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El lápiz del carpintero (2003)
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Overview
User Rating:
Release Date:
25 April 2003 (Spain) moreTagline:
Una historia de amor y obsesión.Plot Keywords:
Awards:
3 wins & 4 nominations moreUser Comments:
Very fine visuals and some compelling performances, but uneven and superficial story that weaken the appeal of this movie. more (2 total)Cast
(Cast overview, first billed only) | Tristán Ulloa | ... | Daniel Da Barca |
 | Luis Tosar | ... | Herbal |
 | María Adánez | ... | Marisa Mallo |
| Nancho Novo | ... | Zalo |
| María Pujalte | ... | Beatriz |
| Manuel Manquiña | ... | Benito Mallo |
| Anne Igartiburu | ... | Madre Izarne |
| Maxó Barjas | ... | Laura |
| Carlos Sobera | ... | Landesa |
| Sergio Pazos | ... | Sargento Somoza |
 | Monti Castiñeiras | ... | Alejandro |
| Miguel de Lira | ... | Pepe Sánchez |
| Gonzalo Uriarte | ... | Doctor Soláns |
| Celso Parada | ... | Gengis Kahn |
 | Santi Prego | ... | Dombodán |
Additional Details
Also Known As:
O lapis do carpinteiro (Spain: Galician title)The Carpenter's Pencil (Europe: English title)
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Parents Guide:
Add content advisory for parentsRuntime:
Spain:106 min | Argentina:106 minCountry:
SpainLanguage:
SpanishColor:
ColorFun Stuff
Trivia:
The author of the novel on which the film is based, Manuel Rivas, has a cameo in the film. When Daniel is first taken to the beach and lined up with other prisoners to be shot, Rivas appears to the right of him in a grey jumper. moreFAQ
This FAQ is empty. Add the first question.more (2 total)
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This movie is one of numerous films released at the turn of the century to delve into Spain's past, but it lacks the depth and nuance that would make El Lapiz del Carpintero a movie to study and remember.
The issue is not the performances since most of the characters are compelling, nor is it a question of technique or style. Some of the panoramic views of the Galician landscapes are breathtaking, and the interior set designs create a convincing visual authenticity of the period. It is easy to see that major components such as lighting, and details such as clothing received the kind of attention that make the images appealing to watch.
The film is superficial, however, in its approach toward a topic that requires and deserves a more careful and balanced presentation. The strength of the characters and the allure of the visuals are not enough to make a powerful story that audience members mull over, argue about, or even discuss.