistant director | |
| Rob Burgess | .... | assistant director: second unit (uncredited) | |
| Christian Rigg | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Eddie Baker | .... | stand-by props | |
| David Cheesman | .... | storeman (as Dave Cheesman) | |
| Tanya Clark | .... | art department researcher | |
| Gary Davies | .... | stand-by stagehand | |
| Steve Deane | .... | chargehand carpenter | |
| Andrew Forrest | .... | assistant art director (as Andy Forrest) | |
| Gary Fox | .... | stand-by props | |
| Claire Grainger | .... | prop buyer | |
| Katy Harvey | .... | stand-by art director (as Katy Pain) | |
| Dave Hill | .... | stand-by carpenter | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | art department coordinator | |
| Leon McCarthy | .... | stand-by carpenter | |
| Adam McCreight | .... | dressing props | |
| Richard Mills | .... | property master | |
| John O'Connor | .... | chargehand carpenter | |
| Justin Overhill | .... | scenic artist | |
| Dave Perschky | .... | construction manager | |
| Don Santos | .... | dressing props | |
| Ben Smith | .... | draftsman | |
| Michael Standish | .... | prop buyer | |
| David Stapleton | .... | chargehand painter (as Dave Stapleton) | |
| Ed Walsh | .... | draftsman | |
| Kimberley Fahey | .... | art department trainee (uncredited) | |
| Nick Pelham | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Tom Barrow | .... | sound assistant | |
| John Bateman | .... | adr and foley recording: UK | |
| Jonathan Bates | .... | supervising sound editor | |
| Philip Bothamley | .... | dialogue editor (as Phillip Bothamley) | |
| Ricky Butt | .... | foley artist (as Ricki Butt) | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Tim Fraser | .... | production sound mixer | |
| Bobby Johanson | .... | adr and foley recording: US | |
| Claire Mahoney | .... | foley artist | |
| Nadine Finzi Maybruck | .... | adr assistant: US | |
| Michael Redfern | .... | foley editor | |
| Mark Rose | .... | sound editor | |
| Steve Single | .... | sound re-recording mixer | |
| Alastair Sirkett | .... | adr editor (as Alistair Sirkett) | |
| Andy Tait | .... | consultant: DTS | |
| William Towers | .... | boom operator (as Will Towers) | |
| Chris Wilson | .... | consultant: Dolby | |
| Graham Day | .... | sound trainee (uncredited) | |
| Steve Finn | .... | boom operator (uncredited) | |
Special Effects by | |||
| Christopher Longhurst | .... | special effects assistant (as Chris Longhurst) | |
| Graham Longhurst | .... | special effects advisor | |
| Keith Dawson | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Andrew Jeffery | .... | visual effects supervisor (as Andy Jeffery) | |
| Simon Carr | .... | digital artist (uncredited) | |
Stunts | |||
| Gary Connery | .... | stunts | |
| Rowley Irlam | .... | stunts | |
| Gareth Milne | .... | stunt coordinator | |
| Bill Weston | .... | stunts | |
Camera and Electrical Department | |||
| Ashley Bond | .... | first assistant camera | |
| Robert Brown | .... | rigging gaffer | |
| Richard Carroll | .... | second assistant camera | |
| Mike Cooper | .... | electrician | |
| Ray Evans | .... | photographer: title sequence | |
| Alex Griffiths | .... | camera loader | |
| Stuart Howell | .... | camera operator | |
| Lorraine Jones | .... | video technician | |
| Paul McGeachan | .... | electrician | |
| Michael McHugh | .... | electrician | |
| Simon Mein | .... | still photographer | |
| Mike Miller | .... | camera operator: second unit | |
| Andy Ormesher | .... | stand-by rigger | |
| Tommy O'Sullivan | .... | best boy | |
| John Powell | .... | electrician | |
| Darren Quinn | .... | grip: second unit | |
| Alex Scott | .... | gaffer | |
| Gordon Segrove | .... | first assistant camera: second unit | |
| Colin Strachan | .... | grip | |
| Danny Espey | .... | rigging electrician (uncredited) | |
| Steve Finberg | .... | additional electrician (uncredited) | |
| Stuart Howell | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant | |
| Tamara Gillon | .... | casting assistant | |
| Nina Gold | .... | casting: UK | |
| Alison E. McBryde | .... | casting associate | |
| Lina Todd | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Liam Flavell | .... | costume assistant | |
| William McPhail | .... | costume supervisor | |
| Michael Mooney | .... | costume assistant | |
| Marnie Ormiston | .... | costume assistant | |
| Kirsty Wilkinson | .... | costume assistant | |
| Nicole Young | .... | assistant costume designer | |
| Lucy Denny | .... | costumer (uncredited) | |
Editorial Department | |||
