Martin Luther is born into a world dominated by the Catholic Church. For the keenly spiritual Luther, the Church's promise of salvation is irresistible. Caught in a thunderstorm and ... See full summary »
This biographical account of Martin Luther's actions that eventually created the Protestant and Lutheran religions was filmed in conjunction with the Lutheran Church. Niall MacGinnis ... See full summary »
Successful doctor Artur Planck, his wife Clara and their two daughters are seeking shelter from the Nazis storming Poland. They find a safe house in the farm of Emilia, their local grocer ... See full summary »
Katarzyna Al Abbas,
Biography of Martin Luther, the 16th-century priest who led the Christian Reformation and opened up new possibilities in exploration of faith. The film begins with his vow to become a monk, and continues through his struggles to reconcile his desire for sanctification with his increasing abhorrence of the corruption and hypocrisy pervading the Church's hierarchy. He is ultimately charged with heresy and must confront the ruling cardinals and princes, urging them to make the Scriptures available to the common believer and lead the Church toward faith through justice and righteousness. Written by
There are many instances when actual quotes are used by the characters. This includes Friar Tetzel's "Coin in the coffer rings a soul from Purgatory springs" as well as Luther's "Here I Stand" speech. See more »
When Frederick the Wise is directing Spalatin on how to respond to the summons for Luther from the Cardinal, he talks about letting the "inertia" of the situation take its course. Presumably this conversation takes place on, or around, 1518 (and certainly before the Diet of Worms in 1521), however, the term "inertia" was first used by Johannes Kepler in works published from 1618 to 1621 nearly 100 years later. See more »
It is unfortunate that this film has such limited distribution as it to become one of the shining stars of historical dramas. Here in Miami it is only showing in 3 theaters. On opening day at 4:10 in the afternoon there were less than 10 people in the theater! Its attention to historical accuracy is commendable. The acting by Fiennes and Ustinov could not be improved in my view. I was swept away with drama and emotion of the portrayal of Luther at this time of crisis in Christianity. Interestingly the pivotal moment of the nailing of the 95 thesis to the door of the church in Wittenburg is regarded as fictional by most careful scholars of Luther! But the legend is so ingrained that I am glad it was presented. If you have any interest in the foundations of the schism with Catholicism you must see this film.
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