This biographical account of Martin Luther's actions that eventually created the Protestant and Lutheran religions was filmed in conjunction with the Lutheran Church. Niall MacGinnis ... See full summary »
Martin Luther is born into a world dominated by the Catholic Church. For the keenly spiritual Luther, the Church's promise of salvation is irresistible. Caught in a thunderstorm and ... See full summary »
Successful doctor Artur Planck, his wife Clara and their two daughters are seeking shelter from the Nazis storming Poland. They find a safe house in the farm of Emilia, their local grocer ... See full summary »
Katarzyna Al Abbas,
Biography of Martin Luther, the 16th-century priest who led the Christian Reformation and opened up new possibilities in exploration of faith. The film begins with his vow to become a monk, and continues through his struggles to reconcile his desire for sanctification with his increasing abhorrence of the corruption and hypocrisy pervading the Church's hierarchy. He is ultimately charged with heresy and must confront the ruling cardinals and princes, urging them to make the Scriptures available to the common believer and lead the Church toward faith through justice and righteousness. Written by
Co-produced by 'Thrivent Financial for Lutherans', an American company affiliated with Lutheran church organizations, primarily the two largest national U.S. Lutheran Church organizations (The Evangelical Lutheran Church in America and The Lutheran Church - Missouri Synod). Thrivent is a component of the "Fortune 500," the 500 largest companies headquartered in the United States, but it is the only not-for-profit organization/company which is a component of the Fortune 500 because it is a members only company, serving the congregants of Lutheran churches in the U.S., operating much like a members only credit union or mutual (meaning owned by its members) insurance company. See more »
After Tetzel burns his hand in the fire, the long shots show him raise both his hands and the burn is gone. See more »
Do not bite the hand that feeds you, Martin. Our prince pays for your chair in this university. His relics pay for your chair.
And he who pays the piper calls the tune.
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I just came from the St. Louis premier (in conjunction with the 14th annual Theological Symposium at Concordia Seminary) and am very impressed with the film. Not only is it entertaining, but it follows the history of Luther's early years of ministry quite faithfully. Sure, some things were fictionalized to get us from one scene to another, but the facts of the reformation movement, and the realities of life in the 16th century are brought to great realism on the screen.
The performances of Fiennes, and Ustinov were particularly strong, but I think viewers will fall in love with Ustinov's portrayal of Prince Friedrich, the Wise. He's like the cuddly grandpa you always wished you had (or maybe you did have) who didn't care what people thought of them, said and did what they pleased, and no one gave them any crap for it. I truly think it is Oscar calibre work. I think you will too.
Firth as Aleandro was convincing as the Roman Bureaucrat determined to get ahead by keeping the peace between Leo and Charles. Ganz plays a great pastor to Luther - throughout his life - one that we should all be so lucky to have looking after our spiritual well being.
Hofschneider, as the eager to learn and willing to "suffer all for the Gospel" assistant (Ulrick) to Luther made it very easy for the viewer to feel a connection to him. His loyalty was genuine, and not self serving. A true man of the cloth.
Although not on screen long, Clair Cox does a nice job showing just how strong a woman Katie was. Is it any wonder that she went on to run a rather successful business apart from Martin's influence?
For sure this is a courageous movie about a stalwart leader of Church, state, and society to whom western civilization owes a great debt. While the 1950's version of Luther may be more complete in some respects, it is not nearly as accesable to today's viewers who are used to big budget, visually stimulating, and fast paced movies
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