| Claire Ferguson | .... | assistant editor: avid | |
| Alec Gibson | .... | color timer | |
| Joe Hobeck | .... | assistant editor: avid (as Joseph Hobeck) | |
| Jeremy Hume | .... | assistant editor | |
| Mark Neale | .... | assistant editor: avid | |
| Marsha Bramwell | .... | trainee assistant editor (uncredited) | |
| Matthew Streatfield | .... | trainee assistant editor (uncredited) | |
| Jason Wheeler | .... | negative cutter (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Chris Dibble | .... | music engineer | |
| George Hamer | .... | orchestral contractor | |
| Rachel Portman | .... | music producer | |
| David Snell | .... | conductor | |
| Graham Sutton | .... | music editor | |
Transportation Department | |||
| Jimmy Carruthers | .... | unit driver (uncredited) | |
| Enyo Mortty | .... | driver: Christopher Plummer (uncredited) | |
Thanks | |||
| Tim Cribb | .... | thanks: Churchill College, Cambridge University | |
| Gordon Campbell Gray | .... | thanks: One Aldwych | |
| Daniel Johansson | .... | thanks: One Aldwych | |
| Trevor May | .... | thanks | |
| Betty Moore | .... | thanks: DTA Tours & Travel | |
| Andrew Xavier | .... | thanks: The Dickens House Museum, London | |
|
|
|
|
|
| Great Expectations | City of Shoulders and Noses | Gone with the Wind | Braveheart | Oliver Twist |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
Writer/director Douglas McGrath has done a splendid job bringing Charles Dickens' delightful novel 'Nicholas Nickleby' to the big screen.
'Nickleby' is quintessential Dickens in its mixture of sentiment and satire; its finely drawn characters and caricatures; its clear cut delineation of good and evil, hero and villain; its melodramatic and coincidence-ridden plotting; and its championing of the downtrodden underclass of 19th Century England. Like many of Dickens' protagonists, Nicholas is a young man who is forced by circumstances (in this case the death of his father) to leave the comfort and security of his home and family and to venture forth to make his way in the world. On his journey he meets many vivid and colorful characters, all of whom reveal to him both the goodness and the cruelty inherent in human nature. These picaresque tales almost always end up with the hero a bit wiser and less naïve for his experiences - but more committed than ever to righting wrongs and seeking justice for those less able to do so on their own. And 'Nicholas Nickleby' is no exception.
In his approach to the material, McGrath has employed an amazing economy that allows him to effectively compress a 500-page novel into a 2 hour and 12 minute film. With so much storyline to work with, McGrath wastes no time in setting the scene and defining the characters, then moving merrily along from one dramatic incident and encounter to the next. Yet, the film never feels rushed or telescoped as movies derived from lengthy novels so often do. Each character, whether major or minor, is given the opportunity to make his or her mark on the scene. It's true that, in Dickens' world, the villains and eccentrics are generally far more intriguing and memorable than the comparatively pallid heroes and heroines, but McGrath has succeeded in making even those latter characters moving and interesting. Above all, the film is blessed with a cast made up of first-rate performers who bring each of the author's creations to vivid life. Charlie Hunnam, despite his having to embody a character who is a fairly one-dimensional, conventional 'pretty boy,' manages to make Nicholas a bit more active and a bit less passive than he might have become in lesser hands. Nathan Lane and Barry Humphries make a delightful couple as Mr. and Mrs. Crummles, the leaders of the fifth-rate theatrical troupe that, for a short while, becomes a family for young Nicholas. Jim Broadbent enacts a fine comic villain as Mr. Squeers, the brutal but henpecked schoolmaster with whom Nicholas quite literally comes to blows. The film's finest performance comes from the ubiquitous Christopher Plummer as Nicholas' evil Uncle Ralph. Plummer understands that the key to conveying villainy effectively is by underplaying the role. By doing so, he helps to ground the film with a much-needed center of gravity.
Special recognition should go to the handsome production and costume design, to the fine cinematography and to the lovely score by Rachel Portman. In fact, everyone involved in the making of 'Nicholas Nickelby' should take a bow for converting such a fun, entertaining novel into such a fun, entertaining film. Dickens, I believe, would feel honored and proud.